Happy St. Patrick’s Day – says the cat with the hat!

I know it’s a day early, but I wanted to share this cute video

 

Cat with the hat says happy St. Pat!!

   
    

REVIEW: One Flew Over the Cuckoo’s Nest (Gift Theatre)

Crazy good, but not great

 
CUCKOOS#2
 
The Gift Theatre presents:
 
One Flew Over the Cuckoo’s Nest
 
by Dale Wasserman
based on the novel by Ken Kesey
directed by John Kelly Connolly
at Gift Theatre, 4802 N. Milwaukee (map)
through May 9th (more info)

reviewed by Katy Walsh 

“Vintery, mintery, cutery, corn,
Apple seed and apple thorn,
Wire, briar, limber lock
Three geese in a flock
One flew East
One flew West
And one flew over the cuckoo’s nest.”

      -American children’s folk rhyme

Less than fifty years ago, lobotomies and electroshock treatments were still the accepted prescription to cure mental illness. The Gift Theatre presents One Flew Over the Cuckoo’s Nest, a play based on the multiple Academy Award-Winning film version of the novel of the same name, by Ken Kesey. Set in 1959, the story takes place in a psychiatric institution. The patients, orderlies and even doctors are under the self-appointed supervision of Nurse Ratched. Through ‘therapeutic’ humiliation, Nurse Ratched manipulates her fiefdom into disciplined obedience. Her tranquility is threatened upon the arrival of Randle Patrick McMurphy. Trying to avoid hard labor on a work farm, McMurphy opts for the loony bin to serve his remaining five month sentence. Although McMurphy is non-compliant with authority issues, he’s not crazy. It’s Ratched vs McMurphy for control of the psychos. Seeing the Gift Theatre’s One Flew Over the Cuckoo’s Nest is a voluntary commitment to witness the true madness of corrupt authority in a healing profession.

The Gift Theatre has this Grotowski quote on their home page:

 
Acting is a particularly thankless art. It dies with the actor.
Nothing survives him but the reviews, which do not usually do
him justice anyway, whether he is good or bad. So the only
source of satisfaction left to him is the audience’s reaction. The
actor, in this special process of discipline and self-sacrifice,
self-penetration and molding, is not afraid to go beyond all
normally acceptable limits.  The actor makes a total gift of himself.

                –Jerzy Grotowski “Towards a Poor Theatre”

It’s a powerful statement to the life of a stage actor. Movie actors have it a little easier. Their legacy is preserved in film… forever. Unfortunately and fortunately, it’s the Academy Award-Winning performances of Jack Nicholson (McMurphy) and Louise Fletcher (Ratched) that haunt this stage version. Both Paul D’Addario (McMurphy) and Alexandra Main (Ratched) play it safe – following suit to the film depiction of their roles. It’s not wrong, but it just isn’t quite right. To quote Nurse Ratched, D’Addario and Main are “just fine.”

CUCKOOS#3 This show really belongs to the supporting crazies. Jay Worthington (Billy Bibbit) is a standout as a stuttering, vulnerable mama’s boy. Different from the film version of his character, Kent L. Joseph (Chief Bromden) narrates the crazy practices of the hospital in disturbing monologues. His ability to ball up his massive frame into a defenseless pile is amazing. David Fink (Martini) is hilarious in his delusional state. Guy Massey (Harding) is frighteningly sane as a crazy patient. With no real lines, Adam Rosowicz (Ruckly) delivers a memorable performance with inhumane sounds and physicality.

This cast is huge. The stage is small. Under the direction of John Kelly Connolly, the ensemble set up and break down chairs an insane amount of times. This stage “clean-up” throws off the pacing slightly and the scene transitions are clunky. The set, designed by Ian Zywica , is institutional, right down to the green “mental ward” paint choice. Kate Murphy designed the costumes which are a wonderful combo of old school nurses’ uniforms, 50’s cocktail dresses and pajama party. Whether it was Murphy’s or the actor’s decision, I loved Norman H. Tobin (Scanlon) appearing throughout the show with only one slipper on. Come on…that’s crazy!

Overall, this production tends to basically be a live version of the 1970’s movie, which makes it an entertaining gift available to be unwrapped through May 9th.
 

 

Rating: ★★½

 

 CUCKOOS#1

Running time: two hours and forty five minutes includes fifteen minute intermission and delayed start.  

Continue reading

Theater Thursday: Uncle Vanya at Strawdog Theatre

Thursday, March 18

Uncle Vanya by Anton Chekhov

Strawdog Theatre, 3829 N. Broadway, Chicago

Join Strawdog Theatre in their Hugen Hall Gallery for a preshow discussion and vodka tasting!  From 7:00 to 7:30 enjoy a discussion about the history and importance of Vodka to the Russian Culture and Russian Literature hosted by Seth Rickard (faculty member of Le Cordon Bleu College of Culinary Arts in Chicago, Strawdog Board Member, and all-around charming fellow).

straw-uncle vanyaThen stay for Strawdog’s acclaimed production of Uncle Vanya (Jeff, Reader, and NewCity Recommended, Four Stars in TimeOut, Three Stars in the Tribune). Mix Curt Columbus‘ un-stuffy translations of Chekhov with the delicate direction of Kimberly Senior and the irreverent naturalism of Strawdog’s acting ensemble, and you hear people say things like "intensely appealing," "funny" and "smoldering sexual energy" (Chicago Tribune), "unexpectedly emotional" (Time Out), "fabulous" (EDGE Chicago), "perfect" (Chicago Reader), "a pure joy to experience" (Gay Chicago), etc. Frankly, it’s all a bit embarrassing, so when we say you CANNOT MISS Senior’s production of Checkov’s Uncle Vanya, please understand that we’re just trying to help you out. (see our review here★★★)

Event begins at 7 p.m. Show begins at 8 p.m.

TICKETS ONLY $25 

For reservations click here.