Review: ShawChicago’s “Votes for Women!”

We’ve come a long way, baby

 shawchicago-logo

ShawChicago presents:

Votes for Women!

by Elizabeth Robins
directed by Robert Scogin
thru November 9, 2009 (buy tickets)

Reviewed by Katy Walsh

Inadequate health care coverage, conservatives versus liberals, rumors of a politician’s past sexual indiscretion? No, Votes for Women! isn’t the story of Hillary Clinton’s rise to power. In fact, actress and playwright Elizabeth Robins wrote the work over a hundred years ago. Set in England in 1907, Votes for Women is about a naïve heiress introduced to the Suffragettes’ movement by the former lover of her political fiancé. ShawChicago’s production is a 100-year anniversary replication of Votes for Women! being introduced to Chicago.

Before the show even commences, the lack of scenery on stage is a bit perplexing. Chairs, music stands, and bottles of water suggest a reading – not a play.

Initially, the authenticity to the time period is appreciated. Later, after a series of monologues, a craving for visual stimulation and modern-day editing defeat any nostalgic notions. Distractive music and pounding offstage vie for attention during particularly long lectures. The stellar cast tries to overcome the lack of action with facial expressions and limited gesturing. Joseph Bowen (narrator/various voices) is fascinating playing characters with a variety of accents. In Act II, the juxtaposition between Suffragette’s speeches was intriguing. Melinda Moonahan (Working Woman) uses a lower class dialect bluntness to rally support. Lydia Berger (Ernestine Blunt) addresses with an educated and amplified oration. And Suzanne Lang (Vida Levering) delivers a personal and passionate plea. As the heiress, Barbara Zahora’s (Jean Dunbarton) love struck innocence engages compassion for the “poor little rich girl.”

Ironically, throughout the performance, one is torn between “we’ve come a long way baby” and “we got the vote, so what?” Yes, women can vote, own property, and run for President. On the other hand, the harsh and superior judgment of single mothers, welfare recipients and average-looking women continues to be prevalent. Regardless, however, Votes for Women is an important illustration of the evolution of thought regarding women’s rights. Hopefully by the 200th-anniversary production, women will have secured equality to men and each other.

 

Rating: ««

 

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