REVIEW: Traces (Broadway in Chicago)

   

Extended through January 1st!!

  
  

I heart ‘Traces’!

 

 

Cast of Traces

   
Broadway in Chicago presents
  
Traces
   
Directed/Choreographed by
Shana Carroll and Gypsy Snider
at
Broadway Playhouse, Water Tower Place (map)
through Dec 19 Jan 1  | tickets: $50-$72  |  more info

Reviewed by Katy Walsh

A teeter-totter is harmless, right? Sure, until two men plummet from 20+ feet above to land on the teeter to send another guy tottering to the ceiling. Then, a teeter-totter officially becomes a death threat. Broadway in Chicago presents the Chicago premiere of Traces. The Montreal-based performance troupe kicks off its North American Tour at the newly renovated Broadway Playhouse. Six guys and a gal open the show with a strobe-lit pulsating number of flips and tumbles. With exhilarating music and shadow silhouettes, people are flying through the air without wires or nets.

Chairs - Florian ZumkehrClad in similar suits, the ensemble sheds their attire in a let’s-get-down-to-business energy. Traces stomps the mundane with Fuerza Bruta jams (our review ★★★) and Hephaestus stunts (review ★★★½) to Rent stories. The result is a heart-pounding, heart-tugging, heart-attacking spectacle. I heart Traces!

It’s the combinations that make Traces a unique stand-out on the cirque. At the heart of it, the combo of performers is surprising. One girl? Valerie Benoit-Charbonneau is one of the guys until she isn’t. In a flirtatious number with Mason Ames, Benoit-Charbonneau uses athletic ballet moves to simulate a smoldering encounter. Ames hurls and catches her… over his head, her feet on his palms. Playing out a very physical disagreement, this tryst is an exercise in trust. At 6’2 and 228 pounds, it’s not shocking that Ames anchors aerobatics. The astonishment is when he shoots through a small circle or dangles from a pole. Ames is one limber lumberjack. Philippe Normand-Jenny is the other big guy amazingly tottering with heights, his own and the stage’s. Florian Zumkehr balances on his head but the impressive part is it’s on the tippy-top of the back of a chair on the peak of a mountain of chairs. Crazy-breath holding moments. Zumkehr also scales two poles with monkey-like agility. The entire troupe hit the poles for a gravity-denying seduction. It’s some of the hottest pole dancing ever imagined! The mixture of props adds to the intriguing concoction. In a life-size hoola hoop, Bradley Henderson spins his own whimsy with controlled balance. Matthieu Cloutier dons roller skates swirling around stage and over playmates effortlessly. In the finale, all seven flip, jump and twist through stackable circles. Just when it seems the pile shouldn’t get any higher, 7 Fingers heaps on three more rounds to continue the captivating escalation. Each time, Xia Zhengqi magically bulls-eyes the target. Zhengqi is a supernatural phenomenon.

 

Chinese Poles - Bradley Henderson Chinese Hoops - Bradley Henderson Hand to Hand - Mason and Valerie

Besides the freaky-talented ensemble combo, Traces provides a personal approach to the circus theatrics. Biographical information is shared by individual performers. Not just driver’s license info but three words to use to self describe. An intimate bond develops. Knowing Mason self identifies as ‘clumsy’ makes me worry about his scaffold plunging. Multi-media is also used for a distinctive element. Various projected camera angles showcase action from different perspectives. Overhead filming provides a kaleidoscope effect to the visual. The stage looks like a rehearsal room. The illusion makes the drawing, dribbling, reading, keyboarding, and strumming seem like organic breaks in the action. To some, the transition might seem clunky. For me, these shifts allowed the performers and myself to get our heartbeats back to a normal rhythm

      
     
Rating: ★★★★
   
    

Traces runs Tuesdays, Wednesdays, Thursdays, Sundays at 7:30pm, Fridays and Saturdays at 8pm, and Wednesdays, Saturdays, Sundays at 2pm.  Traces runs thru December 19th.

Running Time: Ninety minutes with no intermission

        
        

WAITING FOR THE SHOW

Before aerobics, what’s better than carbing up on a little pasta? Francesca’s, 200 E. Chestnut is a newer addition to the Mia Francesca family. It’s a cozy oasis a half block from the Broadway Playhouse. We start with a large platter of Carpaccio with tomato garnish. Despite a healthy pepper and lemon sprinkling, the taste isn’t terribly flavorful. Steve and I go splitzies on the tilapia with a cauliflower puree. This dish boasts a tender and delicious taste… and I don’t even like cauliflower. Theater Bob goes daring with the prosciutto pizza served with a fried egg on top. When at Francesca’s! Theatre Bob allows the egg to be broken and spread over the pizza. He is put off by the gooey essences and doesn’t finish his meal. I sampled it. To me, it could be a legitimate breakfast pizza. The restaurant was hit heavy with a theatre crowd so our entrees were somewhat delayed. Our server was outstanding and inquired about the timing and our needs. We easily made the curtain without any heartache.

3 WORDS: Wearing his heart on his sleeve, Steve describes the show with ‘tumble for me.’

Car Crash - Cast

     
     

One Response

  1. […] a review of Traces, click here. This entry was posted on Tuesday, November 30th, 2010 at 8:24 am and is filed under Great Day […]

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