REVIEW: The Sound of the Yellow Flower (Strangeloop)

 

Characters fail to connect in Belarus drama

 

A scene from Strangeloop Theatre's "The Sound of the Yellow Flower"

   
Strangeloop Theatre presents
  
The Sound of a Yellow Flower
  
Written by Dustin Spence
Directed by
Letitia Guillaud
at
Trap Door Theatre, 1655 N. Cortland (map)
thorugh October 3rd |  tickets: $15  |  more info

Reviewed by Oliver Sava

Dustin Spence’s The Sound of a Yellow Flower revolves around four characters in post-Soviet Union Belarus looking for liberty, justice, and love in their unstable country. Years after violinist Sasha (Rich Logan) and military colonel Nikolai (Mark A scene from Strangeloop Theatre's "The Sound of the Yellow Flower"Pracht) help usher in an era of independence for Belarus, they are faced with the question of what comes next. Nikolai wants to see Sasha takes a position of political power, but Sasha wants nothing to do with it, having married Zoe (Samantha Garcia), an American activist working to expose the injustices done by the current government. Nikolai’s relationship with heroin-addicted prostitute Natalia (Meghan M. Martinez) ends up bringing the four together in an explosive, tragic climax, but Spence’s script fails to capture the setting and the scenes have an unnatural build to them that makes it difficult to connect with the action on stage.

Language becomes a hurdle in establishing the play’s foreign setting, as little is done to de-Americanize the dialogue beyond the actors adding eastern European dialects. The opening scene has musician Sasha and Nikolai speaking in semi-broken English, but thankfully it is quickly done away with as it makes no sense to have two educated characters speaking ungrammatically in their own language. The profanity-laced dialogue has an almost-Tarantino stylization that feels out of place in the European environment, but the two actors are able to make the action interesting enough to keep the focus.

Zoe speaks in a thicker accent to show her unfamiliarity with the language, but ends up sacrificing a lot of diction in the process. The playwright doesn’t provide much exposition regarding the current socio-political climate of Belarus, and losing Zoe’s expository lines due to her accent diminishes the clarity of the plot. Dialects prove a further hindrance when the characters become enraged, as the actors often lose their accents in the explosion of emotion.

Sound of the Yellow Flower 3 Sound of the Yellow Flower 1

These sudden fits of rage occur throughout The Sound of a Yellow Flower, as most of the scenes quickly and without warning turn into screaming matches between the characters. Intensity is fine, but without any proper buildup the emotions feel empty. The relationships aren’t given the time to develop completely, making the connections between characters feel artificial. When it doesn’t feel like there’s any danger in watching a hooker get choked, there’s something wrong.

When these jumps into fury are avoided, the play gains actual depth, like a scene that juxtaposes one of Nikolai’s first nights with Natalia with the first meeting of Sasha and Zoe. The actors are given the time to create intimate moments with each other, and the relationships benefit greatly from the newly established chemistry. The scenes that follow are a return to form, but the brief glimmer of love provides a bit of hope for the tragic characters before their lives fall apart.

      
      
Rating: ★★
  
   

Sound of Yellow Flower poster 2

  
  

 

Production Personnel

Sound of the Yellow Flower posterPlaywright: Dustin Spence

Director: Letitia Guillaud

Featuring: Mark Pracht, Meghan M. Martinez, Rich Logan and Samantha Garcia.

Scenic design by Glen Anderson, costumes and props by D.J. Reed, lighting by Leigh Barrett and sound by Bradley J. Gunter.

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