Unleash the Rhino!! (a festivus for the restofus)

  
 

Okay, Chicago theatergoers, time to get your fringe on

  
  

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Written by Paige Listerud

Curious Theatre Branch opened its 22nd Annual Rhinoceros Theatre Festival this past Friday, January 14th, drawing hundreds of avant-garde theater artists from around the country to showcase over 20 off-beat and experimental works and performances at the Prop Theatre space. Curious Theatre remounts Sarah Kane’s critically acclaimed 4:48 Psychosis under the direction of Beau O’Reilly, plus an adaptation of Gertrude Stein’s little known play, Mexico. Expect mind-opening and consciousness-bending theater experiences from School for Designing a Society, Deja Links, Strange Lupus, BoyGirlBoyGirl, The Whiskey Rebellion and many, many more.

“We’ve struck an interesting balance between past and future with this festival,” explains Beau O’Reilly. “We decided to accept Deja Links—they’re a continuation of Club Lower Links which Leigh Jones ran in the 1990s. Even though Rhino Fest began around the same time, they’re really pre-Rhino and a lot of performance art was generated out of there. It’s where Ira Glass and David Sedaris got started. So, we have a significant number of people represented from that period—older artists doing some very mature and complete work, like Lisa Fay and Jeff Glassman Duo and then, of course, we showcase some student work from the SAIC and full-length work from young writers.”

Curious Theatre also kicked off the Fest with a benefit opening night–the Full Moon Vaudeville, hosted by Curious and the Crooked Mouth String Band.

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Rhino Festival Schedule

for more information, visit the Rhino Festival website

All tickets $12 in advance, $15 at the door  |  Buy tickets  |   See calendar.

 

Curious Theatre Branch presents

4:48 Psychosis

By Sarah Kane

Sarah Kane’s last play returns in a critically acclaimed production directed by Beau O’Reilly.

The play charts the journey from life into death, from darkness into light, from pain into love.Spiked with gallous humor, the play charts the journey from life into death, from darkness into light, from pain into love. Talk back / post show panel discussion with director John Moletress, the cast and crew and invited guest speakers (TBA).Spiked with gallous humor, the play charts the journey from life into death, from darkness into light, from pain into love Spiked with gallous humor, the play charts the journey from life into death, from darkness into light, from pain into loveSpiked with gallous humor, the play charts the journey from life into death, from darkness into light, from pain into love

Performance Dates: Friday, January, 14, 21, 28, February 4, 11.  All dates at 7pm


School for Designing A Society presents

10 to 4

directed by Susan Parenti

An acoustic play which twists shards of political activism and thought’s aging into the brain of language.

Saturday, January 29 and Sunday, January 30 at 7pm


Lisa Fay & Jeff Glassman Duo presents

Currency

Dense theater shorts in which ‘natural-looking’ behavior is subjected to contortions, subversions and convolutions, letting ‘natural’ show its socially constructed face.

Friday, January 21, Saturday, January 22 and Sunday, January 23 at 7pm

  
  

See the rest of the schedule after the jump.

  
  

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REVIEW: Lakefront Property (Bruised Orange Theater)

      
     

Apocalypse of the Heart

 

 

   
Bruised Orange Theater presents
   
Lakefront Property
   
Written by Clint Sheffer
Directed by Mark Spence
at
Acme Art Works, 2215 W. North (map)
through Dec 18  |  tickets: $18   |  more info

Reviewed by K.D. Hopkins

I have lived near Lake Michigan for all of my adult life, and when I moved here I noticed that the people were different. Was it the water’s tidal pull or did an inordinate amount of strange folks gravitate here? That question re-emerged as I watched Bruised Orange Theater’s fascinating production Lakefront Property.

Lakefront Property - Trish and Pokey Lakefront Property tells the story of two isolated and lonely souls who live in a fantasy world – literally. Jeff Harris plays the self conscious Pokey who constantly puts himself down as fat and unattractive. He has an imaginary girlfriend named Trisha who is played with brilliant insanity by Ann Sonneville. Trisha is what could be called the postmodern girlfriend experience. She is demanding, impulsive, sexually driven and, did I mention, a figment of Pokey’s imagination?

Jeff Harris gives a razor sharp performance of Pokey. He is that guy that you see on the bus painfully shy about everything from his coat to his hairline. He may be talking to himself or is he? Part of Director Mark Spence’s notes relay a line form his favorite band Record Low. ‘What if I’m wrong?’ The theme of this play is just that. What if we the observers are wrong about the pull of the invisible partner or the tides of Lake Michigan?

Delving deeper into the parallel lives theory is the character of Kyla, played by Stephanie Polt. Kyla is a coke-addled waitress who is living on the edge of reality. Ms. Polt is achingly real in her portrayal of not wanting to give a damn anymore while her heart longs for the right man. That man turns out to be a ghost named Harold, played with equal parts folksy charm and sinister menace by David Bettino. Harold is from the mid to late 1800’s and comes on to Kyla with the charm of inviting her to an ice cream social. Whatever you believe about ghosts, it is said that there are benevolent and malevolent spirits. Harold comes to take Kyla to the other side. He is attuned to her cocaine habit and dangerous lifestyle and thus sees her as ready to accompany him to a parallel universe where he has literally witnessed train wrecks in the early days of rail travel. She is another wreck that he witnesses.

Lakefront Property is written by Clint Scheffer, and this is a revival of a Bruised Orange’s early days. That first production took place in an abandoned storefront without a city sanctioned amusement license!

BOTC has come a long way from those days, and have made brilliant use of the Acme Art Works space in Wicker Park/Bucktown. The play is staged in an old protestant church sanctuary that adds a ghostly allure. The stage is set under a mural of Jesus ascending much to the awe and ecstasy of the disciples. Director Mark Spence has the characters flowing in and out of this abandoned altar space as sacrifices to the search for love and companionship from all levels of consciousness. It is a powerful and moving play in these times of personal ads and Internet dating. When Pokey and Kyla find each other after fleeing their imaginary/ghostly lovers I actually breathed a temporary sigh of relief. I say temporary because Trish and Harold remain on the perimeter of the stage glowering just as they remain in the character’s minds.

 

Lakefron Property - Pokey and Kyla on Lakefront - Bruised Orange Lakefront Property cast - Bruised Orange Theater

Trish becomes a boiling obsession in Pokey’s mind. He yearns to be wanted by both women – one for real and the other an imaginary backup who will love without fail. Harold becomes malevolent and terrifying to watch.

So – what if they are wrong? What if we are all wrong about the search for love and relationship? As Mr. Spence noted, this question turns to a defiant statement after going through the hell of life imagined or hallucinated. Either way you could die trying. This is what I consider Chicago theatre at it’s best. It’s raw, unadorned, and yet skilled and polished.

   
   
Rating: ★★★½
   
   

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Lakefront Property runs Thursday through Saturday until November 20th and then December 2nd through the 18th on the same days. Show time is 8:00pm. Get there a little early to check out the exhibit in the space as well as to sit in the theatre space itself. Let the ambiance of the old sanctuary get inside your head a bit. You might feel a bit of that parallel universe tugging at you. Acme Art Works is located at 2215 North Avenue in Chicago. Go to www.bruisedorange.org for more information.

     
     

REVIEW: Daddy Long Legs (Bruised Orange Theatre)

Beatings on the beach more fun than you’d think

 

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Bruised Orange Theater Company presents
 
Daddy Long Legs
  
By Clint Sheffer
Directed by John Morrison
Leone Beach Park, 1222 W. Touhy  (map)
Through Aug. 1  | 
Tickets: $15 or pay what you can  | more info

Reviewed by Leah A. Zeldes

On a beautiful summer’s day, even the most ardent drama lovers might be reluctant to be cooped up in a dark and stuffy theater. So Bruised Orange Theater Company has come to the rescue. With their cleverly staged, site-specific, one-act, gangster mystery, Daddy Long Legs, you can get your fix of theater and go to the beach.

DSCN0489 The theater company provides your choice of beach chairs or blankets on the sand next to the breakwater at Leone Beach Park and the fun, 50-minute show won’t take too much time away from your evening.

An original play by Bruised Orange’s Clint Sheffer, Daddy Long Legs takes place in the wake of the 1929 St. Valentine’s Day massacre when two small-time mobsters, Bobby Widdle and Mars Streznick, meet on the Chicago lakefront with a bloody sack. The fictional Daddy Long Legs of Sheffer’s title is a mysterious Chicago gangland figure, alluded to in awed tones by the two men as a secret force behind the mob. (This Daddy Long Legs has nothing to do with the 1912 Jean Webster novel of the same name. The basis for the 1955 Fred Astaire movie, the Webster novel the source of the new John Caird musical scheduled to open at Northlight Theatre in the fall.)

Widdle, worried about his missing wife, Jane, demands answers. Streznick says he knows where she is but won’t tell. He’s also close-mouthed about the contents of the bag, and insists that the two must wait on the deserted beach because of "orders" from a higher-up in the organization. The pugnacious Widdle, who believes Jane and Streznick are two-timing him, starts throwing punches, and the two mix it up while trading barbed insults and threats.

I never thought I’d enjoy watching two men beat up each other on the beach, but Sheffer, as Widdle, and John Arthur Lewis as Streznick, create strongly believable characters, and their fisticuffs in the sand become surprisingly compelling. Kudos to Fight Choreographer Wes Clark..

The setting adds a good deal of charm. You can hardly get a more beautiful backdrop than Lake Michigan, and even the weather seemed to get in on the act during the opening performance, with lowering clouds and distant flashes of lightning at dramatic moments while Sheffer and Lewis rolled on the sand, inches from the roiling surf.

Sheffer’s terse gangster dialogue and Director John Morrison’s lively beachfront staging keep us engaged until the resolution of the mystery and the appearance of Jane (a cartoonish performance by Alison Connelly), when the plot starts to go off the deep end and the playwright indulges in some awful puns. Yet despite its uneven quality, Daddy Long Legs makes a highly agreeable way to while away an hour in the out of doors.

   
   
Rating: ★★★
 
 

Note: Parking is $1 per hour up to 7 p.m. in the lot at the north end of the park. No restroom facilities are available.

Openings-closings this week

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show openings

 

Abagail’s Party A Red Orchid Theatre

The Analytical Engine Circle Theatre

Cocktails with Larry Miller Paramount Theatre

The Gimmick Pegasus Players

Katrina: The “K” Word Loyola University Chicago Theatre

Kenny Rogers Paramount Theatre

Love Song Buffalo Theatre Ensemble

Monks in Trouble Apollo Theater Studio

Mrs. Caliban Lifeline Theatre

The Old Settler Writers’ Theatre

Over the Tavern Noble Fool Theatricals

The Ring Cycle The Building Stage

Valentine’s Weekend Engagement River North Chicago Dance Company

What Once We Felt About Face Theatre

 

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show closings

 

American Buffalo Steppenwolf Theatre

The Artist Needs a Wife the side project

August: Osage County Ford Center for the Performing Arts/Oriental Theatre

Determination Bruised Orange Theater

F.A.T. People Gorilla Tango Theatre

Frindle Griffin Theatre

The Glass Menagerie Chicago Heights Drama Group

Keymaster/Gatekeeper Gorilla Tango Theatre

Minna Trap Door Theatre

Phedra New World Repertory Theatre

A Raisin in the Sun Merle Reskin Theatre, Depaul Theatre School

The Wedding TUTA Theatre

The Year of Magical Thinking Court Theatre

 


special ticket offers

 

$20 tickets to Distracted at American Theater Company, 1909 W. Byron Street.  American Theater Company is offering $20 tickets to the following performances only: Thursday, February 11 at 8 p.m., Saturday, February 13 at 3 p.m. and Sunday, February 14 at 3 p.m.  To purchase tickets, call (773) 409-4125 or visit www.atcweb.org and use the code "extras".

$10 tickets to Phedra by Jean Racine at Theatre Building Chicago,

1225 W Belmont.  New World Repertory Theater is offering a limited number of discount tickets for their Thursday and Friday 8:30 p.m. performances through February 14.  Call the box office at 773-327-5252 and use the code "EXTRA."

Print this email for $5 off one (1) regular priced admission for The Flaming Dames Mardi Gras themed revue, "Bourbon Street Burlesque" presented by New Millennium Theatre Company at The Spot, 4437 N. Broadway.  Show runs Friday and Saturday nights  through February 27 at 10:15 p.m. (NO PERFORMANCES FEB 12-13) and a special performance on Fat Tuesday, February 16 at 10:15 p.m. $5 dollar discount taken at box office in exchange for printed email blast.  Call 312/458-9083 for reservations or visit  www.nmtchicago.org for more information.

$15 tickets to Diamante Production’s world premiere of Lucid at the Athenaeum Theatre, 2936 N. Southport Ave.  Diamante Productions is offering a limited number of discounted tickets for the Sunday, Feb. 14, 3 p.m. performance. The discount is available for these three performances only.  This offer is only valid at the door.

Chicago theatre openings/closings this week

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show openings

Ah Wilderness! Loyola University Chicago Theatre 

Alice in Wonderland Metropolis Performing Arts Centre

Anton in Show Business Theatre Building Chicago

Baroque and Beatles Chicago a cappella

The Berenstain Bears Northbrook Theatre

Cats Cadillac Palace Theatre

C’est La Vie Light Opera Works

Death of a Salesman Raven Theatre

Disturbed Oracle Productions

Dracula Oak Park Festival Theatre

The Dreamers Apollo Theatre

Fedra: Queen of Haiti Lookingglass Theatre

Lettice and Lovage Redtwist Theatre

Lucinda’s Bed Chicago Dramatists

Pericles O’Malley Theatre

Rhymes with Evil InFusion Theatre

Rosencrantz and Guildenstern are Dead Writers’ Theatre

Scared Stiff Chemically Imbalanced Comedy

Slavic Strings McAninch Arts Center 

Two by Pinter Piven Theatre Workshop

 

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show closings

1001 Merle Reskin Theatre

Creepy Hug: Dirt Nap Gorilla Tango Theatre 

The Darkest Pit Prop Thtr

It’s Good for You 2 Gorilla Tango Theatre

Moonlight and Magnolias Buffalo Theatre Ensemble

Pericles O’Malley Theater

Stoop Stories Goodman Theatre

Taking Steps UIC Theatre

The Thin Man City Lit Theater

Village of K_ Bruised Orange Theater

Theater Thursday: Bruised Orange’s “Village of K__”

Thursday, October 8

Village of K___

Bruised Orange Theater at the side project 
1439 W. Jarvis, Chicago

villageofkTheater Thursday patrons are invited to join Bruised Orange for a post-show talk-back with the cast and crew, moderated by Goodman Theatre Literary Associate, Neena Arndt. Old-World Russian cured meats, cheeses, and breads, plus authentic refreshments, will be available after curtain call.

Play description: After an unpleasant stay in a dungeon, Liputin has one chance to get out alive: weave an Arabian Nights-esque tale of intrigue for the assembled Tsarist magistrates (the audience), wherein he himself is only a pawn – rather than a major player – in a conspiracy to take over late 19th century Russia.

Show begins at 8 p.m.
Event begins immediately following the performance
TICKETS ONLY $25 

For reservations call 773-336-2682 and mention "Theater Thursdays.