REVIEW: Annie (Broadway in Chicago)

A familiar show for kids of all ages

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Broadway in Chicago presents:

Annie

 

Book by Thomas Meehan
Music and lyrics by Charles Strouse and Marin Charnin
directed by  Martin Charnin
thru January 24th at the Auditorium Theatre

review by Aggie Hewitt

anniecast3_minimized In this dark re-imagining of the Broadway classic Annie, executive producer Kary M. Walker gives us an in-your-face look at the cold realities of depression era life, exploring big business, child abuse and of course the vague references to Annie’s Electra Complex buried deep within the play’s subtext.

Just kidding! It’s Annie! Shiny, happy Annie. The 1977 musical about the spunky little red head who’s prediction that “The Sun Will Come Out Tomorrow,” actually comes true.

This play means different things to different people. To kids who go to see it, it must be a great night. They came to the Auditorium Theatre on the night of the Annie Chicago premier dressed in white tights and pink coats, ready for a night at the theater, and I doubt they were disappointed. Lynn Andrews’ hilariously annieandsandy_minimizedcruel and pathetic Miss Hanigan was a stand out, and her clownish rendition of “Little Girls” was a highlight.

In kid’s entertainment, the children on stage are more appealing to the parents than the little ones in the audience. Of course kids like seeing other kids with grown up jobs, like acting in a big budget musical. They also like stories they can relate to, that are about children. But as far as the cutesy singing and dancing in Annie, that’s tailored to adult taste. Annie is an adult impression of an ideal child, as are her fellow orphans. For the adults who watch Annie, the kids are the best part. In this production, Madison Kerth is a confident Annie with a powerful singing voice and a very good actress as well. The children perform “A Hard Knock Life” with frustration and that adorable, Annie-esque gallows humor for kids, which has made this show a funny hit for 32 years. And the stand out of the whole production is the super cute seven year old Mackenzie Aladjem, playing the youngest orphan-girl, Molly. With her messy brown hair and her runt-of-the-litter quality, this little thing stole every scene she set foot in.

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The two black sheep in the audience that night were companion and me, who both long ago traded pink coats and white tights for Marc Jacobs knock offs and black leggings. During intermission, my friend turned to me and said, “I want to see what happened before Annie. What did Daddy Warbucks do that was so bad he needed to bring an orphan home for the good P.R?” Twenty-Somethings in 2010 may have trouble trusting Annie—The world famous musical who’s original Broadway production made 22 million dollars. We see Daddy Warbucks (played here by David Barton) as a weird combination of Woody Allen and Rupert Murdock. But it’s best for guys like us to check our cynicism at the door, or if that’s not possible just not go. It’s to easy to be cynical about a show like this. Its fun for kids, and it’s shiny and bright. The actors hit their marks and sing like birds. It’s Annie, the same Annie you remember from when you were a kid. This play is not necessarily regarded as a children’s show, it’s more a musical that kids will love. At this point, Annie is something for families and hard core musical fans. There is nothing wrong with that.

Rating: ★★★

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all all pictures by Peter Coombs

 

 

BROADWAY-TOUR CAST

One Response

  1. in this year i played molly from orphan Annie and molly was young orphan

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