Review: Pinter’s “The Caretaker” (Curious Theatre Branch)

Hauntingly primal, animalistic performances are fascinating to watch

Harold Pinter's "The Caretaker"Moving season was the right time for Curious Theatre Branch to produce The Caretaker, by Harold Pinter. Tucked away in the intimate Side Project space, the set, recreating a dilapidated London apartment, is a chaos of broken down debris. A stuffed fox, old newspapers, a paint-splattered ladder, and at least four vacuum cleaners litter the space, designed by Shawn Reddy. Being a Rogers Park native, I was actually looking around to see if I recognized anything as something I threw out. The trashy setting provides a suitable backdrop to the perplexing play, itself a cacophony of dented personalities.

caretaker3 The Caretaker, first produced in 1960, was the first successful play of the writer who later would be hailed as Britain’s greatest living playwright until his recent death in 2008. In true absurdist tradition, not much actually happens in the play. Over the three acts (spanning 2.5 hours in this production), an arm is twisted, a bag is passed around, and the three characters enter and exit the apartment; other than that, the running time is filled with dialogue and Pinter’s famous pauses.

Without the cast having a keen understanding of Pinter’s language and characters, this could have been excruciatingly boring. Depicting one of the worst roommate situations imaginable, where a vagrant is taken in by two emotionally disturbed brothers, the play can flip from cynically hilarious to chilling over the course of a pause. Curious Theatre Branch, though, has a love-affair with the absurd, usually producing original works with the occasional Beckett thrown in for good measure. Directed by the cast along with Jayita Bhattacharya, who also stage manages, the staging of this somewhat baffling masterpiece is darkly visceral yet smartly communicative.

The most relatable character in the play is Davies, a petty, old transient who is both beggar and chooser. Like him, we suddenly find ourselves in the rundown flat that is inhabited by one brother, Aston, yet owned by another, Mick. Alongside Davies, we are slowly submerged into each of their bizarre and intimidating worlds.

Harold Pinter's "The Caretaker" This Caretaker values character above all else, and the performances electrify the space; the actors precisely envelope the damaged personalities they portray. Beau O’Reilly’s Davies is conniving and manipulative, decayed by xenophobia and a refusal to examine himself. O’Reilly captures Davies’ intense neediness as well as his fussiness. Jeffrey Bivens is menacing as Mick, speaking and moving in short bursts like a machine gun. The crowning performance, though, is (Beau’s son) Colm O’Reilly’s Aston. Quiet and unassuming, Aston speaks in nonsequitors, tossing out random facts about himself that lead to more questions than answers. The young O’Reilly captures the stoic energy of the character, speaking with much less volume than his father’s impassioned Davies. His gentle voice works perfectly in the tiny space. The best moment in the production is Aston’s marathon monologue describing his experience in a mental ward—O’Reilly barely moves an inch yet the audience is wholly entranced the entire time.

caretaker4 The end result is hauntingly primal. Some moments are stretched a little long, and a bit shorter run time would improve the show. The ending leaves the play wide open for a myriad of interpretations, which can be a more overwhelming than thought-provoking. This Caretaker is also void of British accents, which makes some of the colloquialisms a little out-of-place, but never distracts too much.

The animalistic performances, however, are fascinating to watch. All three actors have a deep respect and love for Pinter’s notoriously sharp language. In this production, they reveal Pinter’s true genius, his ability to stuff the absurd into the realistic.

Rating: «««

The Caretaker
May 22 – June 28
Fridays + Saturdays 8pm • Sundays 7pm
INDUSTRY NIGHT Monday, June 22 7pm

 

 

About the Curious Theatre Branch

Curious Theatre Branch is one of Chicago’s few all-original theater companies. Founded in 1988 by Jenny Magnus and Beau O’Reilly, Curious has consistently worked with an ensemble of artists in a non-hierarchical decision-making process, through which the philosophy of collaboration as a social force is explored on every level.

Curious Theatre Branch has produced more than 100 full productions of world-premiere shows in 20 years, amazing audiences year after year in how much can be accomplished for so little. Curious has developed its own recognizable style, using an economy of means and production to make deeper and deeper, rather than larger and larger, work.

In 1995, Beau O’Reilly was named one of the 50 most influential people in Chicago theater by Chicago Magazine. In 1998, Beau O’Reilly and Jenny Magnus were named among the Artists of the Year by the Chicago Tribune, and from 1998 to 2005, they were included among the 50 most influential people in Chicago theater by Newcity Chicago.

In 2007, Curious Theatre Branch won an Orgie Award for Original Theater for the year-long Samuel Beckett festival, No Danger of the Spiritual Thing: 100 Years of Beckett (best ensemble), which was lauded at the Museum of Contemporary Art.

About the Rhinoceros Theatre Festival

Each year, Curious curates and produces the Rhinoceros Theatre Festival, which provides production and exhibition opportunities to hundreds of artists, drawing thousands in attendance each year. The longest-running, last-standing, multi-arts fringe festival in Chicago, the Rhino features works in theater and performance from Chicago companies and national artists alike.

Curious teamed up with Prop Thtr Group for the 2007 festival, presenting 38 programs (including 15 world premieres) over the span of ten weeks and five venues including Chicago’s Museum of Contemporary Art—resulting in one of the biggest and most successful Rhinos in the history of the festival.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

%d bloggers like this: