REVIEW: Robin Hood: The Panto! (Piccolo Theatre)

  
  

Raucous humor amidst the Dark Forest

  
  

piccolo theatre, robin hood, 2010, Fairy (Vanessa Hughes), Robin Hood (Berner Taylor), Fairy (Amy Gorelow), Bess Flatbottom (Andrew Roberts)

  
Piccolo Theatre presents
   
Robin Hood: The Panto!
   
Written by Jessica Puller
Music by Tyler Beattie
Directed by Glenn Proud & Brianna Sloane
at Evanston Arts Depot, 600 Main (map)
through Dec 18  | 
tickets: $25  |  more info

Reviewed by Paige Listerud

You’ve got to hand it to Piccolo Theatre for perennially bringing a bit of wacky English theater tradition to Evanston environs each holiday season. British Pantos are pure, unadulterated silliness. At Robin Hood: The Panto!, expect all the traditional British ribaldry—cheering the hero, booing the villain, and shouting, “He’s behind you!” when our hero is under sneak attack. The real fun of the show is witnessing full-on participation from a typically polite and respectful theater crowd.

Bess Flatbottom (Andrew Roberts) and Robin Hood (Berner Taylor)Oh—and the Dame (Andrew Roberts)—did I forget to mention that one must whistle and hoot every entrance made by the Dame? Shame on me! Whistle the Dame, everyone, or be known as real drag.

Co-directed by Glenn Proud and Brianna Sloane, Robin Hood: The Panto! is the newly-minted creation of young playwright Jessica Puller, who authored their successful last year’s panto, Perseus and Medusa: or It’s All Greek To Me (our review ★★★). You’d better not expect something like the Ridley Scott or Kevin Reynolds’ versions of the Robin Hood legend—Puller takes a nice big swipe at those.

No, in this version, Robin Hood (Berner Taylor) looks hot in fishnets but has a head the size of a watermelon from all the hero worship he gets from fans and the media. An eager overreacher, Scarlet (Nicole Keating) just wants to be part of Robin’s Merry Men but Robin, Little John (Adam McLeavey) and Alan A Dale (Maxx Miller) never cut her the slack to let her join. Of course, it’s tough when one is constantly outshone and out-thieved by Philip, the Cow (Vanessa Hughes and Amy Gorelow). Rescuing the lovely Maid Marian (Kaitlin Chin) from the deliciously sinister and effete Sir Guy of Gisbourne (Ben Muller) is a weekly event, but this time a trek to The Dark Forest leads Scarlet to discover a magic spell book by which she can rewrite events as she wills.

Piccolo’s production shamelessly rips off “I Love Lucy” and every other old vaudeville bit and joke. When I say old, friends, I mean that, no doubt, many of these jokes and shticks were unearthed from the catacombs. But the cast excels at driving a sassy pace and playing every moment with gusto. What is even more important is the spot-on improvisation and interaction with the audience that they deliver. On opening night, an audience member trying to sneak back into her seat after intermission was greeted with a scathing “Nice of you to join us!” from Sir Guy. But our plucky audience gave as well as they got. Once the Sheriff of Nottingham (Vic May) got turned into a duck from Scarlet’s magic spell book, someone from the audience yelled out “AFLAC!”

The Fairies (Vanessa Hughes and Amy Gorelow) piccolo theatre, robin hood, 2010, Fairy (Vanessa Hughes), Robin Hood (Berner Taylor), Fairy (Amy Gorelow), Bess Flatbottom (Andrew Roberts) Robin Hood (Berner Taylor)

Other memorable moments include Noah Ginex’s magic scene and puppetry design, as well as Vanessa Hughes and Amy Gorelow playing the evil spirits of the Dark Forest, busting out a power ballad just like the 1980’s duo, Heart. But the show really is about the pact between audience and players to have a ridiculous, raucous good time. To that end, bring your friends and family. And watch out for the whipped cream.

  
  
Rating: ★★★
   
   

Fairy (Amy Gorelow)

     
     

One Response

  1. […] than a little sly feminism goes into A Red Orchid’s production The Iliad, a one-act play adapted for young female actors by award-winning […]

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