Review: From Generation to Generation (Genesis Theatricals)

     
     

Genesis generates amateurish night of theatre

     
     

From Generation to Generation - Genesis Theatricals poster

  
Genesis Theatricals presents
  
From Generation to Generation
   
Book by Karen Sokolof Javitch and Elaine Jabenis
Music and Lyrics by Karen Sokolof Jatitch
Directed by David Zak
at Stage 773, 1225 W. Belmont (map)
through May 1  |  tickets: $30  |  more info

Reviewed by Barry Eitel

The basic premise behind From Generation to Generation, the newest musical offering from Genesis Theatrical Productions, is solid. An old, ailing woman battles time to record everything she wants to tell a granddaughter she may never meet. In execution, the show, penned by Karen Sokolof Javitch and Elaine Jabenis and directed by David Zak (artistic director for the old Bailiwick), is hobbled by a lame script and a tendency to dumb down anything challenging. Leaving Stage 773, I was left wondering how this show got productions on both coasts already (and, apparently, awards). This is not a world premier, just a Chicago premier. Not only are there new musicals out there that dig deeper, there are sappy, easy shows that do sentimentality better.

It should be mentioned first that the cast puts a lot of heart out on the stage—I would be amiss to call them lethargic or disinterested. But they are fighting to keep adrift a boat that sunk before it left the harbor.

Javitch and Jabenis’ tale (Javitch also composed) revels in Jewish tradition and culture, throwing out Yiddish aphorisms and staging several ceremonies. The protagonist Rose (the lovable Susan Veronika Adler) even begins the show with a conversation with the Lord, a la Fiddler. But Joseph Stein’s classic contains far more dramatic heft and emotional vigor. From Generation to Generation forgets its premise halfway through, instead choosing to dally in a loose collection of memories until randomly slamming the lid close on the story. Along the way, the writers try to jerk some tears or get those gears of nostalgia churning. There’s a song where the old ladies remember how great things were in “simpler times”—hula hoops, Audrey Hepburn, etc. Quite a few slap-your-forehead obvious sections abound, along with several unintentionally funny moments. Other choices come out of nowhere, like a doo-wop tribute to former Israeli Prime Minister Golda Mier?

Rose’s story could be very touching—she struggles with terminal cancer and faces the harrowing fact that she may not live merely nine months more to see the birth of her granddaughter. There are more possible layers to Rose; she’s a widow and a faithful Jew, even in her bleak circumstances. Here, however, she gets inexplicably better and the heartfelt messages become more of a “remember that one time…” game between Rose and her friends, then her health inexplicably deteriorates again. It’s as if the creators forgot she was sick and then remembered her fatal illness when there were two scenes left to go. The two hour running time could probably be cut in half and we’d still get the general plot.

Zak’s cast does about as well as a show like this can let them. Many of them still pander to the audience (like Michelle McKenzie-Voigt as Rose’s zany best friend, Norma), set on showing us how much fun they are having. Others are woefully miscast into roles twenty years older than their range, such as Kris Hyland, struggling as the unconvincing former hippie Eliot, and Bobby Arnold as an embittered, anti-Semitic coach. The most satisfying performance in the show is Ashley Stein as Marsha, Rose’s daughter. Adler can carry the show, but she rushes moments and often fails to make true connections with the other actors.

This show would be fine if it came to your local synagogue and starred your neighbors. That’s where it belongs, in communities that need all the theatre they can get. Unfortunately, Chicago is not one of those towns. There’s a high bar, and at $30 a ticket, there are some high expectations. Genesis simply does not deliver.

   
  
Rating: ★½
  
   

From Generation to Generation continues at Stage 773 through May 1st, with performances Sundays Thursdya through Saturday at 7:30pm and Sunday at 3pm. Tickets are $30, and can be purchased online or by calling 773-327-5252. 

  
  

Creative Team Bios

KAREN SOKOLOF JAVITCH has co-written 5 musicals along with composing all of the songs for these shows.  She has 10 CD’s of her music and her ‘Princess Diana the Musical’ CD is sold all over the world.   She performed one of her songs, ‘Tell Our Children Now,’ for Ellie Wiesel, Holocaust survivor and Nobel Peace Prize Winner.  With her musicals and CD’s, she has raised money for various charities, including Aids, Pancreatic Cancer, Visually Impaired Children and the Nebraska Jewish Historical Society.  She and her husband, Gary, have 3 wonderful children, Jenny, Mark and Rachel, her ‘true inspirations.’

ELAINE JABENIS is an icon in the Midlands. On radio, her talk show won an award from Billboard Magazine. On Nebraska television she was seen on all three major networks. After working with Johnny Carson, she decided live theatre was her first love. While serving as actress, director, and writer, Elaine has won every acting award offered and is the only actress in her area to have received the Life Time Achievement Award three times–from three different theatrical groups. She has been dubbed by the press as the ‘Grand Dame’ of Omaha Theatre.

  
  

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