Sunday Sondheim – Sarah Vaughan sings Send in the Clowns

The divine Sarah Vaughan sings Sondheim’s “Send in the Clowns” from A Little Night Music. Recording done in 1987.

 

I absolutely love the acappella section at 4-minutes.  Take a listen!

Non-Equity Jeff Awards nominees announced

chicagoatnight

2010 Non-Equity Jeff Award Nominees

 

 

Production – Play
  Busman’s Honeymoon Lifeline Theatre (review ★★★)
Death of a Salesman Raven Theatre (review ★★★½)
Killer Joe Profiles Theatre (review ★★★½ )
The PillowmanRedtwist Theatre (review ★★★)
St. Crispin’s Day Strawdog Theatre Company (review ★★)
Wilson Wants It All The House Theatre of Chicago (review ★★★)

 

Production – Musical
  Chess  Theo Ubique Cabaret Theatre i/a/w Michael James (review ★★½)
Evolution/Creation  -   Quest Theatre Ensemble (review ★★★)
The Glorious Ones   Bohemian Theatre Ensemble (review ★★★)
The Who’s Tommy Circle Theatre 

 

Director – Play
  Aaron Todd Douglas: Twelve Angry Men Raven Theatre  (review ★★★)
Michael Menendian: Death of a SalesmanRaven Theatre (review ★★★½)
Michael Rohd: Wilson Wants It All House Theatre of Chicago (review ★★★)
Kimberly Senior: The PillowmanRedtwist Theatre (review ★★★)
Rick Snyder: – Killer Joe Profiles Theatre  (review ★★★½)

  

Director – Musical
  Fred Anzevino & Brenda Didier: Chess – Theo Ubique Theatre (review ★★½)
Jeffrey CassThe Who’s TommyCircle Theatre
Stephen M. Genovese: The Glorious Ones Boho Rep (review ★★★)
Andrew Park: Evolution/CreationQuest Theatre Ensemble  (review ★★★)

 

Ensemble
  The Glorious Ones Bohemian Theatre Ensemble (review ★★★)
Red Noses Strawdog Theatre Company
Twelve Angry Men
Raven Theatre  (review ★★★)
Under Milk Wood  Caffeine Theatre  (review ★★)

 

Actor in a Principal Role – Play
  Tony Bozzuto: On an Average DayBackStage Theatre Company 
Darrell W. Cox: Killer Joe
Profiles Theatre  (review ★★★½)
Andrew Jessop: The PillowmanRedtwist Theatre (review ★★★)
Peter Robel: I Am My Own Wife Bohemian Theatre  (review ★★★★)
Chuck Spencer: Death of a Salesman Raven Theatre  (review ★★★½)

 

Actor in a Principle Role – Musical
  Courtney Crouse: ChessTheo Ubique Cabaret Theatre  (review ★★½)
Tom McGunn: The Who’s Tommy Circle Theatre
Eric Damon SmithThe Glorious Ones
Bohemian Theatre (review ★★★)
Jeremy Trager: Chess Theo Ubique Cabaret Theatre   (review ★★½)

   

Actress in a Principle Role – Play
  Brenda BarrieMrs. CalibanLifeline Theatre  (review ★★★★)
LaNisa FrederickThe Gimmick Pegasus Players (review ★★)
Millicent HurleyLettice & Lovage Redtwist Theatre (review ★★★★)
Kendra Thulin: Harper Regan Steep Theatre  (review ★★½ )
Rebekah Ward-Hays: Aunt Dan and Lemon BackStage Theatre 

 

Actress in a Principle Role – Musical
  Danielle Brothers: Man of La Mancha Theo Ubique Theatre  (review ★★★)
Sarah Hayes: Man of La ManchaTheo Ubique Theatre   (review ★★★)
Maggie PortmanChess  Theo Ubique Cabaret Theatre  (review ★★½)

 

Actor in a Supporting Role – Play
  Chance Bone: Cooperstown Theatre Seven of Chicago  (review ★★)
Jason HuysmanDeath of a Salesman Raven Theatre (review ★★★½)
Edward KuffertThe CrucibleInfamous Commonwealth (review ★★★)
Peter Oyloe: The Pillowman Redtwist Theatre   (review ★★★)
Phil TimberlakeBusman’s Honeymoon Lifeline Theatre  (review ★★★)

 

Actor in a Supporting Role – Musical
  Eric Lindahl: The Who’s Tommy Circle Theatre
Steve Kimbrough:
Poseidon! An Upside Down Musical Hell in a Handbag
John B. LeenChess Theo Ubique Cabaret Theatre  (review ★★½)

 

Actress in a Supporting Role – Play
  Nancy Friedrich: The Crucible Infamous Commonwealth (review ★★★)
Vanessa Greenway: The Night SeasonVitalist Theatre i/a/w Premiere Theatre & Performance (review ★★★★)
Kelly Lynn HoganThe Night Season Vitalist Theatre i/a/w Premiere Theatre & Performance (review ★★★★)
Kristy Johnson: A Song for Coretta Eclipse Theatre  (review ★★)
Mary RedmonThe Analytical Engine  – Circle Theatre  (review ★★★)

 

Actress in a Supporting Role – Musical
  Kate GarassinoBombs Away!  – Bailiwick Repertory Theatre  
Danni Smith
The Glorious Ones  -   Bohemian Theatre (review ★★★)
Trista Smith: Poseidon! An Upside Down Musical  -  Hell in a Handbag
Dana Tretta
The Glorious Ones  Bohemian Theatre   (review ★★★)

 

New Work
  Aaron CarterFirst Words  MPAACT (review ★★★)
Ellen FaireyGraceland Profiles Theatre  (review ★★★)
Tommy Lee JohnstonAura  Redtwist Theatre
Andrew Park and Scott Lamps
Evolution/Creation  -   Quest Theatre Ensemble (review ★★★)
Michael Rohd & Phillip C. KlapperichWilson Wants It All  -  The House Theatre of Chicago  (review ★★★)

 

New Adaptation
  Bilal Dardai: The Man Who Was ThursdayNew Leaf Theatre  
Sean Graney:  –
Oedipus  The Hypocrites (review ★★★★)
Frances LimoncelliBusman’s Honeymoon Lifeline Theatre (review ★★★)
Frances Limoncelli:  – Mrs. Caliban  – Lifeline Theatre (review ★★★)
William Massolia: Little Brother  Griffin Theatre

 

Choreography
  Kevin BellieThe Who’s Tommy  Circle Theatre
Brenda Didier
Chess   Theo Ubique Cabaret Theatre (review ★★½)
James Brigitte DitmarsPoseidon! An Upside Down Musical  Hell in a Handbag Productions

 

Original Incidental Music
  Andrew Hansen: Treasure Island  -  Lifeline Theatre  (review ★★★½)
Kevin O’Donnell:   -  Wilson Wants It All  -   House Theatre   (review ★★★)
Trevor WatkinThe Black Duckling  -  Dream Theatre

 

Music Direction
  Ryan BrewsterChess  – Theo Ubique Cabaret Theatre (review ★★½)
Gary PowellEvolution/Creation  Quest Theatre   (review ★★★)
Nick SulaThe Glorious Ones  Bohemian Theatre   (review ★★★)

 

Scenic Design
  Tom BurchUncle Vanya Strawdog Theatre  (review ★★★)
Alan DonahueTreasure Island Lifeline Theatre (review ★★★½)
Heath HaysOn an Average Day  -   BackStage Theatre Company
Bob Knuth
The Analytical Engine  Circle Theatre (review ★★★)
Bob KnuthLittle Women  -   Circle Theatre (review ★★★)
John Zuiker:   I Am My Own Wife  -   Bohemian Theatre (review ★★★★)

 

Lighting Design
  Diane FairchildThe Gimmick  -  Pegasus Players (review ★★)
Kevin D. Gawley: Treasure Island Lifeline Theatre (review ★★★½)
Sean MallarySt. Crispin’s Day  – Strawdog Theatre Company (review ★★)
Jared B. MooreThe Man Who Was Thursday New Leaf Theatre
Katy PetersonI Am My Own Wife
Bohemian Theatre (review ★★★★)

 

Costume Design
  Theresa HamThe Glorious Ones  -  Bohemian Theatre  (review ★★★)
Branimira IvanovaTreasure Island  Lifeline Theatre (review ★★★½)
Joanna MelvilleSt. Crispin’s Day  -  Strawdog Theatre Company (review ★★) Jill Van BrusselThe Taming of the Shrew  Theo Ubique  (review  ★★★)
Elizabeth WislarThe Analytical Engine  – Circle Theatre (review ★★★)

 

Sound Design
  Mikhail FikselOedipus The Hypocrites (review ★★★★)
Michael GriggsWilson Wants It AllThe House Theatre (review ★★★)
Andrew HansenTreasure Island Lifeline Theatre  (review ★★★½)  
Joshua HorvathMrs. CalibanLifeline Theatre (review ★★★★)
Miles PolaskiMouse in a Jar Red Tape Theatre  (review ★★)

 

Artistic Specialization
  Kevin Bellie: Projection Design, The Who’s Tommy  -   Circle Theatre
Elise Kauzlaric: Dialect Coach, 
Busman’s Honeymoon  Lifeline Theatre (review ★★★)
Lucas Merino: Video Design, Wilson Wants It AllThe House Theatre of Chicago (review ★★★)
James T. Scott:  Puppets, Evolution/Creation Quest Theatre (review ★★★)

 

Fight Choreography
  Geoff Coates: On An Average Day  -  BackStage Theatre Company
Geoff Coates
Treasure Island  Lifeline Theatre   (review ★★★½)
Matt HawkinsSt. Crispin’s DayStrawdog Theatre Company (review ★★)
R & D ChoreographyKiller Joe  Profiles Theatre  (review ★★★½  )

 

More info at the Jeff Awards website.

   
   

REVIEW: 25th Annual Putnam County Spelling Bee (Noble Fool)

 

Fun with spelling

 Noble Fool "Beauty and the Beast"

 
Noble Fool Theatricals presents
 
The 25th Annual Putnam County Spelling Bee
 
Conceived by Rebecca Feldman
book by
Rachel Sheinkin and music/lyrics by William Finn
Directed by
Kevin Bellie, music direction by Peter Storms
Pheasant Run Resort, 4051 E. Main St., St. Charles (map)
Through June 13 | Tickets: $29–39, dinner-show packages $46–59 |  more info

Reviewed by Leah A. Zeldes

Can you spell f-r-i-v-o-l-o-u-s? Airy as Wonder Bread, sweet as Gummi Bears, The 25th Annual Putnam County Spelling Bee offers a fun and unchallenging evening of musical comedy that will get you home well before the babysitter’s deadline and won’t stick you with inconvenient earworms or lingering deep questions. Winner of the 2005 Tony Award for Best Book of a Musical, Spelling Bee began with Rebecca Feldman’s sketch C-R-E-P-U-S-C-U-L-E for her New York comedy group, the Farm. It came to the Noble Fool "Beauty and the Beast" attention of Falsettos composer and lyricist William Finn, who brought on Rachel Sheinkin to help him create a musical adaptation. Opened in 2004 by Barrington Stage Company in western Massachusetts, the musical ultimately became a hit on Broadway, where it played for 1,136 performances. The laughs come from juxtaposition of latter-day life problems, age-old preteen angst and the sentimental nostalgia of the old-fashioned spelling-bee competition.

Kevin Bellie and Peter Storms’ vigorous production for Noble Fool Theatricals is as cute as can be, with a bouncy, talented cast and a lively staging. Spelling Bee runs about 90 minutes with no intermission. On opening night, things stretched out a bit longer when one of the audience members participating in the bee — four volunteers are selected for each performance — proved to be an unexpectedly good speller. Having successfully navigated "catterjunes" (part of the show’s improvisational shtick — it isn’t a real word, so they can accept or reject spellings as needed), he also got through "lysergic acid diethylamide" and had to be eliminated with "xerophthalmiology."

A very strong cast of adult actors aptly plays the competing kids, bringing out their humorous quirks without turning them into cartoons. Especially notable performances come from Samantha Dubin as gawky Olive Ostrovsky, anguished over her missing mom — gone to an ashram in India — and emotionally distant dad; Jack Sweeney as the wide-eyed Leaf Coneybear, rising above his family’s expectations; Cara Rifkin as Logainne Schwartandgrubenierre, a determined grammar-school prodigy urged on by her two gay dads; and Ian Paul Custer as William Barfee, a nasally challenged nerd who spells out words with his "magic foot." Chie Isobe plays uptight overachiever Marcy Park, and Erik Kaiko is Chip Tolentino, the too-confident previous year’s champion. Wonderfully expressive Michael Weber portrays Vice Principal Douglas Panch, increasingly tortured and hilarious as the event goes on. As perky Rona Lisa Peretti, Putnam County’s #1 Realtor and the spelling-bee hostess — reliving her own triumph of the second annual Putnam Co. spelling bee — Liza Jaine solos only briefly, but her powerful backup vocals help hold the show together musically. Randolph Johnson adds a rich note as ex-con Mitch Mahoney, especially in his solo, "Prayer of the Comfort Counselor."

Noble Fool "Beauty and the Beast"

Though they’re mostly good-humored, some gags uncomfortably straddle the line between colorful characterizations and offensive caricatures, a blemish exacerbated by Bellie’s casting and Kimberly G. Morris’s costumes. Sheinkin wrote in the flaming gay dads and the overachieving Korean kid, but it was Bellie’s choice to cast the only African American in his show in the parolee’s part and Morris’s to drape him in gold gangsta chains. Amusing lyrics in songs such as "My Friend, the Dictionary" and "Pandemonium" make up for the banal tunes of Finn’s mostly pleasant, but typically repetitive score. Don’t look for big song-and-dance numbers. Like everything else about this show, the songs lack heft, and sometimes seem like fillers. Overall, this musical isn’t about the music. Just enjoy it as a lighthearted romp.

 
 
Rating: ★★★
 
 

Note: The 25th Annual Putnam County Spelling Bee contains adult language and themes that parents may consider unsuitable for young children.

Noble Fool "Beauty and the Beast"