REVIEW: The Body Snatchers (City Lit Theater)

Pod people take over City Lit Theater!

 

CityLit-BodySnatchers_web 

 
City Lit Theater presents
 
The Body Snatchers
 
Adapted and directed by Paul Edwards
From the novel by
Jack Finney
at City Lit Theater, 1020 W. Bryn Mawr
(map)
[ Thru May 9 | tickets: $25 | more info ]

Reviewed by Leah A. Zeldes

If the late-night creature feature is your idea of fun, you’ll love City Lit Theater’s clever and nostalgic version of The Body Snatchers.

Bringing science fiction to the stage often requires surmounting difficult problems of special effects. Creating futuristic worlds and horrifying aliens is a lot easier for moviemakers than it is for theater directors. Yet in this lively world-premiere staging, the horrors are all conveyed — wonderfully — by the actors, while the special effects evoke not the future, but the past.

bodysnatchers Based on Jack Finney’s 1955 novel, which was in turn the basis for the seminal 1956 film Invasion of the Body Snatchers, and remakes and sequels in 1978, 1993 and 2007, the production effectively uses video displays of the 1950s – the Atomic Age – to create mood, reminding us of the era, paying homage to the films and sometimes standing in for sets on the small and minimally furnished stage.

The original novel and the film were set in the 1950s simply because they were created in the ’50s. In 2010, however, that timing conveys a sense of solid normality, of a time of innocence and placidity against which the invasion of the emotionless vegetable people seems even more unspeakably alien than it would be amid the turmoil of our war-torn and politically weird 21st century. (Oddly, however, the adaptation dismisses the 1950s’ own political peculiarity, to which the original’s theme of infiltration partly alludes.)

In case you’ve somehow managed to miss all the versions of this eerie story, the plot follows the residents of a small Marin County, CA town who are gradually replaced by identical but impassive beings that grow in giant pods.

Brian Pastor plays Miles, the protagonist and narrator. A doctor, lately divorced, Miles is among the first to hear of the trouble when his old flame, the seductive Becky (Sheila Willis), also newly divorced, comes to him with her concerns over her cousin (Susie Griffith), who’s become convinced that their uncle isn’t really their uncle. Then more and more townspeople report such convictions about their relatives. Meanwhile, romance rekindles between Miles and Becky, though both are gun-shy.

CityLit-BodySnatchers_webAfter Miles’ frightened friends Jack and Theodora (Thad Anzur and Shawna Tucker) reveal a startling find in their basement, the foursome begins to tumble to the bizarre and terrifying truth, despite the glib efforts of Mannie (Jerry Bloom), a psychologist, to dismiss it all as mass hysteria, like the Mattoon Mania. No one’s immune, not even the police (Andrew Jorczak).

City Lit has loads of fun with this show, injecting humorous touches at every level, from the fake newspapers on the video screens to the twitching pod people to unexpected reactions on Miles’ asides to the audience. Pastor, with a keen sense of comic timing, takes the focus of the show, but fine performances feature throughout. The supporting characters — especially Bloom’s urbane Mannie, Kingsley Day’s creepy Uncle Ira and June Eubanks’ sly takes on two female roles — add subtlety and interest.

The whole cast follows ably along with Paul Edwards’ somewhat uneven script, lurching from the pure camp and shrill thrills of the B-movies to the novel’s reflective commentary on suburban married life — the point, of course, being that horrors don’t all come from outer space.

 
Rating: ★★★
 

3 Responses

  1. Sounds like a nifty production. Do they have actual pods on stage?

  2. That would be telling.

  3. […] who discovers that the people around him are being replaced by emotionless alien duplicates. (our review – […]

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