Ludicrous yet loveable, “Animal Crackers” is rollicking good time
Goodman Theatre presents
Animal Crackers
Book by George S. Kaufman and Morrie Ryskind
Music and Lyrics by Bert Kalmar and Harry Ruby
directed by Henry Wishcamper
Now extended thru November 1st (buy tickets)
Reviewed by Barry Eitel
It’s pretty rare that a stage production can be described as both “brilliant” and “stupid.” Theatre quite often views itself as an intellectual pursuit (or at least it would like to), leaving the silly, ridiculous, and trivial to blockbuster movies. The Goodman’s mounting of the Marx Brother’s classic musical Animal Crackers, though, seems to be going for that idiocy much of today’s theatre is afraid to touch. It succeeds beautifully. With an intensely committed cast and under the energized direction of Henry Wishcamper, Animal Crackers is remarkably, refreshingly stupid.
A few coincidences also help make Animal Crackers oddly connected to our current world. First, the musical is premiering against Fake — Steppenwolf Theatre’s current show exploring the history of the “Piltdown Man,” a hoax that claimed to be the missing link between man and ape. And both of these shows now have an interesting new relevance with last week’s announcement concerning the discovery of the oldest known human ancestor, “Ardi.” Now Animal Crackers doesn’t trouble itself with Darwin, biology, or the scientific method; instead, it lambastes the scientific community and high society with a keen sense of farce that could only come from the Marx Brothers. There is a silent The Professor (Molly Brennan in the role created by Harpo), whose subject of study is never revealed, besides his penchant for chasing every woman in the room. Then there is the wise-cracking African explorer Captain Spaulding (Joey Slotnick with Groucho’s signature mustache and cigar), who claims that his retirement would be his greatest contribution to science. Along with the scheming musician Emanuel Ravelli (Jonathan Brody in Chico’s role), the group wrecks havoc among a group of painters, newspaper columnists, debutants, art collectors, and a few lovers. The musical wasn’t produced for over 50 years after the Marx Brothers’ Broadway original and is still a very rare sight for theatre audiences. Wishcamper’s revival proves that Animal Crackers still has spirit, even though the last Marx Brother died 30 years ago.
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The big question I had was if Brennan, Slotnick, and Brody would just be doing a simple imitation or inventing the characters anew. The end result is a hefty portion of both. Harpo, Groucho, and Chico are reproduced on stage, but the performers find plenty of new material within the script. At one point, Spaulding performs a sarcastic homage to last season’s O’Neill festival. At another point, The Professor whips out a rifle from his coat and shoots wildly at the orchestra and the ceiling, causing several plush ducks to fall onto the stage. Brennan, Slotnick, and Brody never miss a comic beat, and they will not hesitate to chastise the audience if there’s not enough laughter (“The Addam’s Family isn’t in town till November”). The work of clowning director Paul Kalina is very clear. There are hilarious comic bits with hats, playing cards, tables, stuff shoved into The Professor’s jacket, paintings, ladders, the list goes on and on.
Wishcamper cast all of the parts with only nine actors, which swells the madness of the script to another level. The lovers, devious debutants, and other members of high society that are constantly insulted and/or hit on by Brennan, Slotnick, and Brody are all tightly performed. However, the play’s plot, which serves as more of a frame for the Marxs’ antics than a real storyline, becomes a bit tiring by the second act. Shaving the run time down would definitely help the show pop a bit more.
Wishcamper and his cast confirm that Animal Crackers can be much more than just a device for the original performers. With their spirited vitality, they thoroughly push the musical’s farce, ridiculousness, and, yes, even its stupidity.
Rating: «««
Personnel – Animal Crackers
Book: | George S. Kaufman & Morrie Ryskind |
Music and Lyrics: | Bert Kalmar & Harry Ruby |
Director: | Henry Wishcamper |
Music Direction: | Doug Peck |
Choreographer: | John Carrafa |
Cast: | Molly Brennan Jonathan Brody Mara Davi Ora Jones Ed Kross Stanley Wayne Mathis Jessie Mueller Joey Slotnick Tony Yazbeck |
Lighting Design: | Matthew Richards |
Sound Design: | Richard Woodbury |
Scenic Design: | Robin Vest |
Costume Design: | Jenny Mannis |
Stage Manager: | Joseph Drummond |
Filed under: 2009 Reviews, Barry Eitel, Goodman Theatre, Musical, Steppenwolf | Tagged: Animal Crackers, Ardi, Barry Eitel, Bert Kalmar, Chico Marx, Doug Peck, Ed Kross, Emanuel Ravelli, Eric Y. Exit, George S. Kaufman, Goodman Theatre, Groucho Marx, Harpo Marx, Harry ruby, Henry Wishcamper, Jenny Mannis, Jessie Mueller, Joey Slotnick, John Carrafa, Jonathan Brody, Joseph Drummond, Mara Davi, Marx Brothers, Matthew Richards, Molly Brennan, Morrie Ryskind, oldest known human ancestor ardi, Ora Jones, Richard Woodbury, Robin Vest, Stanley Wayne Mathis, Steppenwolf Theatre, Tony Yazbeck |
[…] Animal Cracker – Goodman Theatre (our review here) […]
I laughed for two and a half hours during this play. I felt as if I were in the presence of the read Marx Brothers — that’s how good the three leads were. My only criticism is a small one. Ms. Brennan’s tattoos took me completely out of the moment. They didn’t belong on a actor portraying a character from the 20’s. I realized her tattoos are part of her, and are a personal issue. But just as an actor will wear a costume and makeup to look more like the character she is playing, she should consider that her tattoos only serve to take all that away.
I couldn’t agree more. I found them quite distracting.
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