Review: Provision Theatre’s “Cotton Patch Gospel”

“Cotton Patch Gospel” shines a golden ray of humanity

 

Provision Theater presents:

Cotton Patch Gospel
by Chapin, Key and Treyz
directed by Lou Contey
through November 8th (buy tickets)

reviewed by Paige Listerud

cottonpatch I hadn’t seen Provision Theater Company’s 2004 Jeff-nominated production of Cotton Patch Gospel, so I couldn’t possibly compare it to their current remounting to inaugurate their new, larger theater space. “Nothing brings out Baptists like a new building,” quips Timothy Gregory, in his role as lead storyteller. That applies as much to the new beginnings for Provision as it does for the characters in the show.

Cotton Patch Gospel emerges from American Bible-Belt culture. With music composed by Harry Chapin, performer of the Grammy-nominated “Cat’s In the Cradle,” and book adapted from Clarence Jordan by Tom Key and Russell Treyz, Cotton Patch Gospel shifts the Gospels of Matthew and John to mid-twentieth century Georgia. Replete with in-jokes for the Southern church-going crowd, it would be narrow in its range of appeal but for the music and lyrics, which evoke the greatest power to unite audiences.

In which case, thank God for a tight band, a swinging chorus, and the light grace and energy with which Gregory reprises his original role. They are the loving spoonful that broadens this show’s message beyond churchy limitations. While the story and lyrics contemporize the sociopolitical religious struggles of the Gospels, the audience becomes awakened to the power plays, hypocrisies, and betrayals that plague humanity’s struggle for justice, community, and the search for spiritual authenticity.

This show owes no small amount of its success to Gregory’s ability to morph from, not only Jesus into his apostles, but also into the darker roles of Herod, (Governor) Pontius Pilate, and a mercenary mega-church preacher. It’s in these momentary roles that Gregory’s aspect takes on shades of George W. Bush and the evangelicals that grace our television screens. He and the his musical team make the most of lyrics that knowingly describe the rationales for the abuse of power and a populace’s collusion with that power.

The production reaches its pinnacle, though, when it successfully depicts Jesus’ own reluctance and anguish at going through the betrayal and death that is coming for him. Likewise, the band and chorus reach a simple yet profound high point in their expression of loss and confusion over Jesus’ death. The resurrection is the joyful relief to this sorrow, but it is precisely these deepest moments of grief that unite the audience in its common humanity.

Provision Theater’s 2004 production was often compared and contrasted with Mel Gibson’s The Passion of the Christ. Cotton Patch Gospel was praised for its kinder, gentler telling of the Jesus story. But I think that simplistic comparison misses the mark. In Gibson’s work we are shocked into fixating on the suffering of Jesus in its gross and uncommon brutality; with Cotton Patch Gospel, we become more aware of all our suffering through Jesus. It is this element that gives this religiously based work more redemptive power and ensures it a more enduring place.

Rating: «««½

 

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Provision Theater announces new home and new season

It’s always great news when you hear that a theatre company has found a place of their own: a home, which in turn creates a place which better nurtures a company’s creative process.  So it’s wonderful to hear that Provision Theater Company will produce their 2009-10 season in their brand new home, located at 1001 W. Roosevelt Road.

0910-cotton-patch To celebrate the space, the theater company will host a gala reception on Saturday, September 12; a date that also marks the official opening of their season with a bigger and bolder version of one of Provision’s all time smash hit productions, Harry Chapin’s Cotton Patch Gospel, running September 10 through November 8.  Following will be a new take on William Shakespeare’s Taming of the Shrew from January 27 through March 7, starring Tim Gregory and Susan Moniz

Rounding out the season will be a World Premiere production of The Hiding Place, based on the autobiography of Corrie ten Boom and written by Artistic Director Tim Gregory.  The show will run from April 7 through May 23.   The story tells the inspiring tale of Holocaust survivor Corrie ten Boom.  With the World War II invasion of Holland , the ten Boom family joined the underground resistance to help save Jewish families.  Their lives were turned upside down when they were arrested and imprisoned in concentration camps themselves.  The play tells the dramatic tale of survival and hope as the ten Boom family is left with nothing to cling to but their faith.

0910-homepage-current-seasonThe performance schedule for the season is as follows:  Fridays and Saturdays at 8 p.m. ($28) and Sundays at 3 p.m. ($25).  Select Wednesday and Thursday preview performances will be held at 8 p.m. ($22).  Ticket prices include free parking.  Groups of 10 or more are 10% off.  For reservations, phone 866.811.4111. You may also visit www.provisiontheater.org.

Provision Theater Company is devoted to producing works of hope, reconciliation and redemption; works that challenge us to explore a life of meaning and purpose.  

Chicago Theaters offer up stocking-full of Christmas Shows

A Wonderful Life  (info)   A Christmas Story  (info)
Theatre at the Center, Munster, IN   Noble Fool Theatre, St. Charles
Nov 17 – Dec 14   Nov 15 – Dec 27
     
Snowflake Tim’s Big Holiday Adventure  (info)   A Very Neo-Futurist Christmas Carol  (info)
Lifeline Theatre, Chicago   The Neo-Futurists, Chicago
Dec 14 – Jan 4   Nov 22 – Dec 23
     
A Christmas Carol  (info)   Dublin Carol  (info)
Goodman Theatre, Chicago   Steppenwolf Theatre, Chicago
Nov 21 – Dec 31    Half-Off Tickets!   Nov 19 – Jan 9
     
Radio City Christmas Spectacular  (info)   Anung’s First American Christmas  (info)
Rosemont Theatre, Rosemont   Vitalist Theatre, Chicago
Nov 19 – Dec 21   Nov 18 – Jan 4
     
Meet Me In St. Louis  (info)    500 Clown Christmas  (info)
Drury Lane Water Tower, Chicago    North Central College, Naperville
Nov 20 – Dec 7   Dec 18 – Dec 23
     
Christmas Schooner  (info)    The Santaland Diaries  (info)
Bailiwick Repertory, Chicago   Theatre Wit, Chicago
Nov 28 – Jan 4   Nov 22 – Dec 28
     
Tommy Guns Garage Holiday Show  (info)    A Christmas Memory; The Thanksgiving Visitor  (info)
2114 S. Wabash, Chicago   Provision Theater, Chicago
Nov 28 – Dec 31   Nov 10 – Dec 21
     
 Snow Queen  (info)    Black Nativity (info)
Victory Gardens, Chicago   Congo Square Theatre, Chicago
Nov 28 – Dec 28    $15 Tickets!   Nov 21 – Dec 28
     
 Winter Pageant Redux  (info)   2nd City’s Holiday Show  (info)
Redmoon Theater, Chicago   Second City Improv, Chicago
Nov 10 – Dec 21   24-hours non-stop, Dec 9 – 10
     
Jacob Marley’s Xmas Carol    Holiday Sing-Along  (info)
Theatre Wit, Chicago (info)   Porchlight Music Theatre, Chicago
Nov 22 – Dec 28   December 15th, 7:30pm
     
A Holiday Evening of Mime    A White Christmas (info)
The Mime Company, Chicago (info)   Village Players Theatre, Oak Park
December 11 – 28   December 13 – 14
     
Sexy Santa’s Spectacular    A Christmas Carol    (more info)
Gorilla Tango Theatre, Chicago   Writers’ Theatre, Glencoe
Nov 28 – Dec 20    (more info)   Dec 13 – Dec 23         Tickets for $14 !