REVIEW: It’s Beginning to Look a Lot Like Christmas (Steel Beam)

        
        

No miracle in Christmas movie makeover

  
  

its beginning will nifong

  
Steel Beam Theatre presents
   
It’s Beginning to Look a Lot Like Christmas
  
By Meredith Willson
Directed by
Donna Steele
Steel Beam Theatre, 111 W. Main, St. Charles (map)
Through Dec. 19 |  
Tickets: $23-$25  |  more info

Reviewed by Leah A. Zeldes

Christmas, for many, is all about tradition. Familiar holiday rituals, from the Christmas dinner menu to the ornaments on the tree to time-honored Christmas carols and, yes, those old movies you watch on television every year. That’s why so many theaters play it safe with holiday shows adapted from the same old stuff.

It’s Beginning to Look a Lot Like Christmas is another one: the plot of the 1947 Oscar-winning film "Miracle on 34th Street" re-imagined as a stage musical. Steel Beam Theatre’s earnest production offers a big cast full of cute kids and highly attractive adults, and I wish I could say this live show offered better Christmas entertainment than staying home with a bowl of popcorn and watching the movie on TV, but I can’t.

it's beginning 2The familiar Christmas story follows young Susan Walker, who is being reared by her divorced and disillusioned mother, Doris, in a no-nonsense way that doesn’t include believing in Santa Claus. Their comforting pragmatism becomes shaken by Fred Gaily, the ex-marine turned attorney next door , and a bearded fellow who calls himself Kris Kringle, who shocks New York by telling Macy’s customers to shop at Gimbel’s.

The concept, from composer and adapter Meredith Willson, the man behind The Music Man, ought to have a lot of potential. It includes, among other things, a complete Macy’s Thanksgiving Day parade on stage.

Alas, this is no Music Man, and little about Willson’s score adds to the movie’s story. Few of the songs will leave you humming, and a couple are downright painful. The compacting and stylization necessary to fit the music into a stage-length show robs the plot of spice and leaves it cloying. Elements like a grown man, unknown to her mother, squiring around a little girl and a chauvinistic song about how long it takes a woman to ready herself to go out seem badly dated.

Originally called Here’s Love, the musical opened on Broadway in 1963 and ran less than a year. Its latter-day title change explains why, rather than being central, the show’s namesake tune, Willson’s famous "It’s Beginning to Look a Lot Like Christmas," written in 1951, gets medley treatment. Blended into something called "Pinecones and Holly Berries," it’s one of the better musical numbers, especially in its first iteration with a dance sequence performed by Jamey McDunn as Kris Kringle, Amy Steele as Doris Walker and Will Nifong as Marvin Shellhammer, a Macy’s marketing assistant.

Nifong’s wonderfully comic performance, here and throughout, forms a principal highlight of the show. This number also constitutes one of the brighter spots in Cynthia Hall‘s largely lackluster choreography.

The very pretty Amy Steele sparkles as Doris, but wobbles some in the vocals. A stalwart, smooth-voiced Greg Zawada portrays Fred, while McDunn’s perfect Santa Claus appearance is marred by a curiously tentative and soft-voiced performance. Lauren Freas did a charming job as Susan the day I saw the show; she’s spelled in alternating performances by Christina Zaeske.

Kara Blasingame is sweet as a little Dutch girl, alternating with Kathleen Miulli. Dean Dranias makes a stiff R.H. Macy. Adoniss Hutcheson, alternating with Mikey Taylor; and August Anderson; Brian Burch; Terry A. Christiansen; Haleigh Hutchinson; Andrew Kepka; Katie Meyers; Amy Moczygemba; and Emily Whaley fill out the ensemble.

The centerpiece of the second act comes in a zanily inane number, "My State, My Kansas," which has so little to do with the storyline that it recalls the quirky "Hernando’s Hideaway" of The Pajama Game.  Sadly, it isn’t nearly so good a song as that, though this production points it up with a fun banjo solo by Gary Patterson, playing the judge in Kris Kringle’s insanity trial.

The cast, colorfully clad in Kim Maslo’s nice costumes, clearly has a great time and tries hard. But weak singers exacerbate the score’s dullness. A five-piece orchestra, borne up largely by trumpeter John Evans, does its best to support the vocals but sometimes overwhelms them. Overall, Director Donna Steele’s production fails to give us the pageantry and grandeur necessary to make a parade full of "Big Clown Balloons" come alive.

   
  
Rating: ★★
   
  

Production Cast

The cast includes: Greg Zawada, Hayleigh Hutchinson, and Kathleen Miulli, all of Geneva; Brian Birch, Dean Dranias and Christina Zaeske, all of Aurora; Lauren Freas, Terry Christianson, and Adoniss Hutcheson, all of St. Charles; Jamey McDunn and Emily Whaley of Schaumburg; Amy Moczygemba , Amy Steele, and Will Nifong, all of Chicago; Andy Kepka of Addison; Katie Meyers of Elmhurst; Gary Patterson of West Chicago; August Anderson of Batavia; Mikey Taylor of South Elgin; and Kara Blasingame of Oswego.

  
  

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