New team announced for Theatre Building Chicago’s ‘Musical Theatre Writers Workshop’

Theatre Building Chicago announces it new team of Steinhagen, Holland and Chambers

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Theatre Building Chicago is pleased to announce that Jon Steinhagen and Patrick Holland will join Artistic Director Allan Chambers to “team teach” TBC’s Musical Theatre Writers Workshop. The workshop’s curriculum will continue to focus on the development of the artist in specific fundamentals related to creation of new musicals. The Fall semester focuses on lyrics, music and book and the Winter/Spring semester Practicum takes workshop members through the planning, writing and rehearsal process of a new musical. The introductory workshop sessions will be team-taught by Jon Steinhagen, Patrick Holland and Artistic Director Allan Chambers. This triumvirate of theatre artists brings a wealth of musical theatre writing, directing, and teaching experiences to the workshop. Their years of experience will guide members as they instruct and lead the critique sessions for the introductory first year members.

The 2nd year members and alumni writers will also have the opportunity to work with the three instructors separately or as a team, as they present scenes and songs from full length musicals and one-act children’s musicals. There will usually be two of the three at all session of the 2nd year and alumni workshop. The leader of this group will function as dramaturg/moderator to keep workshop feedback sessions focused and on task.

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Jon Steinhagen is an author, actor, composer/musician, and Resident Playwright at Chicago Dramatists. His plays and musicals have been produced or workshopped from Manhattan to Seattle; his plays include The Applewood Pistols (an “original Chekhov comedy” based on Chekhov’s notebooks), The Velvet Gentleman, Something More Comfortable, Second Mouse, Dating Walter Dante, Aces, Ponzi on Sunday, Perfectly Natural, a collection of his shorter plays, was produced at the Midtown International Theatre Festival (NYC) in July 2009. Jon wrote the music and lyrics for the musicals The Arresting Dilemma of Mr. K (based on Kafka’s The Trial), The Circus of Dr. Lao, Emma & Company (all developed at TBC and STAGES) and the Jeff and After Dark Award-winning Inferno Beach and People Like Us. Jon is also an award-winning musical director, arranger, and actor who has received four Jeff Awards, six After Dark Awards, and three Jeff nominations for writing, musical direction, or acting. Jon is a graduate of the New Tuners Workshops led by John Sparks. He is an associate member of
The Dramatist’s Guild, a member of the Chicago Federation of Musicians, and ensemble member of Signal Ensemble Theatre.

Patrick Holland is a professional Music Director, Conductor, Arranger, Orchestrator, Musician, and Educator has had the pleasure of working with Theatre Building Chicago on many projects over the past 10 years on such STAGES projects as Crazy Mary, Bringers, Continental Divide, The Hard Road, Take Me America, Hunger, and Rex. Patrick has also had the pleasure of working with Allan Chambers on Saints & Sinners as part of the workshop mini-musical project in conjunction
with Loyola University of Chicago. Patrick’s Broadway and National Tout credits include The King and I (with Yul Brynner), Hello Dolly (with Carol Channing), Guys and Dolls (with Leslie Uggams), A Chorus Line, Annie, The Pirates of Penzance and La Cage aux Folles to name a handful. He has had the honor of working in New York and Chicago with industry giants Sheldon Harnick, Jerry Herman, Charles Strouse, Martin Charnin, and Tommy Tune. In the Chicagoland area Patrick has worked with The Goodman Theatre, Light Opera Works, Bailiwick, Theatre Building Chicago, and Chicago Cabaret. He has taught music and musical direction at
Northwestern University, Loyola University and Roosevelt University.

Allan Chambers, Artistic Director of TBC, has served in many capacities for Theatre Building Chicago including dramaturg, director, workshop coordinator and actor. Allan oversees theatre company client services and now directs the musical program. He is the past-president of the Illinois Theatre Association,
a founding and former board member of Chicago Alliance for Playwrights, and artistic consultant for Creative Musical Theatre, an honors class dedicated to the development of new music theatre voices at Valparaiso High School. Allan has served as an adjunct instructor at Robert Morris College and at North Park University, and has worked in various capacities with the Goodman Theatre, Music/Theatre Workshop, Our Town Productions, Prologue Theatre, American DreamWorks, Different Drummer Theatre, Bailiwick Repertory, The Western Stage, Cabrillo Stage, Bigfork Playhouse and North Shore Music Theatre. M.F.A., musical theatre, San Diego State University. B.S., theatre acting/directing, University of Idaho.

 


About the Workshop

The first workshop will be the weekend of September 26-27.

Aspiring composers, lyricists and book writers are encouraged to contact TBC’s Artistic Director, Allan Chambers to schedule a personal interview to assess your skill level and to learn if the Musical Writer’s Workshop can benefit you in your quest  to create new musical works.

Allan can be reached at 773-929-7367 ext 229 or at allan@theatrebuildingchicago.org

Theatre Building Chicago has plans to strategically grow the musical program from the ground up. The Musical Theatre Writers Workshop is the first stage in the development of new projects that will then be ready for Monday Night Musicals, STAGES Festivals, Intensive Workshops,  and eventually onto full-scale productions.

The New Musicals for Kids development pipeline is filling up with exciting new projects from TBC’s workshop as well as the NYU Tisch School MFA program.
TBC also produces the Monday Night Musicals series of concert readings of works in progress. The first Monday Night Musical of the 2009/2010 season is The Spark, October 26, 2009. TBC’s New Musicals for Kids series will open with Tantrum on Tracks October 14, 2009.

TBC’s Musical Theatre Writers Workshop produces the STAGES festival of new musicals. STAGES will be held August 20-22, 2010.  Attendees include producers, directors, writers, composers and musical theatre aficionados from all over the country. STAGES is an opportunity for authors and composers to see and hear their work interpreted by a production team and performed for Chicago audiences. It is also an opportunity for producers and directors to assess new musicals
and musical theatre talent.

Review: “The Night Season

A richly-developed Irish love story

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Vitalist Theatre and Premiere Theatre & Performance presents:

The Night Season
by Rebecca Lenkiewicz
directed by Elizabeth Carlin-Metz
Theatre Building Chicago 
thru October 17th (buy tickets)

reviewed by Timothy McGuire

Vitalist - NIGHT - 4 The Night Season, written by Rebecca Lenkiewicz, is an Irish love story about the lonely Kennedy family. Each member of the family has their own insecurities caused by their mother’s abandonment 5 years earlier, and each of them is on their own path to find love. The outstanding performance by the cast and, exceptional use of the stage with creative touches to enhance the Celtic atmosphere, makes this show heartwarming – even in the midst of the dark struggles each family member endures.

Set in Sligo, Ireland, a town near the shore and once home to the famous poet W.B. Yeats, the stage is brightened by the starry night and hazy lighting that romanticizes the atmosphere. Set designer Craig Choma ’s extremely creative set, and the lighting (by lighting designer Richard Norwood) used to separate scenes, allows multiple plot lines to take place right in front of our eyes without any confusion as to which characters we should be paying attention. The direction of Elizabeth Carlin-Metz makes the transition between scenes fluid and actually heighten the emotional moments by assisting the understanding of the time lapses, or the fact that the two situations take place at the same time.

The play opens up with the audience able to watch the three sisters chatting on the rooftop, while grandmother is slouched down sleeping in her arm chair in the living room. As the closet door opens we get a unique viewpoint (as if we are looking down on him from the sky) of father as he restlessly fights his nightmares while sleeping drunk in his bedroom.

Each member of the family is weighted down with loneliness; longing to be loved by another. They are filled with an insecurity of being unloved, yet there is a bond and a closeness between each, and an unconditional love that exists within their own family (this includes the aging mother of the women that caused this family all of their sorrow.)

Vitalist - NIGHT - 3 The three sisters are single and unlucky in love. Rose (Kelly Lynn Hogan), who the grandmother refers to as a spinster, hastily jumps in bed with the visiting American actor John (Jared Fernley) who is staying with the Kennedys while playing the role of Yeats in a movie. In that moment John is looking for comfort after his mother’s recent death, but Rose wakes up in the morning to find an unwelcomed difference in the intimacy John offers her. The youngest daughter Maud (Eden Newmark) is stuck in a relationship with an unaffectionate communist sympathizer, and the eldest daughter Judith (Vanessa Greenway) is too afraid to open up and – since she has stepped in as the family’s mother – she’s too busy to recognize her feelings for the cerebral neighborhood man, Gary Malone (Paul Dunckel.)  Judith is mature beyond her age and has taken on a cold emotionless state that comes with the necessity of constantly having to take care of responsibilities outside of your own. Visiting her absent mother, and then letting loose with her Father on her first drinking binge, Judith goes on a journey to discover her capacity to love, and finds it in places that have always been there.

Every character is richly developed by author Rebecca Lenkiewicz, but the Grandmother Lily O’Hanlon and the girls’ Father Patrick Kennedy stand out with enduring performances by Marry O’Dowd and Don Bender. The Grandmother’s (Patrick’s Mother-in-law)  quirky and at times raunchy personality is light and fun and she also draws empathy from us as we watch her age with dementia and sadness. In her eccentric and loony state she continues to search for her last love and in a way she finds it in the gentleman arms of John.

The Night Season is a truly great Irish love story, filled with the complications of life and the strength of a loving family who supports each other in spite of their flaws. Lenkiewicz brings up themes of guilt, love and the passing of time and how life will bring us to face these states over-and-over again in our lives. The common occurrence and unavoidable ending to these moments should not devalue their importance nor limit you from experiencing another separate love story. Through all the pain and hardships, life goes on for the Kennedy family. The Night Season is an enchanting story playing and I highly recommend it.

Rating: ««««

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