Verdi’s "Macbeth" is a Beautiful Tragedy
Lyric Opera presents |
Macbeth |
Composed by Giuseppe Verdi Libretto by Francesco Maria Piave Directed by Barbara Gaines Music directed by Renato Palumbo at the Civic Opera House, 20 N. Wacker (map) through October 30 | tickets: $46-$207 | more info |
Reviewed by Keith Ecker
If Shakespeare were a rock band, Macbeth would likely be the first track on the B-side of his greatest hits album. The classic tragedy about a power-hungry Scottish royal couple is certainly popular, but has never managed to reach the same lofty placement on the theatrical mantle occupied by Hamlet and Romeo and Juliet.
I can understand why. For me, the title character always came across as a brutish ogre who stomps around in fits of testosterone-driven rage. You can almost picture him delivering his lines, as poetic as they may be, in a series of grunts. He’s like the Arnold Schwarzenegger of the Shakespearean world.
But Lyric Opera’s production of Verdi’s Macbeth infuses the treasonous Scottish nobleman with a vulnerability I have never witnessed before. Perhaps it is because of the passionate singing, the low bellow delivered by performer Thomas Hampson, that allows you to really feel the emotions behind Macbeth’s words. Or perhaps it is that unique quality of opera wherein characters sing aloud their inner dialogue regardless of how many chorus members are on stage. Either way, this Macbeth may have a bold exterior, but there’s no mistaking that inside he hides a sensitive, insecure soul.
Although Hampson is billed as the star of the show, and he certainly delivers, the real standout is Nadja Michael as Lady Macbeth. This woman is absolutely outstanding, with a stunning presence anytime she’s onstage. The amount of endurance and vocal strength required to sing her four arias must be a harrowing task. Yet she does it without ever dropping her energy. And although the production is in Italian (with English super-titles), Michael’s acting and vocal inflection are paired so perfectly that you know what she is saying even if you have absolutely no clue what she is saying.
Leonardo Capalbo, as Macbeth’s foe Macduff, executes an aria in the fourth act that outdoes all the other male cast members. Sung right after he discovers Macbeth has slain Macduff’s entire family, it is a powerful and tragic piece that is infused with real heart, mourning and rage.
Unfortunately, Štefan Kocán’s portrayal of Banquo. Kocan is not as impressive – he has a uniquely guttural voice that, while I appreciate its distinctiveness, serves as a distraction.
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As you would guess, the Lyric does not shy away from spectacle. There’s plenty of eye-catching scenes throughout, including the opening which features not one but three actors flying through the air on cables. The set itself is towering, resembling a giant metal spaceship. Although it’s impressive in its scale, the futuristic look of the sleek metal seems out of place for a play in which swords are considered advanced weaponry.
Macbeth may be a man’s world, but that doesn’t mean a woman can’t steal the show. And Michael certainly does as Lady Macbeth. At the same time, the intensity of Verdi’s musical orchestrations brings unparalleled clarity to this Elizabethan classic, which – for all its action – really is about emotional tragedy.
For a combination of stunning spectacle and masterful acting and singing, Macbeth is the perfect production for those wanting to witness opera for the first time.
Rating: ★★★½ |
Stars of the Opera
Macbeth |
Lady Macbeth |
Macduff |
Banquo |
Lady in Waiting |
Malcolm |
Servant/Assassin/Herald/Doctor |
First Apparition |
Second Apparition |
Third Apparition |
Conductor |
Director |
Set Designer
James Noone*
Costume Designer
Virgil C. Johnson
Lighting Designer
Robert Wierzel
Chorus Master
Donald Nally
Choreographer
Harrison McEldowney*
*Lyric Debut
http://player.theplatform.com/ps/player/pds/LKuixhzDPK&pid=yo3GFfcebWdb9_5em9OwJw0Pq7thNDQq
Filed under: 2010 Reviews, Civic Opera House, Keith Ecker, Lyric Opera, Opera, William Shakespeare | Tagged: Amanda Majeski, Barbara Gaines, Carter Scott, Chicago Tonight, Donald Nally, Evan Boyer, Harrison McEldowney, James Noon, Jennifer Jakob, Konstantin Stepanov, Leonardo Capalbo, Lyric Opera Chicago, MacBeth, Nadja Michael, Renato Palumbo, Robert Wierzel, Sam Handley, Stefan Kocan, Thomas hampson, Virgil C. Johnson, WTTW |
[…] Chicago Theater Blog: Although Hampson is billed as the star of the show, and he certainly delivers, the real standout is Nadja Michael as Lady Macbeth. This woman is absolutely outstanding, with a stunning presence anytime she’s onstage. The amount of endurance and vocal strength required to sing her four arias must be a harrowing task. Yet she does it without ever dropping her energy. And although the production is in Italian (with English super-titles), Michael’s acting and vocal inflection are paired so perfectly that you know what she is saying even if you have absolutely no clue what she is saying. […]