Arthur Miller Project

 millerproject

 

The Arthur Miller Project – An Exploration

by Paige Listerud

In fall, at the start of the 2009-2010 Season, it became quite apparent that the Chicago theater community was responding to the economic crisis and the shifting political tone of Washington with works that depicted hardship, deprivation, and introspection over the meaning of American identity.

Profiles Theatre produced Neil LaBute’s response to 9/11, The Mercy Seat; Eclipse Theatre brought back the political corruption of the Grant Administration with Romulus Linney’s Democracy; Brain Surgeon Theatre reconstructed a cramped Depression Era tenement with their world premiere 1512 West Studebaker Place; Northlight Theatre will take their turn at the Clifford Odets’ classic Awake and Sing this January; eta Creative Arts Foundation examined the American Dream through African American eyes with Sam Kelley’s Pill Hill; while These Shining Lives, produced by Rivendell Theatre Ensemble and The Artistic Home’s production of Lillian Hellman’s Days To Come touched on the dynamics of American labor.

Into the mix, it seemed striking that not just one or two, but seven productions of Arthur Miller’s work emerged on the roster for the 2009-2010-theater season. In a world-class theater city like Chicago, one is accustomed to seeing plenty of Shakespeare, Chekhov, Shaw, and even a production of The Crucible each season. But this time, it was clear that something was in the air. True, almost half of the productions are from Eclipse Theatre’s seasonal selection; but to see so much attention by individual theaters devoted to the playwright known for his piercing examination of the American mythos signaled both a return to basics and an interrogation into who we are and where we are going.

Here at ChicagoTheaterBlog, we took this as an excellent opportunity to create dialog about Miller’s work; to ask what still remains vital and provocative about the issues his plays bring up. And, of course, to get more people out to the theater, talking about theater and participating with their theater community. To this end, we’ve embarked on our first videotaped interview, with more to come. Our goal is to interview directors, actors, and scholars regarding the Arthur Miller productions of this season and to give you a chance to respond to our findings. We hope that our coverage of Miller’s works through our “Arthur Miller Project” will prompt you to engage in the exciting exchange that live theater can bring and is so accessible to us in this great city.

Arthur Miller Plays in the Chicago 2009-2010 Theater Season

Aug 31 All My Sons at Timeline Theatre (our review)

Oct 6 Death of a Salesman at Raven Theatre (our review)

Mar 25 Resurrection Blues at Eclipse Theatre

Mar 27 The Crucible produced by Infamous Commonwealth Theatre (at Raven Theatre)

July 8 After the Fall at Eclipse Theatre

July 24 Incident At Vichy at Redtwist Theatre

Sept 2 A Memory of Two Mondays at Eclipse Theatre


 Arthur Miller’s Death of a Salesman

 

Raven Theatre’s artistic director Michael Menendian, talks with Paige Listerud regarding their critically successful production of Death of a Salesman

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