Review: GL 2010 – Not Your Generic Latina (Teatro Luna)

Teatro Luna – Anything but generic!

  photo by Johnny Knight

   
Teatro Luna presents
      
GL 2010 – Not Your Generic Latina
  
Developed & Directed by Miranda Gonzalez
at
Chicago Dramatists, 1105 W. Chicago (map)
through July 11  |  tickets: $15-$20  |  more info 

reviewed by Aggie Hewitt

Teatro Luna is a great theatre company. Billing themselves as "Chicago’s all Latina theatre company," Teatro Luna brings Latina actresses, writers and directors together to collaboratively compose all original material. Their new show, GL 2010, is styled as a review, made up of a series of vignettes, songs, and movement pieces. GL stands photo by Johnny Knight for Generic Latina, and shares a name with Teatro Luna’s first production. Although the material is all new, it is generated by the same idea as the original: what does the phrase "Generic Latina" mean?

As the audience enters, they are met with a particularly noticeable pre-show soundtrack, a hodgepodge of electronica music and samples from what sounds like a particularly dark telenovela. The walls of the set are absolutely covered with Spanish-language posters for movies, bands and night clubs; as well as a graffiti-style stencils of Mexican wrestling masks, ice cream trucks and Virgin Marys. The show starts with a bang, when a red jump suited audience member flies out of her seat and plows onto the stage to perform a high energy rap about her Latina experience, denying that there is anything generic about her at all. This opening number is representative of Teatro Luna at its very best: controlled, focused energy exploding with the joy of performance. After this first opening number, a gang of three mothers of adult children take the stage, a vignette that will be replicated twice during the show. The three women come from different Spanish speaking countries and discuss their cultural differences, and their shared worries about their children. Teatro Luna always takes its time to explore as many angles of Latina life as possible. The three mothers are vessels through which the culture is examined externally: the writer/performers themselves look at a part of their culture that they are much to young to experience and explore it like curious children, eager to show their findings.

GL 2010_010 GL 2010_006
GL 2010_008 GL 2010_005 GL 2010_001

GL 2010 is more reserved than the company’s previous shows. With a cast that welcomes a few new writer/performers, GL 2010 has the intellectual weight one expects from a Luna show, but comes off as emotionally guarded. Scenes are generated from autobiographical stories, which has given a raw, emotional edge to past shows like Lunaticas. It makes sense that GL 2010 would become more  intellectual than emotional: the premise of the show is to investigate what a Generic GL 2010_007Latina means, and to blow up that stereotype – and external struggle rather than an internal one.

There are some emotional highlights in GL 2010, however. Lauren Villegas‘ courtroom monologue is emotionally stirring and captivating, and the rap performances that act as a Greek Chorus in this show manage to both contain lots of thought-provoking information and have a warm emotional side. Teatro Luna is at its best during large, vibrant group scenes although some of the larger numbers in GL 2010 aren’t quite fully realized. An ode to the nightmarish act of female body waxing has the potential to be a major show stopper, but its viewpoint is too weak to be very ratable.

The women of Teatro Luna are a powerful force, and the work they put into their collaborative shows is evident in their product. GL 2010 isn’t a perfect show, but Teatro Luna is one of the coolest theater companies out there.

   
   
Rating: ★★½
 
 

Creative Team

Developed/Directed by Miranda Gonzalez
Produced by: Alex Meda for Teatro Luna
Featuring: Marilyn Camacho (Co-Artistic Director of Urban Theatre Company)
Artistic Associate, Marie Antoinette Flores (Jarred), Andrea Morales, Maria A. Ortiz, Jessi Perez  New Ensemble Member, Lauren Villegas (Solo Tu (understudy), Machos:The Tour)

Production Team

Stage Managed by Patrick Murphy
Production Manager: Patrick Fries
Set Design by Dan Matthews
Composition by Artisic Associate Tamara Roberts
Sound Design by Ashley Turner
Costume Design by Christine Pascual
Lighting Design by Artistic Associate Mac Vaughey
Marketing Design by Sara Wielusz

Photos by Johnny Knight

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