Review: Goodman’s “Boleros for the Disenchanted”

A touching journey of one woman’s quest for love

 Boleros-group

Playwright Jose Rivera takes us on an emotionally touching journey through the eyes and soul of his mother as she experiences the raw struggles, joys, flaws, disappointments and selfless choices that love demands. As a young woman in Puerto Rico, innocent and filled with optimism in the strength of love, she leaves her unsuitable fiancé and meets the man she will marry. Boleros for the Disenchanted, Boleros-2playing at Goodman Theatre, is about whether that love can sustain 40 years later, after the truths of life have been unveiled.

Rivera’s story begins in the early 1950’s in Puerto Rico with a breathtaking set designed by Linda Buchanan filled with an assortment of flowers, and bright simply constructed housing. This Puerto Rican set is electrified with the romantic colors of the sky created by lighting designer (Joseph Appelt.)

The cast of six actresses and actors each take on multiple roles as the play ages itself through the years. With the outstanding direction of Henry Godinez, the transition of the characters’ lives over forty years has a natural fluidity and builds in intensity as it pushes various emotional nerves each act.

As the story begins, young Flora (Elizabeth Ledo) is engaged to marry the smooth talking charismatic machismo Manuelo (Feliz Solis) but she recently discovered that he has been cheating on her with another woman. Raised in a strict Catholic household, Flora was keeping herself pure for him. Flora’s mother warns her about being with a man like Manuelo but also speaks about the role of a woman in a marriage and dismisses the hurtful actions of men as it being in their nature. This conversation between Young Flora and her mother is continuously funny and made boleros_eusebioand floramore so by their ability to act as if they see no humor in their lines. Flora has witnessed, as we witness, her father’s (Rene Rivera) emotional flar-ups and how her mother copes with these individual moments and maintains their marriage.

Her father’s brash actions towards his wife and daughter leave the audience with a bit of distaste for his character, but the portrayal is realistic for the social norms of the time and emphasizes the social suppression of women. He also represents the Boleros-4sentiment of the elder Puerto Rican society, a disappointment in the deterioration of their country, which is mainly blamed on the United States. Neighbors with in the community are leaving for places like New York and Chicago, produce is being taken to the United States and being sold back to them at inflated prices, and the traditional values of the past are being taken for granted. The value of family, honor and happiness over wealth remains in Flora’s household, and her parents hope she will marry a good Puerto Rican who will remain in Puerto Rico.

Manuelo also attempts to justify his polygamous actions by explaining the biological nature of men, but his refusal to Boleros-6remain faithful to her forces her to leave him. Manuelo’s charismatic style of saying something ridiculous but making it sound romantic and sincere is gut-wrenchingly funny as he tries to romanticize his promiscuous ways.

Heart broken but uplifted with the excuse to visit her free-spirited eccentric cousin Petra (Liz Fernandez) Flora takes a trip to the “big” city. Against her traditional upbringing of female purity Flora and Petra are sitting alone outside when they meet a young soldier who is interested in Flora. Young Eusebio (Joe Minoso) is a kind patient man who draws the audience’s affection through his sincere love for Flora and desire for her happiness.

Boleros-3 Does Eusebio grow up to be the man and husband that Flora believes he is? Does their love still flourish with the same excitement and electricity that they had in their youth while meeting under the Puerto Rican sun?

Nine children later, living alone in America, and taking care of her now disabled husband, Jose Rivera tells us the story of how his mother champions love in its most beautiful and encouraging states along with the most ugly and defeating moments that life brings.

Jose Rivera’s ability to tell his parent’s story with heart-felt honesty astounds me. The inclusion of multiple themes such as migration, the loss of traditional values in individual progress, the roles of men and women and the meaning of true happiness all created a complicated mix much like the lives of his parents. The strength and vulnerability shown in Flora and her husband Eusebio are beautifully played by Boleros-7Sandra Marquez and Rene Rivera. They capture the depth and contradicting emotions that come with forty years of marriage.

This beautiful story had me laughing for 2 hours and crying at the end. It left a knot in my stomach and throat that only a story capturing the deepest truth of love can create. This play represents love in real relationships and the truth that lies behind the stories of our lives. In the end we see the strength that can surface when we choose to love.

Rating: ««««

Where: Goodman Theatre

Through: July 26th

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One Response

  1. […] one of the stars of the Goodman’s production of Boleros for the Disenchanted (our 4-star review here) where she plays both a young girl in 1953 Puerto Rico and a caretaker in 1992 Alabama. The two of […]

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