Shows Opening/Closing this week

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Show Openings

 

“Master Harold”…and the Boys

TimeLine Theatre

The Alcyone Festival 2010 Halcyon Theatre

The Castle Oracle Theatre

Desperately Seeking Chemically Imbalanced Theater

Dreamgirls Cadillac Palace Theatre (Broadway in Chicago)

First Words Greenhouse Theater Center (MPAACT)

The Dames Storm Division New Millenium Theatre

Glitter in the Gutter Annoyance Theatre

Harper Regan Steep Theatre

Hughie/Krapp’s Last Tape Goodman Theatre

King of the Mountain Chemically Imbalanced Theater

Nighthawk Sandwich Storefront Theater (DCA Theatre)

Phedra New World Repertory Theatre

Real Bros of DuPage County Gorilla Tango Theatre

Savage in Limbo Village Players Performing Arts Center

Short Shakespeare! The Comedy of Errors Chicago Shakespeare

WHACK! Gorilla Tango Theatre

The Year of Magical Thinking Court Theatre 

 

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Show Closings

 

Annie Auditorium Theatre of Roosevelt University

The Capitol Steps North Shore Center for the Performing Arts

Cloud Gate Dance Theatre of Taiwan Dance Center of Columbia College

Give Us Monday Gorilla Tango Theatre

Icarus Lookingglass Theatre

Little Women Circle Theatre

Mamma Mia! Rosemont Theatre

Mark and Laura’s Couples Advice Christmas Special Gorilla Tango Theatre

 

Openings/Closings list courtesy of League of Chicago Theatres

show openings/closings this week

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show openings

1001 The Theatre School at DePaul University

American Psyche or a Breath of Fresh Care Gorilla Tango Theatre

Bucket of Blood Annoyance Theatre

The Castle of Otranto First Folio Theatre

Dirty Talking Amish Gorilla Tango Theatre

The Elaborate Entrance of Chad Deity Victory Gardens Theater

Endira Aguijon Theater

The Hundred Dresses Chicago Children’s Theatre

Kill the Old, Torture Their Young Steep Theatre

The Last (and therefore Best) Comedy Show on Earth Gorilla Tango Theatre

The Mercy Seat Profiles Theatre

Mouse in a Jar Red Tape Theatre

Richard III Chicago Shakespeare Theater

Salem! The Musical Annoyance Theatre

Sleeping Beauty Big Noise Theatre

Sleepy Hollow Theatre-Hikes

A Streetcar Named Desire Polarity Ensemble Theatre

Taking Steps UIC Theater

Ten Square Pegasus Players and MPAACT

 

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show closings

 

All My Sons TimeLine Theatre (our review)

Baroque and Beatles Chicago a cappella 

Cat on a Hot Tin Roof Circle Theatre

Desperate Gorilla Tango Theatre

A Hampstead Hooligan in King Arthur’s Court Chicago dell’Arte

High Fidelity…The Musical Route 66 Theatre

Lorca in a Green Dress Halcyon Theatre

Merce Cunningham Dance Company – Dance Center of Columbia College

Miami City Ballet Auditorium Theatre of Roosevelt University

The Miracle Work Village Players Performing Arts Center

The Set Up Prop Thtr

A Shroud for Lazarus Halcyon Theatre

Texas Sheen Chemically Imbalanced Comedy

Strawdog Theatre announces new artistic staff and ensemble members

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As part of their ongoing celebration of 22 years(!) in Chicago theatre, Strawdog Theatre Company proudly announces the hiring of new Managing Director Hank Boland, new General Manager Cortney Hurley, the addition of four new ensemble members: Amy Dunlap, Paul Fagen, Mike Przygoda and Justine C. Turner and the appointment of Matt Hawkins as Strawdog Artistic Associate and Resident Director.

hboland_large Hank Boland replaces Alex J. Goodman as Managing Director of Strawdog Theatre Company.  Boland’s work with Strawdog Theatre Company includes writing Season Seventeen’s epic musical The True Ballad of Fall’s Blessings, directed by Strawdog’s Artistic Director Nic Dimond and written in collaboration with Strawdog Theatre Company. In 2006, Dimond asked Boland to develop a writing initiative for Strawdog Ensemble Members.  Billed the The Hit Factory, this program regularly schedules late night events and graduations to showcase new work. The Hit Factory now also offers tuition based classes to the public, please see our website for more information. The Hit Factory is committed to creating new works, and strengthening the working relationships between Strawdog Theatre Company and other members of the Chicago theatre community. Boland holds a Bachelor’s Degree in Film from Columbia College in Chicago where he is an adjunct faculty member in the screenwriting department.

Cortney Hurley, Strawdog’s Production Manager since 2006, has been promoted to General Manager, overseeing Strawdog’s growing theatrical complex located at

Strawdog Theatre Company is now home to a 70-seat mainstage theatre, 40-seat Hugen Hall cabaret space complete with bar and liquor license and 400 square foot rehearsal space called Nowhere Mountain.

Strawdog Theatre Company is also pleased to announce the addition of four new ensemble members: Amy Dunlap has appeared on the Strawdog stage in Cherry Orchard, Marathon ‘33 and the Strawdog Radio Theatre Series. Dunlap graduated from Boston University’s College of Fine Arts and has been seen in productions at several Chicago theatres including 16th Street Theater, Lifeline Theatre, Factory Theatre, Chicago Dramatists, Adventure Stage Chicago and Estrogen Fest.

Paul Fagen was last seen as Father Toulon in Strawdog’s critically-acclaimed production of Red Noses. Originally from Annapolis, MD, Fagen has also acted in productions at The House Theatre of Chicago, Speaking Ring Theater and Quest Theatre Ensemble.

Mike Przygoda was most recently the Musical Director and Arranger for Strawdog’s Red Noses. Przygoda holds a BFA in music composition from Columbia College Chicago.  He has worked on numerous shows in Chicago both as a composer and as a performing musician for companies such as The House Theatre of Chicago (Valentine Victorious, Ellen Under Glass, The Boy Detective Fails, Hatfield & McCoy, The Sparrow, The Magnificents, The Nutcracker, The Rose & Rime), American Theatre Company (Oklahoma!), The Hypocrites (Camille/La Traviata), Trapdoor (AmeriKafka), Next Theatre (The Busy World Is Hushed, 365 Days/Plays), The Neo-Futurists (Beer) and has written music for Serendipity Theatre Collective‘s Second Story.  He served as a musical director for the Second City Touring Company.

Justine C. Turner joins the Strawdog Ensemble after appearing in Red Noses. Originally from Oak Park, IL and a graduate of Columbia College, Turner was most recently seen in the remount of Rivendell Theatre’s These Shining Lives at Theatre on the Lake and appeared in Ren Faire last summer at The Factory Theatre.

Director of Strawdog’s smash, sold-out production of Red Noses Matt Hawkins joins Artistic Associates Kimberly Senior and Shade Murray in their growing ensemble of Resident Directors. Hawkins previously directed Hatfield & McCoy for The House Theatre of Chicago, On My Parents Hundredth Wedding Anniversary for the side project and will direct Cabaret for The Hypocrites next spring.

Strawdog’s staff includes Artistic Director Nic Dimond, Managing Director Hank Boland and General Manager Cortney Hurley. The complete Strawdog ensemble includes Jennifer Avery, Hank Boland, Abigail Boucher, Don Cardiff, Erin Carlson, Michael Dailey, Anita Deely, Amy Dunlap, Paul Fagen, John Ferrick, Mikhail Fiksel, Aly Renee Greaves, Carmine Grisolia, Christopher Hainsworth, Kyle Hamman, Erik Hellman, Tom Hickey, Shannon Hoag, Anderson Lawfer, Sean Mallary, Kat McDonnell, Gregor Mortis, Stacy Parker Hirsch, Michaela Petro, Mike Przygoda, John Henry Roberts, Justine C. Turner, Jamie Vann and James Anthony Zoccoli.

Map to Strawdog Theatre:

Review: Red Ink Theatre’s “iAlone”

Red Ink Theatre’s iAlone remounted at The Artistic Home

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Nathan Stone, Erin Lane, Brian Bush, and Anna Schlegel of Red Ink Theatre reprise these actor-written monologues, which met with success during their first performances at The Spot in 2008 and again at the Abbie Hoffman Festival at the Mary Arrchie Theatre. While self-exposure is very much the name of the game in iAlone, rigorous artistic discipline prevents these young monologists from spiraling into navel gazing and self-pity. The best monologs are lively, descriptive, full of youthful yearning, while at the same time maintain an unsentimental clarity about those tendencies that lead to self-victimization.

Erin Lane, presently performing in Red Ink Theatre's "iAlone" “Eating 4 One” by Erin Lane is the most powerful and unforgettable monolog of the bunch. Following on the heels of “Dave,” a monolog about Lane’s downwardly mobile boyfriend, “Eating 4 One” relates her accidental pregnancy, resulting from their last evening of sexual intercourse before the breakup. In this era of dangerous abortion politics, who would dare expect in the theater an admission of an abortion being practically therapeutic in the life of a young woman? Yet Lane’s progress from being wronged by her boyfriend and betrayed by contraception, to self-assertion and self-preservation defies expectations. Even though, by the end of the abortion, the relationship with Dave clearly is on its last legs, the audience knows she will survive anything.

Nathan Stoner, currently performing in Red Ink Theatre's "iAlone" Nathan Stoner brings the greatest whimsy and playfulness to the stage with “Hide and Seek” and “My Boys;” the first being a meditation on the power of pop tunes to inform any romance with wistful, dreamlike qualities, and the second reveals the homoerotic awakening of a 12 year-old boy in a hot tub with his brother’s straight friends. Stoner adds much needed levity to this production, since the other monologists produce material that is much heavier in style and substance.

Anna Schlegel, currently performing in Red Ink Theatre's "iAlone" With “Enlightenment,” Anna Schlegel exposes so much of her own erotic intensity, and its capacity to make her betray herself, that one fears for her, until “Burn One Down” reveals her own happy ending—a lover who appreciates all her aspects, from lust for life, to sloppy slouching around on weekend mornings.

Of all the monologs on addiction, Brian Bush’s Tiny Hooks” stands out. It seems the perfect climax for a guy that has sought out emotionally unattached sexual encounters and now finds himself used by them. He both desperately needs, yet desperately dreads his weekly encounters with a prostitute and her tiny hooks.

Brian Bush, currently performing in Red Ink Theatre's "iAlone"Set design for this production is rudimentary at best and might serve more as a distraction than fulfillment the original premise. The premise being that both audience and performers, sitting together on the el, are distracted and distanced from one another by iPod usage—yet everyone has their untold stories and secret burdens. The seats for the “el” are the crudest plywood; the “el” doors opening and shutting remind one of the cheap, makeshift set of the first Star Trek series. But I hope the performers know that their monologs are strong enough to stand alone, without this conceit. Or that the same effect might be achieved with lighting and sound alone—something to consider when weighing the costs of production for a small theater company.

Rating: «««

When:  Thurs – Saturday 8pm, Sundays 3pm
Dates: May 28th – June 27th
Where:   Artistic Home Theatre, 3914 N. Clark
Tickets:  $15, (buy tickets)

iAlone Poster 

Learn more about Red Ink Theatre by clicking “Read more”

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Chicago Theater show openings this week

Chicago Skyline

CARTOON Chemically Imbalanced Theater

THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (ABRIDGED) Gorilla Tango Theatre

DELFOS DANZA CONTEMPORANEADance Center of Columbia College

DIVERSEY HARBOR Theatre Seven of Chicago

DRIVING MISS DAISY Village Players Performing Arts Center

THE GATHERINGImprov Playhouse

JESSICA PRESENTSGorilla Tango Theatre

KATRINA: THE GIRL WHO WANTED HER NAME BACKAdventure Stage Chicago

A MOON FOR THE MISBEGOTTENFirst Folio Theatre

PARLOUR SONG Steep Theatre

THE PIRATES OF PENZANCE Loyola University Theatre

SCAPINOChicago College of Performing Arts at Roosevelt University

SODA Apollo Theatre Studio

TALK RADIOGift Theatre

THE TEMPESTSteppenwolf Theatre

TWELFTH NIGHTChicago Shakespeare Theater

WATERGorilla Tango Theatre

Lifeline welcomes Allison Cain as new Managing Director

Allison Cain Joins Lifeline Theatre as Managing Director

Allison Cain, new managing director at Lifeline Theatre Lifeline Theatre welcomed Allison Cain as their new Managing Director starting March 24, 2009. In this fulltime, on-site position, Cain will be responsible for all the theatre’s non-artistic functions, including operations, finance, marketing and strategic planning, and hsave oversight of all development and fundraising. Together with Artistic Director Dorothy Milne, Cain will continue to work on the ensemble’s 26th anniversary, 2008-2009 season, which will feature the “Mystery3(or “Mystery Cubed”) benefit with Sara Paretsky on April 16 at the Chicago Cultural Center, and concludes with the world premiere adaptation of Dorothy L. Sayers“Busman’s Honeymoon,” running May 1–June 21, 2009. Lifeline Theatre is also a member of the community partnership that will present this summer’s Glenwood Avenue Arts Fest (August 22–23, GlenwoodAve.org). The non-profit’s 2009–2010 season begins with two world premiere stage adaptations – the MainStage production “Treasure Island” (running September 11–November 1, 2009) , and the KidSeries musical “Dooby Dooby Moo” (running October 17–December 6, 2009).

Lifeline_logo From 2001-2008, Cain was Factory Theater’s Executive Director (where she remains an ensemble member), and was Artistic Director of Studio 108 from 1991–1998. She received her training at Carnegie Mellon University in Pittsburgh, PA, and at Chicago’s Columbia College, and, since 1990, has worked almost exclusively on new work in Los Angeles, Connecticut, and Scotland, in addition to Chicago. Lifeline audiences will recognize Cain from her work as an actor in the MainStage productions of “Johnny Tremain,” “Crossing California,” “The Mark of Zorro,” and “Mariette in Ecstasy,” as well as in numerous productions over the past 17 years with Factory and other Chicagoland theaters. Cain had been concurrently working in the corporate world for the past 25 years, and for 13 of them as a Human Resources professional.  She said, “I am thrilled to make the full-time transition to the not-for-profit theater world, and remain committed to the development and production of new works.”

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Chicago theater tidbits: "Hairspray", Amy & Freddy, Dance Center Columbia, show closings…

 

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  • The National Broadway Touring Production of “Hairspray”, Broadway’s big, fat musical-comedy hit, comes to The Center for Performing Arts at Governors State University Friday, March 13 at 8 p.m. and Saturday, March 14 at 2 and 8 p.m.  More information is available at hairsprayontour.com

Amy Armstrong & Freddy Allen

  • The Lakeshore Theater, near the corner of Broadway and Clark, will be hosting a FREE Comedy Central taping of Prescott Tolk this Friday (the 13th) at 10:30pm.  Also at the Lakeshore, Amy and Freddy will be celebrating their 2nd year, with a free concert featuring Amy’s signature voice, edgy humor and quick wit (not to mention Freddy’s amazing musical arrangements).  This complimentary concert will take place next Thursday (the 19th) at 8pm.  Don’t miss out – Reserve tickets here.  Full schedule here.
 

davidrousseve_columbiacollege At The Dance Center of Columbia College, on March 12-14, David Rousséve/REALITY will perform Saudade, Portuguese for “bittersweet,” an ode to those universal moments when great joy and agony collide. Set to contemporary and traditional Fado music, Saudade is a compelling mix of theater, spoken dialogue and South Asian, Indonesian, West African and modern dance forms.  There will be a Post-Performance Discussion on Thursday, March 12.   More info here.

 

Show Closings – Don’t Miss Out!

 

AFFLICTIONS Gorilla Tango Theatre

AMADEUSVillage Players

AND NEITHER HAVE I WINGS TO FLY – Citadel Theatre

DIXIE’S TUPPERWARE PARTY – Paramount Theatre

EYE OF THE STORM – Open Door Repertory

HIGH SCHOOL PRODUCTION 4Gorilla Tango Theatre

HOW I LEARNED TO DRIVEVillage Players

IT’S GOOD FOR YOU Gorilla Tango Theatre

SLAPHAPPY – Beat the Jester Productions

STOP/KISSThe Gift Theatre

STUPID KIDSAbout Face Theatre

THE UNSEENA Red Orchid Theatre