Review: Boho Theatre’s “The Glorious Ones”

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Bohemian Theatre Ensemble presents:

The Glorious Ones

by Stephen Flaherty and Lynn Ahrens
directed by Stephen M. Genovese
thru November 21st  (buy tickets)

Reviewed by Aggie Hewitt

The Heartland Studio, home base for the Bohemian Theatre Ensemble (Boho), is one of the smallest black boxes I have ever been to in Chicago. As you walk in off the street, you find yourself inside a box office not much bigger than a phone booth.  Finding your seat in the theater is more like squeezing your way into a crowded elevator than getting ready to experience high art. And on Friday night, as the lights went down in that small, communal space, and the actors took to the stage to begin performing the regional premiere of Stephen Flaherty and Lynn Ahrens’s glorious onesThe Glorious Ones it was the least lonely place in the world. What could be better, on a cold Chicago night, than to see a group of young, vibrant performers fill a small space with their white hot energy? This is a far from perfect production, but the dedication and energy of this vibrant cast is a treat.

Director/set designer Stephen M. Genovese has created a fine and audacious set; a blank old-world-looking wood stage dressed with simple red curtains and the occasional charmingly low tech surprise. It’s a set that screams, “Fill me! Bring the best you’ve got!” – and Mr. Genovese and his cast make a wholehearted attempt…and sometimes succeed.

The play is set in 16th century Venice, during the creation of Comedia del’ Arte. “The Glorious Ones” are a Comedia troupe, led by the pompous and egocentric Flaminio Scala (based on a real-life Comedia performer) played by Eric Damon Smith. The scenes of actual Comedia are great fun. One sketch is repeated three times, as a mapping device for what we know is going on behind the scenes. The best though, is “Armanda’s Tarantella,” slyly performed by the fearless Dana Tretta. Most of the large group scenes have merit. “Flaminio Scala’s Historical Journey to France” is a showstopper, and highlights the energy and force behind these performances that make this show worthwhile.

John Taflan, Katie Siri, Danni Smith, Eric Damon Smith, Dana Tretta, Tom Weber The thing the show is missing, and it is sorely missed, is honesty. The one-dimensional character of Flaminio Scala is prouder than proud and intensely serious. He speaks of his work with dignity and pride, and yet, seems to have no relationship with it. The man as a comedian is never explored, or even dignified with attention. In a pivotal scene, Flaminio embraces a struggling street performer (Courtney Crouse), after watching him perform, and takes him under his wing. Flaminio didactically spells out his lesson plan to build the young raw talent into his protégé. Here, Flaminio gets the opportunity to talk about his work; instead of reveling in it’s humor like a comedian, he discuses it with the wistful dreaminess of a school girl recanting her favorite lines from Twilight. Mr., Smith has the most stage time, and so bears the burden of being an example, but I assure you the lack of truth on stage was a cast-wide epidemic. From the audience, it seems that Mr. Genovese focused too intently on the larger than life aspects of the show and forgot that a show needs honesty to be relatable.

About two-thirds of the way through, Danni Smith as Coloumbina breaks the monotony of disconnected energy and hits one out of the park with “My Body Wasn’t Why,” an empowering and tear-jerking ballad about art, aging and womanhood.

Lynn Ahrens’s interesting book races through the first half of the show, asking the audience to simply accept the characters without working for it. In the second half of the show, when the action finally slows down, it is difficult to muster empathy for anyone.

The wonderful thing about it, though, is the subject matter. We are invited to experience the creation of Coloumbina, the sassy maid; Pantalone, the miserly old man; Dottore, the quack doctor, and Harlequin, the sly prankster, which is a real treat for a theater lover. Stephen Flaherty’s music is full-bodied and emotional, and paired with Lynn Ahrens’s lyrics makes for a great soundtrack. It is in this partnership that these two create strong work, but Lynn Ahrens’s book independently leaves much to be desired in terms of character development.

The thing you have to do to enjoy this show is to understand that it is not a musical comedy. It is a musical about comedy. But the entire cast invites you warmly into their view of history, and you get to see a neat, shiny version of the creation of an art form. If you are a comedy lover (who isn’t?) go see this show. It’s a musical about the creation of something really important, and it is worthy of your attention. For a theater lover, this production is a historical journey worth taking, even if there are a few unintended pratfalls along the way.

Rating: ★★★

Chicago theater openings/closings this week

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show openings

A You Like It Loyola University

Burlesque Is More Annoyance Theatre 

Gossamer Adventure Stage Chicago

High Holidays Goodman Theatre

Horrible Apollo Theatre

Murder in Green Meadows Citadel Theatre

The Music Man Rising Stars Theatre

Phedra New World Repertory Theater

The Shape of Things University of Chicago

Shootin’ the Shit with EJ and TJ Annoyance Theatre

The Spectacular Comedy Spectacle Theatre Building Chicago

When She Danced TimeLine Theatre

Young Frankenstein Cadillac Palace Theatre

 

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show closings

An Apology for the Course and Outcome of Certain Events Delivered by Dr. John Faustus on His Final Evening Theater Oobleck 

Arsenic and Old Lace Northwestern University 

Bastards of Young Tympanic Theatre

Calls to Blood The New Colony

Cotton Patch Gospel Provision Theater

Everyone’s Favorite Lobster Gorilla Tango Theatre

Fake Steppenwolf Theatre

The Flowers About Face Theatre

The House on Mango Street Steppenwolf Theatre

Kill the Old Torture Their Young Steep Theatre

The Legend of Sleepy Hollow Filament Theatre

Lettice and Lovage Redtwist Theatre

Lucinda’s Bed Chicago Dramatists

Night Watch Jedlicka Performing Arts Center

Rhymes with Evil InFusion Theatre

A Streetcar Named Desire Polarity Ensemble Theatre

Yeast Nation (The Triumph of Life) American Theater Company

 

List courtesy of The League of Chicago Theatres 

Holiday wishes from “Cirque du Soleil” – absolutely beautiful

A friend sent me this video as a holiday greeting and thought I’d share it with all of our visitors.  Enjoy.  Scotty Z.