REVIEW: The New Electric Ballroom (A Red Orchid Theatre)

  
  

The once-in-a-lifetime chance at pure love

  
  

Buddeke, Larson and Fitzgerald in A Red Orchid Theatre's 'The New Electric Ballroom". Photo credit: Michael Brosilow.

  
A Red Orchid Theatre presents
  
The New Electric Ballroom
  
Written by Enda Walsh
Directed by
Robin Witt
at
A Red Orchid Theatre, 1531 N. Wells (map)
through March 6  |  tickets: $25-$30  |  more info

Reviewed by Paige Listerud

“Stamped by story, aren’t we Patsy?”

                                –Breda

To attend A Red Orchid Theatre’s production of The New Electric Ballroom is to feel Enda Walsh’s sea of language wash over you, wave upon wave, repetitive yet morphing into new constructions, building to exhilarating maximum impact, then receding to leave an inconspicuously altered shore. Here, within the borders of this abstract play, language is king. Words–“idle words, as if there could be anything idle about them,” says Breda—and stories continuously retold, mark and mold each character by repetition as constant as the monotonous, everyday routines that support and curtail daily life. Clara (Laurie Larson), Breda (Kate Buddeke), and Ada (Kirsten Fitzgerald) are like Three Sisters without a Moscow to which to escape or dream of escape. What they have are Clara and Breda’s stories, which Ada directs them to tell over and over again.

Guy VanSwearingen and Kate Buddeke in A Red Orchid Theatre's 'The New Electric Ballroom". Photo credit: Michael Brosilow.If life in their coastal Irish town is bleak, then so, ultimately are Clara and Breda’s tales of young, hopeful love, crushed by betrayal and lost chances. Only Patsy (Guy Van Swearingen), the fisherman, disturbs their telling by his regular and comic fish deliveries. But Patsy himself is haunted by his dull, meaningless routine, imagining that even the seagulls inquire of him: “What is the purpose of you, Patsy?” Walsh owes an immense debt to Samuel Beckett, yet he manages to construct yet another level of existential drama onto Beckett’s cathedral.

Now all that director Robin Witt requires is an acting ensemble of steel to carry and drive the weight of Walsh’s language—and to have fun with it. She has that witty, mature, and polished ensemble in Buddeke, Fitzgerald, Larson and Swearingen. Won’t somebody please get them Superman T-shirts to commemorate their achievement? (Although, I’m quite sure getting yourself to the show would be reward enough.) The play’s beginning is bleak, sometimes so bleak it’s comic, but the action heats up when Patsy is finally allowed into the house, where he allows himself to be transformed into the kind of crooning performer who won Clara and Breda’s hearts years before at the New Electric. The strategic ease with which the play’s atmosphere swings from oppressive melancholy to exuberant, magical fantasy attests to Witt’s mastery of the material and the cast’s ability to submit completely to the theatricality of the work.

Walsh’s surreal and existential play may not be for everyone. However, as a meditation on life’s possibilities being just as overwhelming and personally threatening as its stultifying daily grind, few other works are its equal. Ada has a chance at first love with the transformed Patsy, only to watch that chance melt away because of Patsy’s own failure of nerve. That’s an everyday story–a story that marks and molds a lot of people. A Red Orchid delivers Walsh’s heightened version of that story consummately, professionally, and superlatively. Perhaps that is all we can demand of art.

  
  
Rating: ★★★½
  
  

Laurie Larson and Kate Buddeke in A Red Orchid Theatre's 'The New Electric Ballroom". Photo credit: Michael Brosilow.

Laurie Larson, Kirsten Fitzgerald and Kate Buddeke in A Red Orchid Theatre's 'The New Electric Ballroom". Photo credit: Michael Brosilow. Guy VanSwearingen, Laurie Larson, Kate Buddeke and Kirsten Fitzgerald in A Red Orchid Theatre's 'The New Electric Ballroom". Photo credit: Michael Brosilow.
     

All photos by Michael Brosilow.

     
     

2 Responses

  1. Fabulous review of a fabulous show! A Red Orchid’s ensemble acting is, once again, the stuff of ‘super-heroic’ lore!

  2. Why, thank you Mr. Ferrono.

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