REVIEW: Little Shop of Horrors (La Costa Theatre)

My, What a Strange and Interesting Play!

 

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La Costa Theatre presents
   
Little Shop of Horrors
 
Book/Lyrics by Howard Ashman
Music by
Alan Menken
directed by
Dan Sanders-Joyce
Music direction by Ryan Brewster
at
La Costa Theatre, 3931 N. Elston (map)
through July 11th  |  tickets: $25   |  more info

reviewed by Keith Ecker

I have a confession. Little Shop of Horrors is my favorite musical of all time.

I have loved the play ever since I saw the movie version as a child. I own a VHS copy of the director’s cut of the film, which features an alternate ending that falls more in line with the play, and I have the Little Shop of Horrors Broadway revival cast recording, which for three months straight was the background music for my workout DSC_0494 routine at the gym. So it was with great excitement that I sat down at the La Costa Theatre, which sits above an auto shop, to see Chicago’s most recent rendition of this contemporary classic.

Overall, I can’t say I was disappointed. I think La Costa has planted the seed for an amazing production. But it hasn’t quite blossomed just yet. And if that’s not enough plant metaphors for you, I believe after a few more shows, this production has the possibility of growing into a four-star play.

Little Shop of Horrors takes place in skid row, a dilapidated, impoverished city slum. Mr. Mushnik (Peter Verdico) is the proprietor of an eponymous flower shop that, like most businesses in the neighborhood, is failing.

Mr. Mushnik employs the fragile Audrey (Ashley Bush) and the nebbish Seymour (Jonathan Hymen). Audrey dates a sadomasochistic dentist (Tom Moore) whose pastimes include riding motorcycles and domestic abuse.

Everyone’s life is pretty miserable until Seymour comes upon a strange and mysterious plant that he dubs the Audrey II (voiced by Brian-Alwyn Newland and controlled by puppeteer Paul Glickman). The plant’s mere presence creates a boon for Mr. Mushnik’s flower shop, and Seymour becomes a highly sought after celebrity.

However, Seymour harbors a terrible secret. The plant hungers, and the only thing that can satisfy its ever-growing appetite is human blood. And it demands that Seymour feeds it.

The acting is spot on. Hymen’s Seymour is the quintessential underdog nerd. He’s slouchy, he’s disheveled and he’s meek. Still, Seymour is a very passionate character, especially when it comes to matters of the heart and of ethical decisions, and Hymen transmits this with the required restraint.

Bush’s Audrey isn’t as much of a bimbo as other incarnations that I’ve seen, which is completely acceptable as Audrey isn’t stupid so much as she is incredibly insecure and self-effacing. This is a girl who honestly believes she deserves to be abused. But despite being damaged goods, Audrey is also a hopeless romantic, dreaming of one day living in a suburban home where the furniture is wrapped in plastic. Bush captures this hopefulness and hopelessness. It also doesn’t hurt that she has one of the strongest voices in the cast.

 

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I’m sure it must be very difficult to create a giant, man-eating puppet for the stage. But Glickman, who has years of experience as a puppeteer, has created a remarkable Audrey II. I was blown away by how a small independent theatre company managed to create such an amazing special effect for the stage.

There was a technical downside to the production. The sound quality throughout the play was at best adequate and at worst terrible. The balance of the vocals and the live music was completely off. Often the thump of the bass would drown out all of the singers. Even when no music played, the volume of the actors’ mics varied widely. I had hoped this would have been fixed by the second act, but, to my surprise, it was not.

Also, director Dan Sanders-Joyce didn’t do a very good job of spreading the action throughout the theater. The space is rather large, but much of the actors’ movements are relegated to a small part of the stage. This often leads to poor views for half the audience.

La Costa desperately needs to fix Little Shop of Horrorstechnical glitches. (I suppose you could say they need to nip them in the bud.) Otherwise, the company has well-crafted and entertaining production.

   
   
Rating: ★★★
 
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2 Responses

  1. […] Keith has also been writing reviews for the Chicago Theater Blog. Check out his latest: Little Shop of Horrors produced by the La Costa Theatre […]

  2. The VHS tapes didn’t have the original ending…

    Did you get it from a friend who works at Warner Bros?

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