Review: Orpheus: Featuring DJ Puzzle as Fate (Filament)

  
  

Talented cast creates buzz, excitement – but not quite a play

  
  

Orpheus-Cast-Web

 
Filament Theatre Ensemble presents
 
Orpheus: Featuring DJ Puzzle as Fate
 
Adapted and Directed by Omen Sade
Original Music by DJ Puzzle
at the Lacuna Artist Lofts, 2150 S Canalport (map)
through May 28th
tickets: $10-$15  |   more info

Reviewed by Jason Rost

Welcome to Club Dionysus. Following Filament Theatre Ensemble’s Friday and Saturday night performances of Eurydice, audiences have the opportunity to stick around for the dance party retelling of the same story in Orpheus: Featuring DJ Puzzle as Fate. This dizzying and bizarre adaptation was created and directed by Omen Sade, who has incorporated several elements into this production that don’t always mesh. What he does create though, is an excitement and buzz through his utilization of DJ Puzzle and a multi-talented cast.

Nathan-Paul-as-a-Bouffon-WebUpon reentering the space, after a quick renovation following Eurydice, you’ll be asked to show an ID (usually a good sign, in this case you can get a smattering of wine). You’re greeted by the nymphs (Alyssa Denea Duerksen, Becca Drew Emmerich and Ashley Moret). After some time spent calibrating to the change of venue, and change of theatrical aesthetics, the nymphs gather attention with loosely choreographed hip hop dancing that will hopefully become a little tighter with time. We meet our hero, Orpheus (Kevin Barry Crowley), who is a famous rapper in Sade’s play. His entrance takes advantage of the gorgeously industrial freight elevator in the space. Crowley proves to be intense and skilled, working in tandem with DJ Puzzle in creating on-the-spot loops and layering on top of them.

Although the atmosphere is at first exciting, too many gaps of the story are clearly filled inside Sade’s head rather than onstage, such as why Eurydice is dressed in a business suit, or what exactly has brought these two together. It is taken for granted that the audience is familiar with the myth, and if you’re unaware of the story and do not see Filament’s Eurydice prior to this production, the events simply will not be communicated as this production stands alone. This is also partly why it’s best to see the double bill if you’re going to go to either production.

Even with the half-hearted storytelling, the after-party that is Orpheus provides an intoxicating experience. It also makes more interesting use of the Lacuna Loft space than Eurydice. While Eurydice appeared more like an attempt to transform the space into an alley style theater, Sade’s Orpheus fully embraces the vast starkness of the open areas. In the underworld, when Orpheus is followed by Eurydice on their exit out, they cross over into another vacant area of the floor which provides an opportunity for the audience to peer through and spy on the ghostly procession. Audience members are also encouraged, rather strongly, to take part in the festivities and dance. However, there is a barrier about the main dance floor around DJ Puzzle that seems off limits to the audience. The staging becomes only about half promenade. While there are a few opportunities for the audience to roam, they are mostly delegated to the wallflower position due to the central space almost always being occupied by action.

     
Jack-Novak-Lindsey-Dorcus-Nathan-Paul-as-Bouffons-Web Kevin-Crowley-as-Orpheus-and-Audrey-Bertaux-Skeirik-as-Euryd

The bouffoons (Lindsey Dorcus, Jack Novak and Nathan Paul) rival DJ Puzzle as the hardest working members of the cast. While their acrobatics are increasingly impressive, their commedia routines fall flat more often than not. Eurydice (Audrey Rose Bertaux-Saint) is performed largely through movement and action. Her acrobatics in the underworld is talented, yet doesn’t exactly communicate much about where she is and what state she is in.

Kyle Land’s lighting provides for some haunting images, inducing an effect reminiscent of German expressionism. Mieka van der Ploeg’s costume design distracts more than helps in this play, contrasting her whimsical design in Eurydice.

Overall, the balance between dance club and play is hazy to the point where there were several moments I’d rather just drop the story all together and simply enjoy moving around the space in this loft rave. DJ Puzzle is transfixing, but his role as Fate never truly comes to fruition. Nevertheless, when the story is in motion, it is told subtly through physicality. As a stand-alone production I couldn’t imagine Sade’s retelling to be worthwhile, but as a compliment and nightcap to Filament’s Eurydice, it’s just weird and fun enough to merit extending your night in Pilsen a little longer.

  
  
Rating: ★★½
  
  

Becca-Drew-Emmerich-Ashley-Moret-Alyssa-Duerksen-as-Nymphs-W

Orpheus: Featuring DJ Puzzle as Fate is adapted and directed by Omen Sade. It will run Friday and Saturday nights at 9pm through May 28th in conjunction with Eurydice. Tickets are $15; $10 if purchased along with Eurydice. Ticketing information is available at www.filamenttheatre.org/tickets.

Artists

 

Cast

Featuring ensemble member Jack Novak, with guest artists Audrey Bertaux-Skeirik, Kevin Crowley, Lindsey Dorcus, Ashley Moret, Nathan Paul,Alyssa Duerksen, and Becca Drew Emmerich.

 

Production / Creative

Omen Sade (director/adaptor);
Jason Donnelly “DJ Puzzle” (original music);
With additional music by Kevin Crowley
Stage Management by Kiri Palm
Costume Design by Mieka van der Ploeg
Original Mask Design by Jeff Semmerling of Inside Out Art Studio
Lighting Design by Kyle Land
Set Design by Joe Schermoly

DJ-Puzzle-as-Fate

     
     

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