REVIEW: Wiggerlover (DCA Theatre)

Race relations are a family affair

 photography by Belleville Garringer 

DCA Theatre and Jaz presents:

Wiggerlover

[white boy + black dad = grey areas]

Written and performed by James Anthony Zoccoli 
Directed and edited by
Andrea Fears 
Music by
Gregor Mortis
through February 22nd (more info)

review by Keith Ecker 

There seems to be three ways that art tackles issues of race.

The first is with a naïve lens that diminishes our external differences and plays up the clichéd notion that we are all the same on the inside. These same works tend to give the contradictory message that everyone is special in their own way, which begs the question how can we be the same yet all be unique little snowflakes? These works tend to be trite or targeted toward children or both.

PonyLeaguerThe second intellectualizes the concept of race, analyzing it in an effort to understand it. These are works that bring to mind sociological buzz terms and feel more like lectures than stories. In plays of this ilk, characters serve only as concepts, making the whole production about as interesting as a term paper come to life. What artists who construct these pieces fail to comprehend is that academia and intellectualism are useful to a point, but fall short of providing the critical insight that only comes with experience.

This brings up the third method—the experiential. In the realm of theatre, these are plays that do not have a sermon to deliver or a moral to preach. They aren’t arduous to sit through, and they don’t make you feel stupid by talking down to you. They are entertaining, digestible, full of substance and incredibly thought provoking.

Wiggerlover, a one-man auto-biographical show by James Anthony Zoccoli and playing at the Chicago DCA Studio Theater, embodies this third category.

The play is the story of Zoccoli’s childhood, specifically the year 1979, which for the young Zoccoli was indeed a seminal year. That’s when his white, Polish mother remarried Mr. Bell, a black man. With Zoccoli’s deadbeat Italian father out of the picture, the boy soon begins to call Mr. Bell dad, and in turn, Mr. Bell considers Zoccoli his son. Meanwhile, Zoccoli’s absentee father refers to his mother as a N-word lover, and, to his father’s dismay, Zoccoli proclaims he’s one too.

But life’s not easy when you’re white with a black father. Trying to develop a sense of identity is confusing, especially when the black kids you befriend forever treat you as an outsider.

blog_someday-73-firststepsforjimmy blog_kaleidoscope_use

Wiggerlover works because of its honesty. Zoccoli has looked deep within himself to understand his identity and has the writing chops to convey this journey in a refreshingly simple and genuine manner. He’s also funny, which saves the show from drifting into sappy Hallmark-card territory. In addition, there’s no ideology being forced down the audience’s throat. Zoccoli knows we’re too smart for that, even if race is a complex topic. It’s great to see someone who respects the intelligence of his audience enough not to hold our hands.

Zoccoli also really knows how to command the stage. He’s a tall lanky guy, which makes him fun to watch. Also, he’s not afraid to show off spastic dance moves or sport a goofy childlike grin. This helps undercut the seriousness of the material, making it much sweeter to swallow than if the story were told with somber sincerity.

The play incorporates video projections and a number of sound cues. All this multimedia is timed perfectly and works to full effect. The disco and early hip hop sound bytes transport you to another time and another place, while also giving Zoccoli an opportunity to shift gears and launch into another fascinating story about his childhood.

Wiggerlover deftly strikes a wonderful balance of hilarious-meets-poignant. Whether you grew up on the South Side of Chicago or the northern suburbs, you’ll find something about his story that rings true to you.

Rating: ★★★★

 

Presented by JAZ

February 05, 2010 — February 22, 2010
DCA Studio Theatre (located within the Chicago Cultural Center)
$20; $15 for seniors and students

Read more about the writer/performer at the Wiggerlover Blog

Running Time: 1 hour (no intermission)

 

James Anthony Zoccoli was born on the South side, raised on the North side, and has lived everywhere in between – Rogers Park, Hyde Park, Logan Square, Lincoln Square, here there, everywhere. Zoccoli is a member of Strawdog Theatre Company and has performed with Live Bait Theater, Noble Fool Theatricals, Chicago Children’s Theatre, Adventure Stage, and Chicago Shakespeare Theatre, including the recent production of Richard III. (our review ★★★★) He authored “The Proper Papers”, under the auspices of “The Hit Factory” and is currently a writer & announcer for the perpetually popular “Game Show Show…& Stuff!” Wiggerlover [white boy + black dad = grey areas] is his first play, but he has been writing this show since age seven.

2 Responses

  1. Thanks for the kind words. Glad you enjoyed the show & appreciated the presentation of the stories. Thanks, especially for acknowledging the tremendous work of my director, deejay, stage manager & media support – the show rocks super hard due to their efforts! The stories are funny & all, but they make the thing an event. Also, for the record: my Italian father isn’t a deadbeat, he was just another guy who became a parent way too young & made a lot of mistakes. Thankfully, my Black dad was around to help correct them! & now we can all look back on it & laaaaaaaaaugh. But seriously, folks, thanks again.

  2. you’re very welcome James. Hopefully this review will help bring fill the seats and give your wonderful show the attention it deserves. thanks for your contribution to the Chicago theatre community.

    Best,

    Scotty Zacher
    founder/editor ChicagoTheaterBlog

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