Review: Piccolo Theatre’s “Perseus and Medusa: Or it’s all Greek to me!”

Children’s play best-suited for adult audience.

Perseus and Medusa: or it's all greek to me! 

Piccolo Theatre presents:

Perseus and Medusa: Or it’s all Greek to me!

by Jessica Puller
directed by Glenn Proud and Brianna Sloane
thru December 19th (ticket info)

reviewed by Keith Ecker

Piccolo Theatre’s new holiday panto, Perseus and Medusa: Or it’s all Greek to me!, is a hilarious parody of the well-known Greek myth about a young, boyish hero who must slay the vile Medusa out of a sense of duty. The slapstick-filled production plays like a bawdy cabaret, with sexual innuendo and gender-bending peppering the piece. Adults will definitely get a kick out of the humor, which includes a character whose name sounds like a part of the female Perseus and Medusa: or it's all greek to me!anatomy. However, much to their dismay, their children may also get a kick out of these same antics, which often are too low-flying to be over even an 8-year-old’s head.

This isn’t to say there is something negative about the baseness of the humor of the play. The original script, written by Northwestern alumni Jessica Puller, is self aware enough to make both the blue humor and the eye-roll-inducing puns entertaining. Its brashness itself is a joke, almost nudging the audience as if to say, “Can you believe we just said that?” This is especially true in a moment where the Dame, a clownish character played by a cross-dressing Andrew Roberts, is collecting dragon snot in a bucket with the plan to sell it as a face cream. Once a bucket is full, she remarks, “It would take me a month to fill that myself.” Although children might not understand, the adult’s in the audience know, we have ceased discussing dragon snot.

And although the piece really is a vehicle for a string of off-color jokes, there is a plot. The liberal retelling centers on Perseus (played by female ensemble member Liz Larsen-Silva), a young boy who just wants to fish. The center of town is the bait shop/hair salon, run by juvenile Linus (Dominic Furry) and Evander (Maxx Miller). The evil king (Vic May) and his daughter Andromeda (Laura Taylor) enter the picture, and, upon first sight, Perseus falls for the princess. In an effort to win her heart and at the request of the King, Perseus sets out to collect the head of Medusa, the mythical villainess whose mere glance turns men into stone.

Perseus and Medusa: or it's all greek to me! Perseus and Medusa: or it's all greek to me! Perseus and Medusa: or it's all greek to me!

From here the play becomes a journey story, with Perseus and his band of comical misfits overcoming challenge after challenge. The Greek god Hermes (ensemble member Leeann Zahrt) makes an appearance to assist the hero, and even the magical horse Pegasus has a cameo. Characters directly address the audience at times, and audience members are encouraged to actively cheer for the good guys and boo for the villains. There are a few song and dance numbers throughout, including a loungey, seductive tune by the voluptuous Danae (ensemble member Vanessa Hughes), who could be at home on top of a piano

The play is separated by an intermission, with the first half dragging on longer than necessary. But overall the script’s pacing is good, though it might cause younger children to squirm in their seats.

The acting is solid, with no weak links in the cast. Roberts delivered a stand-out performance in his role as the clownish Dame. His fluctuating falsetto and wild hand gestures were belly-achingly funny throughout.

Ensemble members Glenn Proud and Brianna Sloane shared directing duties, balancing the cast of more than a dozen so that the production never felt cluttered. Their talents really shine in the fight sequence between Hermes and the villainess Nestor (ensemble member Deborah Craft), which is a well-orchestrated example of stage combat and puppetry.

Perseus and Medusa is a fun, fanciful play, but be warned: this children’s theater production might be a little too risqué for its intended audience.

 

Rating: ★★★

 

 

One Response

  1. […] who authored their successful last year’s panto, Perseus and Medusa: or It’s All Greek To Me (our review ★★★). You’d better not expect something like the Ridley Scott or Kevin Reynolds’ versions […]

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