Review: Porchlight’s “Miracle on 34th Street”

A Retro Christmas Miracle

 

Porchlight Music Theatre presents:

Miracle on 34th Street

Adapted by Patricia DiBenedetto Snyder, Sill Severin and John Vreeke

Story by Valentine Davies
Screenplay by George Seaton
directed by
L. Walter Stearns
thru January 3rd, 2010 (ticket info)

Reviewed by K.D. Hopkins

MIRACLE ON 34th STREET--Santa and Susan I have to admit to a bit of “Scrooge-ism” when it comes to the holiday season in America. The commercials, the billboards, the store windows dressed in fiberglass snow and plaid carolers when I am still finishing Halloween candy stuffed in the bottom desk drawer- you get the idea. I managed to get into the spirit in spite of myself. I got a visit from a little angel in the form of my niece Alexandria. She is a very precocious seven years old who likes spiders. Porchlight Theatre’s publicity for Miracle on 34th Street stated that this was the perfect first theater experience for children and would become a holiday tradition. I am happy to say that the publicity was right.

This production of Miracle on 34th Street is from the Porchlight Music Theatre Company. They are known for classic productions as well as new interpretations of musicals. This is already a classic film and now it has been excellently translated to the stage. The moment that Kris Kringle’s sleigh appears on the stage is when the magic begins. A veritable toyland pops out of Santa’s big red sack and performs to start the play. We are then told that this Santa is a lucky replacement for the other guy who showed up drunk. The twist is that this Santa believes that he is the real thing. It is a tale that we all know from afternoons around the television or at the repertory movie house.

Christa Buck plays the cynical 1940’s career woman Doris Walker. She is all business and doesn’t have time for the fantasy that is Christmas. She also has little patience for the complications of romance that shows up in the form of Fred Gailey played by Karl Hamilton. They both seem to have stepped out of a Technicolor production. The entire cast is a step back in time and that is perfect for this production. The cynicism of Doris Walker and her daughter Susan is born out of divorce and abandonment issues. That is my modern interpretation but the portrayals are embodied with the post-war innocence of the 1940’s. Somehow everything works out in America if you only believe. It’s a beautiful idea whose time is coming around again. The part of Susan Walker is played by Laney Kraus-Taddeo. She is another talented product of the Piven Theatre Workshop in Evanston. Ms. Kraus-Taddeo doesn’t hit any false notes or project any of the treacle that is the risk of any child actors. All of the children in this production are a delight to watch. The play makes room for a child in the audience to talk to Santa on stage. It was a funny moment with an untrained participant who asked for Christmas lipstick. Your guess is as good as mine as to what that is but Jim Sherman as Kris Kringle played right along with jolly humor.

I have to say that it was the performance of Jim Sherman that really put me in the Christmas spirit. He has the sparkle and the charm that – for me – embody Santa Claus. He wears a suit that is more in the tradition of Father Christmas or Sinter Klass from the Netherlands. Even when he was clad in layperson’s attire he looked like Santa. I also enjoyed the character of Mr. Macy played by Chuck Sisson. I’m a girl who grew up on Mr. Drysdale, Mr. Mooney, and Thurston Howell III. There is a certain carriage and technique to carrying off the bluster of such a character in my opinion and Mr. Sisson has it much to my enjoyment.

The entire cast is a joy to watch in Miracle on 34th Street. The supporting villain character of Mr. Sawyer is played with relish by Rus Rainear. Like the movie, Mr. Sawyer is a ferret-like guy who almost kills Christmas while in cahoots with the ambitious District Attorney played by Steve Tomlitz.

Suspense! Romance! Knee Slapping Laughs! It was a great way to spend a Sunday afternoon. Most importantly, it passed the “Alexandria Test”. My niece Alexandria was enchanted the moment the action began. That is saying something considering that we had been to Uncle Fun and bought a “can of salted nuts” which contained three fake snakes. Lexie was all about the snakes until Kris Kringle and the music began. She also got to take a picture with Santa on the stage after the play that was a big thrill. “Auntie Kathy! I got to see Santa Claus and be on the stage!”

You have to bring your own camera and resist the urge to want to sit on Jim Sherman’s lap yourself. I’m telling you, the guy took me back to 1965 when I really believed.

 

Rating: ★★★½

 

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Review: Redmoon’s “Winter Pageant”

‘Winter Pageant’ reprises White House performances

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Redmoon Theater presents

Winter Pageant

By Vanessa Stalling, Frank Maugeri and Jim Lasko
Directed by
Vanessa Stalling
Through December 27th (ticket info)

reviewed by Leah A. Zeldes

pageant-swining Fresh from its triumphant Halloween performance at the White House, Redmoon Theater stages its nearly annual, alternative take on a family holiday show, Winter Pageant.

The theme of these shows over their 15-year history is always the same: Each unique pageant showcases the progression of the seasons and celebrates the return of spring — in always charming and often magical ways. The production avoids religion, hackneyed classics and Christmas commercialism and, as Artistic Director Frank Maugeri puts it, engineers "a journey that explores nature, humanity, ritual, storytelling…."

This year, perhaps because the production reprises performance elements from the troupe’s White House spectacle, much of the storytelling seems to have been lost. Instead, we have a disjointed, hour-long series of vignettes and technical wizardry. Plots have never been the strong point of these pageants, I grant you, yet usually there’s been a tale of sorts to carry the audience along.

Not only did I miss that, it became clear from the restlessness of the young audience that the kids did, too. Not that there aren’t plenty of wondrous sights for children. As the show opened and a young woman played with a toy car, I saw a father struggling to restrain his squirming 2-year-old, who wanted mightily to get in on the action.

The toy morphs into a marvelous full-sized car full of characters and cakes and a monstrous, goodie-stealing baby. Then we have a mechanical surrey with a flower garden and a bug-eating gardener on top — evidently representing summer.

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Judging by the colors and timing, next come autumnal rains and a marvelous underwater sequence that had the kids charging out of their seats. We also get some absurd pirates and wonderful illuminated hat puppets representing migrating swans. A bountiful banquet becomes a food fight. Winter, a dark and chilly sequence of crooked doll houses and shadow puppetry, follows. Spring explodes in drumming and tulips, but nevertheless seems anticlimactic.

Redmoon’s artistry is wonderful throughout, but this year’s pageant is perhaps best seen as a showcase of performance art, a series of artful spectacles, rather than a winter’s tale.

 

Rating: ★★½

 

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Note: Free parking at the theater and in a lot across the street.

Ensemble: Missi Davis, Nick Demeris, Sarah Fornace, Alexander Knapp, Matt Rudy, Eric Swanson and Dustin Valenta

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Review: “A Very Merry Children’s Scientology Pageant”

Red Orchid Lets Religious Absurdity Loose

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A Red Orchid Theatre presents:

A Very Merry Children’s Scientology Pageant

By Kyle Jarrow from a concept by Alex Timbers
Directed by Steve Wilson
Music Direction by Brandon Magid
thru January 3, 2010 (ticket info)

reviewed by Paige Listerud

Szalai-Raymond, V It’s only November, but if you are already tired of virgin births, wise men led by stars, angels singing to shepherds or animals talking in mangers, then A Red Orchid Theatre’s remount of A Very Merry Children’s Scientology Pageant just might be the cure for what ails you. Based upon the self-promoted achievements of L. Ron Hubbard, the pageant explores one man’s search for the answers to life’s most important questions and his creation of the religion Scientology.

That children enact this story is the stroke of genius that A Red Orchid Theatre can pat itself on the back over for years to come. The pageant has quickly morphed into Chicago’s brand new holiday favorite–what with Next Theatre opening its production in two weeks. Will Chicago survive dueling Scientology pageants? Will these theaters survive an onslaught from Scientology’s lawyers? Is this a sign of the Apocalypse?

I hardly know which is scarier–Scientology, the story of the creation of Scientology, or the amount of talent these kids possess. Director Steve Wilson has one tight group of young actors at his disposal. They rock the house with angelic paeans to L. Ron Hubbard, slow-motion battle scenes, hilarious E-meter demonstrations, and fabulous portrayal of the sinister galactic overlord, Xenu. One actor even looks like a pre-teen Tom Cruise—now that’s scary.

Brown, V Fallo, V Szalai-Raymond, Allen, Fallo,V

In a classic moment of paranoia, I considered whether this satire could actually be a vehicle promoting Scientology. For L. Ron, all paths for spiritual growth sooner or later lead to Hawaii. And why not? All the same, other than blasting away your engrams or your Thetans, Scientology still doesn’t have answers for who we are or what life’s purpose is all about. But in the midst of the joy of the Scientology pageant, we really don’t care.

 

Rating: ★★★

 

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A Very Merry Unauthorized Children’s Scientology Pageant features A Red Orchid Theatre Youth Ensemble members Chaz Allen, Najwa Brown, Jaiden Fallo, Paola Lehman, Adam Rebora, Kara Ryan, Elenna Sindler and Aria Szalai-Raymond; as well as newcomers Elita Ernsteen, Katherine Jordan, and Alex Turner.

Photo Credits: Michael Brosilow