Review: Red Ink Theatre’s “iAlone”

Red Ink Theatre’s iAlone remounted at The Artistic Home

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Nathan Stone, Erin Lane, Brian Bush, and Anna Schlegel of Red Ink Theatre reprise these actor-written monologues, which met with success during their first performances at The Spot in 2008 and again at the Abbie Hoffman Festival at the Mary Arrchie Theatre. While self-exposure is very much the name of the game in iAlone, rigorous artistic discipline prevents these young monologists from spiraling into navel gazing and self-pity. The best monologs are lively, descriptive, full of youthful yearning, while at the same time maintain an unsentimental clarity about those tendencies that lead to self-victimization.

Erin Lane, presently performing in Red Ink Theatre's "iAlone" “Eating 4 One” by Erin Lane is the most powerful and unforgettable monolog of the bunch. Following on the heels of “Dave,” a monolog about Lane’s downwardly mobile boyfriend, “Eating 4 One” relates her accidental pregnancy, resulting from their last evening of sexual intercourse before the breakup. In this era of dangerous abortion politics, who would dare expect in the theater an admission of an abortion being practically therapeutic in the life of a young woman? Yet Lane’s progress from being wronged by her boyfriend and betrayed by contraception, to self-assertion and self-preservation defies expectations. Even though, by the end of the abortion, the relationship with Dave clearly is on its last legs, the audience knows she will survive anything.

Nathan Stoner, currently performing in Red Ink Theatre's "iAlone" Nathan Stoner brings the greatest whimsy and playfulness to the stage with “Hide and Seek” and “My Boys;” the first being a meditation on the power of pop tunes to inform any romance with wistful, dreamlike qualities, and the second reveals the homoerotic awakening of a 12 year-old boy in a hot tub with his brother’s straight friends. Stoner adds much needed levity to this production, since the other monologists produce material that is much heavier in style and substance.

Anna Schlegel, currently performing in Red Ink Theatre's "iAlone" With “Enlightenment,” Anna Schlegel exposes so much of her own erotic intensity, and its capacity to make her betray herself, that one fears for her, until “Burn One Down” reveals her own happy ending—a lover who appreciates all her aspects, from lust for life, to sloppy slouching around on weekend mornings.

Of all the monologs on addiction, Brian Bush’s Tiny Hooks” stands out. It seems the perfect climax for a guy that has sought out emotionally unattached sexual encounters and now finds himself used by them. He both desperately needs, yet desperately dreads his weekly encounters with a prostitute and her tiny hooks.

Brian Bush, currently performing in Red Ink Theatre's "iAlone"Set design for this production is rudimentary at best and might serve more as a distraction than fulfillment the original premise. The premise being that both audience and performers, sitting together on the el, are distracted and distanced from one another by iPod usage—yet everyone has their untold stories and secret burdens. The seats for the “el” are the crudest plywood; the “el” doors opening and shutting remind one of the cheap, makeshift set of the first Star Trek series. But I hope the performers know that their monologs are strong enough to stand alone, without this conceit. Or that the same effect might be achieved with lighting and sound alone—something to consider when weighing the costs of production for a small theater company.

Rating: «««

When:  Thurs – Saturday 8pm, Sundays 3pm
Dates: May 28th – June 27th
Where:   Artistic Home Theatre, 3914 N. Clark
Tickets:  $15, (buy tickets)

iAlone Poster 

Learn more about Red Ink Theatre by clicking “Read more”

Red Ink Theatre’s Mission Statement and History

 

Mission Statement

The mission of Red Ink Theatre is to inspire honesty.

Red Ink’s productions allow, both audience and performer alike, to explore authentic, unique, independent ideas of themselves and society. We unearth truths through our process and relate it to our audience. By using different theatrical tools and styles, including solo performance work, improvisation, and sketch comedy, we give art the opportunity to applaud, ridicule and imitate life.

History

Red Ink Theatre Company’s first production, Time to Stop Worrying, was an original sketch comedy revue (written and performed by Red Ink’s own sketch group, 4 Days Late) that stood fearless in the face of absent reviewers. Its run at The Spot was concluded with a highly successful, sold-out performance at Chicago Sketchfest, ’08. Their second production, iAlone, an original work delving into the true secrets of its writer/actors, was incredibly well received and recommended in the Chicago Reader during it’s three week preview at The Spot in April and May of 2008. It was also performed at the Abbie Hoffman Festival, produced by Marie Arrchie Theatre, in the summer of ’08. iAlone will be fully mounted in Spring/Summer, 2009.

4 Days Late’s second sketch comedy revue, America for Dummies, ran through the fall of 2008 at The Apollo Theater, and was also concluded with a sold-out performance at Chicago Sketchfest ’09. They are currently working on their newest revue, ObamaNation, due to open April 3rd, 2009 at The Apollo Theater once again.

Red Ink Theatre was founded by Artistic Director, Erin Lane, and Managing Director, Brian Bush. Erin Lane has a B.A. in Theatre Arts from Columbia College Chicago. She has also graduated from the Second City Conservatory here in Chicago as well as from iO and Annoyance Productions. She has been performing professionally for over 10 years and has been directing in Chicago for two. Brian Bush moved to Chicago 3 years ago, after graduating from the University of Idaho with a B.F.A in theatre arts. He has been performing professionally for over seven years.

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