Review: Steppenwolf Theatre’s “Fake”

Strong performances fail to compensate for a less-than-compelling script

Photographer: Mark Campbell

Steppenwolf Theatre presents:

Fake

written and directed by Eric Simonson
thru November 8th (buy tickets)

reviewed by Richard Millward

Fake-09 Fake, Steppenwolf’s season opener, written and directed by ensemble member Eric Simonson, explores the well-known scientific hoax "Piltdown Man." Initially thought to be the "missing link" and a confirmation of Darwin’s theory of natural selection, suspicions about Piltdown’s authenticity cropped up almost immediately and continued to fester until, in 1953, with more modern dating techniques, Piltdown Man was conclusively proven to be a fake. The identity of the fossil’s forger has never been conclusively proven, although it is widely believed to be Charles Dawson, Piltdown Man’s "discoverer."

Simonson juxtaposes two stories, one set in the years following the fossil’s discovery, and a second at the time the hoax is confirmed. Both are fiction, although the earlier story does involve historical personages Dawson, Charles Woodward, director of the prestigious British Museum, Pierre Teilhard de Chardin, a Jesuit archaeologist of some note, and author and amateur scientist Sir Arthur Conan Doyle.

Fake-10 Fake-11
Fake-08 Fake-12

Unfortunately, neither story is terribly compelling, alone or in concert with its twin, despite the larger-than-life presence of Doyle. The more modern tale, involving a romantic triangle between the elder Oxford anthropologist charged with ascertaining the fossil’s true age, a female Lithuanian former student half his age who’s also his fiancé, and a young, go-getter specialist from UCLA, is certainly the weaker of the two – as certain as we are of the outcome of their testing of the Piltdown skull, there’s even less mystery how this ill-fated love story will play out.

Some of the Steppenwolf ensemble’s better acting talent is at work here, including Francis Guinan as Doyle and the jilted Oxford don, and Kate Arrington, as a Nellie Bly-type "lady reporter" who uncovers Piltdown Man’s creator and the young Lithuanian. The production’s design, by Todd Rosenthal (scenery), Karin Kopischke (costumes) and Joe Appelt (lighting) is both evocative and pointed.

But in the end, it’s the play itself that disappoints. Simonson’s theme of how and why we come to know what we call "the truth," and what role faith plays in arriving at it, is not uninteresting. But the uneven tone and murky philosophizing of Fake render an interesting idea into a somewhat less than satisfying evening in the theater.

Rating: ««½

Photographer: Mark Campbell Photographer: Mark Campbell 

Photographer: Mark Campbell

Author/Director: Eric Simonson
Lighting: Joe Appelt
Sound/Music: Barry G. Funderburg
Scenic Design: Todd Rosenthal
Costume Design: Karin Kopischke
Stage Manager: Michelle Medvin
Asst. Stage Mgr. Kathleen Petroziello
Cast: Kate Arrington
James D. Farruggio
Leslie Frame
Coburn Goss
Francis Guinan
Gary Simmers
Alan Wilder
Larry Yando

2 Responses

  1. I did in fact see FAKE.

    I do in FACT agree with your review.

    Waste of my time and dollars.

    Miss it if you can.

  2. […] on 500 Clown and the Elephant Deal with the 500 Clown ensemble and for the world premiere of  Fake written and directed by Eric Simonson for the Steppenwolf Downstairs […]

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