REVIEW: Dreamgirls (Broadway in Chicago)

Talented Cast Shimmers and Shines

 

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Broadway in Chicago presents:

 

Dreamgirls

 

Book and Lyrics by Tom Eyen
Music by
Henry Krieger
Directed and Choreographed by
Robert Longbottom
thru January 31st (ticket info)

By Keith Ecker 

dreamgirls4 If there is one thing the stage production of Dreamgirls will always have over the film, it is the sequins. Video cannot convey the absolute beauty of the costumes that adorn the actresses, costumes that appear just as glittery as Bob Mackie’s most flamboyant creations. William Ivey Long gets a hat tip for costume design, which comes as no surprise considering the man is a veteran of Broadway. He’s won five of the 11 Tony nominations he’s received and is an inductee in the Theatre Hall of Fame, a hall that I am sure is just as glamorous as Long’s aesthetic sensibility.

Of course, Dreamgirls is more than just elegant gowns and flared pants—it’s about the singing. And this show, produced by Broadway in Chicago at the Cadillac Palace Theatre, definitely delivers. These actors can wail. From guttural growls that convey the rawest of emotions to controlled, sustained tones that capture the world-weariness of the characters, the Dreamgirls cast sports an impressive set of pipes.

The play is a fictional tale based on the true tribulations of such early R&B acts as the Supremes. At the opening, three female singers from Chicago, known as the Dreamettes, hope to get their big break at the legendary Apollo Theater in New York. Effie (Moya Angela) is the full-figured lead with an Aretha Franklin-like strength to her voice. Her friends Deena (Syesha Mercado) and Lorrell (Adrienne Warren) serve as her back up. Effie’s brother C.C. (Trevon Davis) writes all their music. The group doesn’t make the cut at the Apollo, but thanks to their newfound manager, Curtis (Chaz Lamar Shepherd), they get a 10-week touring gig backing up-and-comer Jimmy Early (Chester Gregory). Effie doesn’t take well to the idea of being second banana, but she goes along for the good of the group.

Curtis eventually spins the Dreamettes off into their own act, now known as the “Dreams”. Despite having a romantic relationship with Effie, he bumps her from lead for the more camera-friendly Deena, who Curtis then begins courting. Becoming increasingly agitated and unpredictable, Effie is replaced, leading to the musical’s famous torch song “And I’m Telling You I’m Not Going.”

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The Dreams wrestle with fame, Curtis continues his greed-induced destructive path and Effie must find herself after being forced to realize she is not the center of the universe. And did I mention the sequins?

Angela as Effie is brilliant. Her rendition of “And I’m Telling You I’m Not Going” is a showstopper. As she staggers, sways and belts out the tune during the complete and utter breakdown of Effie’s ego, your gut is as wrenched as your ears are pleasured.

Equally impressive is Gregory’s portrayal of Jimmy Early. The role is incredibly demanding, requiring superb vocal control, an impeccable sense of soul, physical endurance and strength and precise comedic timing. Gregory nails it, juggling all these attributes at once. A perfect example of this display of multi-talent takes place during the number “The Rap,” where Jimmy throws off all restraints and reclaims his sense of soul. For those unfamiliar with the play, I’d rather not spoil the scene, but I will say there’s ample dipping.

The set design is minimal, providing an open space for lots of jumping, jiving and sashaying. Most of the set is composed of five very tall video screens, which are used to full effect. At one point, a camera cleverly positioned above the stage displays a Busby Berkeley-style chorus number as if the performers were a cluster of synchronized swimmers.

There were a few sound issues. During the first act, mics were set too low and sometimes cut out. There was also a technical gaff during the reprise of “Cadillac Car.” But such issues aren’t likely to recur.

Beautiful both visually and aurally, Broadway in Chicago’s production of Dreamgirls is sure to please both the casual theatergoer and the diehard musical fanatic.

Rating: ★★★★

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Wednesday Wordplay – Harry Potter and Martina Navritolova

Inspirational Quotes

All truth passes through three stages. First, it is ridiculed. Second, it is violently opposed. Third, it is accepted as being self-evident.
            — Arthur Schopenhauer

I dwell in possibility…
            — Emily Dickinson

There is nothing like a newborn baby to renew your spirit – and to buttress your resolve to make the world a better place.
            — Virginia Kelley

Every day holds the possibility of a miracle.
            — Elizabeth David

I have enjoyed greatly the second blooming… suddenly you find – at the age of 50, say – that a whole new life has opened before you.
            — Agatha Christie

First say to yourself what you would be; and then do what you have to do.
            — Epictetus

Really listening and suspending one’s own judgment is necessary in order to understand other people on their own terms… This is a process that requires trust and builds trust.
            — Mary Field Belenky

What helps luck is a habit of watching for opportunities, of having a patient, but restless mind, of sacrificing one’s ease or vanity, of uniting a love of detail to foresight, and of passing through hard times bravely and cheerfully.
            — Charles Victor Cherbuliez

Make it a rule of life never to regret and never to look back. Regret is an appalling waste of energy; you can’t build on it; it’s only for wallowing in.
            — Katherine Mansfield

The moment of victory is much too short to live for that and nothing else.
            — Martina Navratilova

It does not do to dwell on dreams and forget to live.
            — J. K. Rowling, Harry Potter and the Sorcerer’s Stone, 1997

Tears may be dried up, but the heart – never.
            — Marguerite de Valois

A person reveals his character by nothing so clearly as the joke he resents.
            — Georg Christoph Lichtenberg

 

Urban Dictionary

mid-day crisis

when one is in a desperate need for a siesta because they become extremely tired in the afternoon and coffee isn’t cutting it any longer.

"working at panera sucked today after that wild night of drinking. i had the worst mid-day crisis ever."

working hard or hardly working

Funny play on words used by successful management types. Can be combined with finger guns for the ultimate combo.

Supervisor: Hey Joe! Working hard or hardly working? Hahahaha.

Shows Opening/Closing this week

chicago

Show Openings

 

“Master Harold”…and the Boys

TimeLine Theatre

The Alcyone Festival 2010 Halcyon Theatre

The Castle Oracle Theatre

Desperately Seeking Chemically Imbalanced Theater

Dreamgirls Cadillac Palace Theatre (Broadway in Chicago)

First Words Greenhouse Theater Center (MPAACT)

The Dames Storm Division New Millenium Theatre

Glitter in the Gutter Annoyance Theatre

Harper Regan Steep Theatre

Hughie/Krapp’s Last Tape Goodman Theatre

King of the Mountain Chemically Imbalanced Theater

Nighthawk Sandwich Storefront Theater (DCA Theatre)

Phedra New World Repertory Theatre

Real Bros of DuPage County Gorilla Tango Theatre

Savage in Limbo Village Players Performing Arts Center

Short Shakespeare! The Comedy of Errors Chicago Shakespeare

WHACK! Gorilla Tango Theatre

The Year of Magical Thinking Court Theatre 

 

chicagoatnight 

Show Closings

 

Annie Auditorium Theatre of Roosevelt University

The Capitol Steps North Shore Center for the Performing Arts

Cloud Gate Dance Theatre of Taiwan Dance Center of Columbia College

Give Us Monday Gorilla Tango Theatre

Icarus Lookingglass Theatre

Little Women Circle Theatre

Mamma Mia! Rosemont Theatre

Mark and Laura’s Couples Advice Christmas Special Gorilla Tango Theatre

 

Openings/Closings list courtesy of League of Chicago Theatres