Review: The Literati (Chicago dell’Arte)

  
  

Literary lovefest veers off book

   
 

Ned Record, Derek Jarvis and Nick Freed in 'The Literati', presented by Chicago dell'Arte.

  
Chicago dell’Arte presents
  
The Literati
  
by Ned Record, Derek Jarvis and Nick Freed
at the Athemaeum Theatre, 2936 N. Southport (map)
thru April 17  | 
tickets: $20  |  more info  

Reviewed by Keith Ecker 

When I first reviewed Chicago dell’Arte’s The Literati, the highly conceptual and gimmick-laced show had a unique charm. It was in a cramped block box at the RBP Rorschach Theatre. The low-budget production was crafty out of necessity, using a ragtag assortment of pillows as chairs and doubling the entryway as a backstage. The small space and the DIY feel added to the production’s high energy and off-kilter Ned Record, Derek Jarvis and Nick Freed in 'The Literati', presented by Chicago dell'Arte.aesthetic.

The remount of The Literati, which occupies a space at the Athenaeum Theatre, has sacrificed some of this charm in exchange for a professional lighting system, permanent seating and a larger space that serves to sap some of the performers’ manic energy. (To the company’s credit, the performance I saw was sparsely attended, which I’m certain adversely affected the overall mood of the show.)

The production rests on a fairly simple device. The three company members, Derek Jarvis, Nick Freed and Ned Record, wheel out a bulletin board containing five columns of literary categories. Below each header are five classic titles, including such works as Upton Sinclair’s “The Jungle”, Herman Melville’s “Moby Dick” and Voltaire’s “Candide. Audience members are chosen at random to roll an oversized die, which then denotes which texts will get the Chicago dell’Arte treatment.

Said treatment is a dramatic and concise retelling of the tale with liberal reinterpretation. For example, in the performance I saw, “Great Expectations” was performed with Estella as an android, “Little Women” co-starred a sock puppet and “Beowulf” was done in the style of a live-action role-playing game. Yes, it was a total nerdgasm.

And that’s definitely The Literati‘s target audience—brainy nerds. Although you don’t need to be familiar with all the works being reproduced, it certainly helps heighten the level of appreciation if you do. And the humor in general is one that would tickle The Simpson‘s Comic Book Guy’s funny bone. How many people will really appreciate the narrator announcing Beowulf’s hit-point count? I by no means am making a point that this brand of humor is inferior. It’s just a niche, and those that enjoy this brand of shtick will get their share of laughs.

Ned Record, Derek Jarvis and Nick Freed in 'The Literati', presented by Chicago dell'Arte.And although the larger space does make it more difficult to milk the comedy, what hurts the show more is the constant asides that interrupt the action of the stories. The three performers play caricatures of themselves throughout the production. For example, even when Jarvis is playing Frankenstein’s monster, he’s the character of Jarvis playing Frankenstein’s monster. That’s an interesting meta device, but when the performers constantly break fictional literary characters to add quips as their caricature selves, it drags the momentum of the piece down. After a while, it becomes less a lesson in literature and more one in tedium.

This show has a lot of heart and a lot of charm. And because it’s highly unlikely two performances will be identical, it’s worth seeing multiple times. But to keep audiences coming back, I suggest that Chicago dell’Arte concentrate more on the humor derived from the source material rather than from the banter between the performers.

  
  
Rating: ★★½
  
  

Ned Record, Derek Jarvis and Nick Freed in 'The Literati', presented by Chicago dell'Arte.

  
   

Cast

PictureNick Freed

I found a NASA Hat!

Nick’s favorite authors include Dr. Seuss, Capt. Crunch, and Tony T. Tiger. His favorite novels are Everybody Poops, Cat With a Hat, and those ones where you get to pick what happens next. He loves pictures, color by number pictures, and drawings. He wants to thank his parents for letting him stay out so late to do this show and he loves them. And all the high fives he got on his report card in school. Thanks school!


Picture Koncept

How to define whom I am is a difficult endevour. How do you define a concept?  How do you label an ideal? To do so would take a poet, not a dictionaryate.  For now let us merely say that I "am". 
Ned would like to thank himself, as well as to thank the abstract notion that is known to many as "Theater"
Oh, and you are welcome in advance.


PictureDerek Jarvis

It is an arduous task to describe in such a finite space the sheer magnitude of Derek’s qualifications to undertake such an endeavor as literary summation of the classics. However, limitation never halted the progress of Hannibal and his Loxodontan entourage, and this enterprise will surely be met with similarly-lauded success and bevies of intellectual sycophants. In truth, the magnitude of such a reaction serves as qualification in and of itself for the previously mentioned undertaking, for if the acclaim reaches such a fervor over an abbreviated biography, his adaptive work will surely become one of the great pantheons of literature.

  
  

One Response

  1. Worst thing I have ever seen in my life.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

%d bloggers like this: