Review: Radio Golf (Raven Theatre)

        
     

Wilson’s thought-provoking drama has a whole new relevancy in 2011

     
     

Warren Levon, Demetria Thomas, Michael Pogue in Raven Theatre's 'Radio Golf'. Photo by Dean LaPrairie.

  
Raven Theatre presents
  
Radio Golf
  
Written by August Wilson 
Directed by
Aaron Todd Douglas
at
Raven Theatre, 6157 N. Clark Street (map)
through April 9 |  tickets: $30  |  more info 

Reviewed by Dan Jakes

It’s only been six years since Radio Golf, the tenth and final work in Pulitzer Prize winning playwright August Wilson’s “Pittsburg Cycle, premiered at Yale Rep.

A lot has happened in six years.

In that time, certain middle-upper-class white signifiers prominently featured in this 1990’s-based drama have taken a dip from grace. Starbucks, Barnes and Noble, lucrative condo investments and, well, Tiger Woods…let’s just say they aren’t what they used to be. “Unemployment” has knocked out “affluenza” as the country’s go-to economic buzz-word, Chicago just watched a mayoral campaign season with similar Harold Washington-era fears about equal race representation and, oh yeah, America elected its first non-white president.

Michael Pogue, Demetria Thomas in a scene from Raven Theatre's 'Radio Golf' by August Wilson. Photo by Dean LaPrairie.Yesterday, this show about a wealthy young black man running for mayor of Pittsburg was contemporary. Today it’s a period-piece, a quality that only adds to its resounding ideas.

The timing of director Aaron Todd Douglas’ production feels perfect. With just enough distance and room for perspective, we get to see the protagonists’ superficial goals and misplaced trusts with an unwavering knowledge of the consequences—something Wilson, who died in 2005, never got the chance to witness for himself. I wonder if he knew he was creating a prescient work of theatre.

As candidate Wilks, Michael Pogue conveys idealism and an eagerness to please his community, listening to its grievances and welcoming citizens into his private office, a space traditionally reserved for the shady deals that are kept far away from picture-windowed PR campaign centers. Time goes on and compromises need to be made, such as the necessity to petition a neighborhood for blight status and the unethical demolishing of a delinquent taxpayer’s house. A little more arc in Pogue’s demeanor would be compelling. But like the rest of this cast, Pogue finds the rhythm in Wilson’s dialogue most of the time (the poetic allegories are clear and strong), steam-rolling it a bit here and there.

David Adams is the most consistent and entertaining of the bunch. Patient and methodical as the stubborn but righteous owner of the dilapidated property at 1839 Wylie Ave.—a brick house that stands in Wilks’ way between continued suburban poverty and a massive, gentrifying real estate complex—Adams carries the weary but proud burden of a man who values what’s right. Blue collar local Sterling Johnson (Antoine Pierre Whitfield) does likewise. Both actors nail Radio Golf’s comedy with complementing styles: Adams understated and Whitfield abrasive.

It makes me wonder about 2012. 15 years after this story takes place, how much of “the game” will be the same, and who gets to play?

  
  
Rating: ★★★
  
  

Warren Levon, Michael Pogue, and David Adams in Raven Theatre's 'Radio Golf' by August Wilson. Photo by Dean LaPrairie.

Radio Golf continues through April 9th, with performances Thurs. through Sat. 8pm, and Sundays at 3pm. Tickets are $30, and are available by calling 773-338-2177, or online at RavenTheatre.com.

 

 
 

Michael Pogue, playing Harmond Wilks, in Raven Theatre's 'Radio Golf', by August Wilson. Photo by Dean LaPrairie.                      Artists

Cast

David Adams (Elder Joseph Barlow), Warren Levon (Roosevelt Hicks), Michael Pogue (Harmond Wilks), Demetria Thomas (Mame Wilks), Antoine Pierre Whitfield (Sterling Johnson)

Production

Playwright: August Wilson, Direction: Aaron Todd Douglas, Stage Managers: Jen Short, Cathy Bowren, Set Design: Andrei Onegin, Lighting Design: Christine Ferriter, Sound Design: Katherine M. Chavez, Properties/Set Dressing: Mary O’Dowd, Costume Design: Sharlet Webb, Photos: Dean LaPrairie

 

 

 

Interview with director Aaron Todd Douglas

  
  

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