Review: “The Elaborate Entrance of Chad Deity”

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Victory Gardens and Teatro Vista presents:

The Elaborate Entrance of Chad Deity

by Kristoffer Diaz
directed by Eddie Torres
thru November 1st (buy tickets)
reviewed by Catey Sullivan 

Midway through rehearsals for The Elaborate Entrance of Chad Deity, actor Christian Litke took a foot to the face that landed him in the emergency room, suborbital socket bone beneath one eye pulverized. Opening night, he went on with a Technicolor shiner you could see from the back row. Per Kristoffer Diaz’s strict must-not-look-like-fight-choreography stage directions, Litke proceeded to take another half a dozen “camel kicks” in the kisser – as well as a few spine-rattling power-bombs. As it is in real life, the professional wrestling world depicted in Chad Deity is a brand of fakery that’s truly brutal.

Chad-Deity-1 While audiences aren’t apt to suffer physical damage like Litke, The Elaborate Entrance of Chad Deity is a knock-out victory of equal parts brains and brawn.

Power-bombs (wherein one’s spine hits the floor at a velocity surely spines were not intended to withstand) and lightning-quick roundhouses aside, Diaz’ ground (and bone) breaking take on the world of professional wrestling isn’t rooted in violence for the sake of shock, although it’s plenty violent and often shocking. It doesn’t traffic in the pandering stereotypes that fuel the WWE, although it uses those stereotypes point out their ridiculousness. This is a tale of race, racism and all-American boys grasping at the shiny, illusive brass ring of the All American Dream. It unfolds in hip-hop rhythms and is infused with some of the most politically incorrect language you’ll hear outside a meeting of the Alabama Chapter of the John Birch Society.

In director Eddie Torres, Diaz has a collaborator able to grasp and convey this incendiary material without missing a beat. The script requires a keen ear for both polyglot urban rhythms and the unctuous whitebread idiocy. Torres hears them all, and makes them resonate.

Chad Deity (Kamal Angelo Bolden , looking like the after photo in one of those back-of-the-magazine protein powder ads) is a professional wrestling champ who – as his bigot boss Everett K. Olsen (James Krag, a perfect mix of oiliness and ignorance) likes to say – makes people glad to be American. When Chad wins a fight, the terrorists lose.

But the real hero of Chad Deity is Macedonia Guerra (Desmin Borges, in a breakout performance that should have every agent in town clamoring to meet with him), aka The Mace. Macedonia’s job is to make the likes of Chad Deity look good. Stars like Chad Deity can’t exist without people like the Mace willing to act like they’ve lost every bout. Borges is a wholly endearing mix of self-deprecation and fierce pride. He knows he’s far more intelligent than his boss will ever be. He also knows that all his innate intelligence isn’t worth a slap in a world that prefers its villains and heroes in simple, black and white terms.

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So Mace suits up like a Frito Bandito outfit every fight, declares that he lives to steal American jobs and send American money back to drug lords in Mey-hee-co and lets Chad beat the crap out of him. Because when Chad Deity wins, Americans know why they’re fighting in Afghanistan, E.K. declares. To which the Mace sighs under his bright red sombrero and resignedly shakes his maracas.

For Macedonia, a way up in the wrestling world presents itself in Vigneshwar Padujar (Usman Ally), a multi-lingual Brooklyn-born Indian kid who is, no matter where he goes, “the most amazing thing in the room.” Charisma might owe Chad Deity money, but VP owns the entire fricking bank.

“I’m gonna get you a job,” Madedonia tells VP, and so begins the career of Chad Deity’s next enemy. E.K., in a move so awful it’s hilarious, has VP hit the ring as The Fundamentalist, a “Moslem” who enters flanked by women in burkas and praising Allah. In the lead up to a pay-per-view bout with Chad, the Fundamentalist beats up guys with names like Billy America (Litke, draped in a confederate flag and entering to a blast of Sweet Home Alabama) and The Patriot (also Litke, this time wearing an American flag). The fights manage to be both a tragic commentary on ugly Americans like E.K. and a wildly amusing mockery of them.

As animosity in the ring starts bleeding into real life, the dynamic between wrestlers becomes ever more complicated. As Macedonia worriedly notes, without community among in-ring enemies, wrestling gets dangerous. So as Chad and VP come to despise each other for real, the looming bout between them become fraught with the possibility of unscripted danger.

By having greased up, impossibly muscle-y men tear through the audience waving flags and shouting threats, Chad Deity manages to instigate the kind of audience participation you’d find at ringside at a Vegas championship bout. It’s wildly fun, wickedly funny and deeply provocative. In the so-called fake world of professional wrestling, Diaz captures profundity, adventure, aspirations and true triumph. The result is a theatrical prize.

Rating: «««½

The Elaborate Entrance of Chad Deity continues through Nov. 1 at the Victory Gardens Biograph Theatre, 2433 N. Lincoln Ave. Tickets are $20 – $48.For more information call 773/871-3000 or go to www.victorygardens.org.

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Chicago theater openings/closings this week

chicagoriverblast

show openings

Anna, in the Darkness: The Basement

Dream Theatre

Bastards of Young Tympanic Theatre

Calls to Blood The New Colony

Cats Cadillac Palace Theatre

Dooby Dooby Moo Lifeline Theatre

Everyone’s Favorite Lobster Gorilla Tango Theatre

The Flaming Dames in Vamp II New Millenium Theatre

Heroes Remy Bumppo Theatre

The House on Mango Street Steppenwolf Theatre

The Last Unicorn Promethean Theatre

The Legend of Sleepy Hollow Filament Theatre Ensemble

The Man Who Was Thursday New Leaf Theatre

Mrs. Gruber’s Ding Song School Gorilla Tango Theatre

Plans 1 Through 8 from Outer Space New Millenium Theatre

Rachel Corn and the Secret Society Corn Productions

You Can’t Take It with You Village Players Performing Arts Center

 

Skyline-Chicago

show closings

Ah, Wilderness! Loyola University Chicago Theatre

Bad Touch and the Deep End Annoyance Theatre 

Dirty Talking Amish Gorilla Tango Theatre

Dracula Oak Park Festival Theatre

The History Boys – Timeline Theatre 

Ma Rainey’s Black Bottom Court Theatre

The Night SeasonVitalist Theatre

Rent Big Noise Theatre

Sleeping Beauty Big Noise Theatre

Stripped: An Unplugged Evening with Marilyn’s Dress Gorilla Tango Theatre

Wednesday Wordplay: Miles Davis, Oprah and “cactus legs”

Quotables

Your best shot at happiness, self-worth and personal satisfaction – the things that constitute real success – is not in earning as much as you can but in performing as well as you can something that you consider worthwhile.
            — William Raspberry

It’s a shallow life that doesn’t give a person a few scars.
            — Garrison Keillor, in Salon.com

It isn’t kind to cultivate a friendship just so one will have an audience.
            — Lawana Blackwell, The Courtship of the Vicar’s Daughter, 1998

The toughest question has always been, "How do you get your ideas?" How do you answer that? It’s like asking runners how they run, or singers how they sing. They just do it!
            — Lynn Johnston, Lynn on Ideas

My future starts when I wake up every morning… Every day I find something creative to do with my life.
            — Miles Davis

I believe the choice to be excellent begins with aligning your thoughts and words with the intention to require more from yourself.
            — Oprah Winfrey, O Magazine, December 2003

Ask not what the world needs. Ask what makes you come alive… then go do it. Because what the world needs is people who have come alive.
            — Howard Thurman

 

Urban Dictionary

cactus legs

the feeling on a woman’s legs as a result of not having shaved.

–Steve is mad at me!
–why?
–cuz last nite, he wanted to touch my legs and i didnt let him
–why?
–cuz, i got cactus legs, i have shaved in a week