REVIEW: Bri-Ko: All Silent. All Funny (Stage 773)

  
  

A barrel of laughs and fun for everyone – don’t miss it!

  
  

tim Soszka, Brian Posen, Brian Peterlin in Bri-Ko at Stage 773 Chicago

   
Stage 773 presents
   
Bri-Ko: All Silent. All Funny
   
Written/directed by the Ensemble
at
Stage 773, 1225 W. Belmont (map)
through Jan 2  |  tickets: $12-$18   | more info

Reviewed by K.D. Hopkins

Whenever I am in the Stage 773, (a.k.a. Theatre Building) area, I make a stop at Uncle Fun. I am a whoopie cushion and chattering wind-up-teeth kind of gal, which made Uncle Fun the perfect stop before Bri-Ko: All Silent. All Funny. I rarely have any expectations before a production that I review but Bri-Ko has a history in Chicago and it turns out a well-deserved one.

The set is dressed in all white with bare hanging bulbs. A set of three lab coats, construction helmets, and goggles lay on white stackable chairs. Enter Brian Posen, Brian Peterlin, and Tim Soszko: three guys with a wonderful comic aura the minute they step onto the stage. A dramatic donning of the lab coats to the requisite rubber gloves begins a hilarious 70-minutes of visual shennanigans with a lovely dark undertone and a healthy dose of making a mess.

Bri-KoI first wondered if this was going to be a "Blue Man Group" experience, which I don’t particularly enjoy. I am happy to report that Bri-Ko:All Silent. All Funny is built on a number of traditions without the visual and sound overload of the aforementione group. Indeed, less is more in the case of Bri-Ko

Posen, Peterlin, and Soszco are Everymen put into everyday situations with absurd twists. These are the guys that no doubt were suspended for practical jokes and bringing Mad Magazine books to catechism class. They are the kids who were way smarter than anyone figured and did everything over the top.

A simple act of eating a marshmallow becomes an experiment in torturing the straight man with tape measures. Changing a light bulb is an exercise in extremes with everyday objects, all backed by the music of Electric Light Orchestra.

This is comedy in the tradition of the great Ernie Kovacs, vaudeville, and great modern clowns such as Red Skelton or Bill Irwin. The craft of the perfect expression and movement is a disappearing art in this age of uber-realism and high definition. A return to simplicity is the perfect antidote for overloaded technology. Bri-Ko pares everything down to make a wonderful concoction of mayhem and gleeful insanity.

The trio adds shades of satire in every skit. “Bedtime Before Christmas Morning” is a combination of Hardy with two Stan Laurels. Striped pajamas and nightcaps (the head cover not the whiskey shot kind) are put on and then prayers are said. Two say Christian prayers and the third pulls out a hat with earlocks and a prayer shawl. It mocks and alludes to political correctness all at once to great effect and good laughs.

Posen/Peterlin/Soszko make genius use of everyday toys such as the revered hackey sack. “The Death of the Hackey Sack” is a twisted and dark play on consumerism in life and death. This bit is worth the price of the ticket alone. The trio portray the wonderful innocence of children in imagining personalities for the hackey sacks. When the toys inanimately fall to the floor, the 3 show their sorrow by performing an elaborate death ritual. They embalm the sacks with sugary breakfast cereal which probably has a nuclear half life. Three separate funerals ensue. The first is a military affair with a 21-Nerfball salute; an expertly folded tiny American flag presented to an audience member. The second ceremony is a coffee can cremation with the ashes interred in a vase and placed on a shelf. The third is a Hunter S. Thompson affair where the deceased hackey sack is shot into space with cross bow. This was my favorite if for nothing other than my own love of Thompson and the altered consciousness slant on his afterlife.

Another genius skit is what I call “The Crazy Circuit Breaker Box”. Two of the trio accidentally discover a circuit breaker box while the third sits in a wall box, polishing a surviving hackey sack. Each of the breakers causes a different effect including sending shock waves into the hackey sack polisher. One breaker causes a carhop on roller skates to roll by with a hamburger on a tray much to the duo’s delight. Another flip sends out the carhop with juice boxes that they literally drain until the boxes fold over. The third guy gets out of the box and joins them as they introduce him to the magic breaker box. They dim lights, get hamburgers on wheels, and then shock him as a joke. The joke is on them when the guy enjoys the shocks with a sublime smirk on his face. He convulses in ecstasy and tries to keep going but they intervene with faux intervention concern.

Bri-Ko - Stage 773 Chicago Bri-Ko - Stage 773 Chicago Bri-Ko - Stage 773 Chicago

The last part of the show gets more interactive and really messy. A hilarious sketch of lettuce to bio-fuel segues into a made-to-order menu that the audience members can order from the chef on stage. He searches through a giant bowl of water balloons and chucks them into the audience. One person orders split pea soup that is water turned green much to their relief. However, in the great tradition of vaudeville and the holy trio of Moe, Larry, and Curly, a cream pie is a cream pie smooshed in the face of a planted audience member!

Other highlights are a pantomime/sign language rendition of Wilson-Phillips "Hold on For One More Day". The sight of three very manly men acting out such a chirpy chick song gets huge laughs. Another stab at treacly pop culture is what I call “Waiting for Gumball” whereupon two of the trio get gumballs from a giant chute filled with gumballs. The chute doesn’t work for the third of the trio and he goes fetal to Lionel Ritchie’s "Hello". It’s a side bender but all is well in the end. Gumballs, lettuce, Nerfs bb’s and ping pong ball are everywhere. It is as if the bad kids from the block came over and wrecked my room and I loved it.

This is a great family holiday show to forget the chaos of shopping and acquisition. There is nothing like controlled mayhem and madness for the holidays. Watch out for flying lettuce!

   
  
Rating: ★★★½
   

 

Bri-Ko

Bri-Ko

Bri-Ko

     

Bri-Ko:All Silent. All Funny is appropriate for some children. I would suggest over the age of 5 – unless you have done some explaining about death and what is appropriate to try at home. This is a messy show so don’t go wearing your prissiest cashmere or Eiffel Tower hair. Your cashmere will get and your tower of hair will fall. It is a lot of fun and an opportunity to not be uptight for an hour or so. And if you’re nimble there is free gum!

Bri-Ko:All Silent. All Funny plays Fridays and Saturdays ant 7:30pm and Sundays at 2:00pm through January 2nd. There are no performances on December 24th, 25th or January 1st. There is a special New Years Eve kiddie show with balloon animals and kiddie cocktails. Stage 773 is at 1225 W. Belmont in the heart of Lakeview. It is accessible by public transportation and there is valet parking for $10.

        
       

2 Responses

  1. We brought our 15 year old to this show on Saturday night. How fun and refreshing. You can’t help but smile the entire show. I would recommend this show for a great family outing,.

  2. Oh, boy, this sounds like fun. Thanks for this review – I’m going to take my family!

    (We love Uncle Fun, too. My kid’s top request last birthday was a rubber chicken.)

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