REVIEW: Candida (ShawChicago)

 

Shaw explores love by choice rather than passion

 

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ShawChicago presents
    
Candida
  
Written by George Bernard Shaw
Directed by
Robert Scogin
at
Ruth Page Theater, 1016 N. Dearborn (map)
through November 8  |  tickets: $10-$22   |  more info

Reviewed by Katy Walsh 

Everyone loves the Morells but nobody wants to talk about it! ShawChicago presents Candida, George Bernard Shaw’s play about love in and outside the marriage. In 1894 London, Reverend James Morell is in demand on the lecture circuit. His social reform stance has made him a celebrity. His idolizing fans place him on a pedestal. The Reverend enjoys the adoration of his followers including his favorite admirer, Candida –his wife. Life for the Reverend is worship as usual until a young man declares his own love for Candida. Not just that, the young man proposes he’s better suited for her because he’s totally focused on HER happiness. Over a hundred years later, Shaw’s deconstruction of love is timeless humor. In the formalized culture of the time period, love is and isn’t discussed with apologies and controlled emotion. Shaw scrutinizes a marriage to a husband, who has a healthy sense of self. When one confession leads to another, love happens. Candida is a humorous debate of the meaning of love without feelings.

George_bernard_shaw As is ShawChicago’s style, Candida is performed as a staged reading. No sets. No costumes. Under the direction of Robert Scogin, it’s all about Shaw’s words interpreted by a talented cast. Matt Penn (Morell) has controlled intensity as the Reverend. His bursts of rage are a surprising contrast to his confident public self. The target of the anger, Christian Gray (Eugene) plays the young confessor of love with nervous energy and a hint of evil intent. Gray provides a complex version of the love opponent with poetic horrors. Barbara Zahora (Candida) is coarsed-grain. She lives in her husband’s world but maintains her own identity. Zahora charms with a strong sensibility. Lydia Berger (Garnett) is hysterical as the uptight typist. A victim of a secret love, Berger is sharp-tongued with delicious bitterness.

Jack Hickey (Mr. Burgess) assesses the ‘madness’ around him with humor and a strong working class English accent. Sparring with Berger, Kaelen Strouse (Lexy) is also crushing on the Reverend with a sweet devotion. This cast magnificently flirts with all the aspects of unrequited love.

Undoubtedly, Candida shocked the turn-of-the-century audiences. Today, it still surprises for its ageless topic, love. In 2010, love is expressed with emotion. Uncontrollable passion drives people together and apart. It’s not so much a decision to love, as the fated outcome of animalistic urges. Perhaps we should all channel our inner Shaw for lively intellectual debates on love before going heels over head.

Critics, like other people, see what they look for, not what is actually before them. –George Bernard Shaw

   
   
Rating: ★★★
    
   

Running Time: Two hours includes a fifteen minute intermission

   
   

REVIEW: Mid-Winter’s Tales ‘09 (ShawChicago)

Unwrap This Holiday Present NOW!

 

ShawChicago presents

Mid-Winter’s Tales 09

At the Ruth Page Theatre (1016 N. Dearborn)
Adapted and directed by Belinda Bremner

December 18th-21st (ticket info: 312-587-7390) 

By Katy Walsh

Before the age of electronic entertainment, communities gathered around the fireplace to tell stories. With the wind howling outside and increased hours of darkness, families told tales to amuse themselves and brighten the long nights of winter. ShawChicago presents Mid-Winter’s Tales 09, a collection of multi-generational stories and songs. Mid-Winter’s Tales 09 mixes it up with a variety of author samplings from a W.B. Yeats’ poem followed by a column snippet from Chicago’s own Mike Royko to, of course, words of wisdom from George Bernard Shaw. Although the show celebrates the winter solstice with cultural representation leaning in an English direction, it balances out the traditional Christmas fruitcake focus with a double helping of lakes (pronounced la keys).

With the aid of DVDs to set the holiday mood, I’ve memorized many lines from the retelling of stories, like; “It’s A Wonderful Life,” “Rudolph the Red Nosed Reindeer,” and “Christmas in Connecticut.” To my delight, Mid-Winter’s Tales 09 shares an unfamiliar collection of holiday stories. “The Wise Men of Chelm and the Miracle Lakes” is a stone soup rofendition about potato pancakes entertainingly led by ensemble member John Francisco. Mary Michell is hilarious in corresponding with her true love and his clever gift-giving in “Not Another Partridge in a Pear Tree.” Living in the generation of holiday gluttony, the moments that melt icicle-hearts are the recalling of children’s holidays in “Hilda Sutt Polchek Remembers Christmas at the Hull House” and “Scarlett Ribbons.

Mid-Winter’s Tales 09 is performed on a bare stage with guitar (Rachel Schiff) and violin (Blake Hackler) accompaniment. This strings-only music adds an undertone of sad winter quiet – that at times the amplified music competes with the non-miked cast. The actors are a talented band of storytellers. In the dreary winter evening, without a Christmas tree and a menorah to look at, the audience focuses on the actors’ facial expressions and their words. Spoiled lately from the grandeur of big musical productions, it’s hard to adjust to the sparse stage. Because Mid-Winter’s Tales 09 represents simpler times of storytelling, the plainness has an authentic and intimate quality.

Although an exploration of multi-religious representation of winter solstice could prove to be even more interesting, this 2009 focus on Jewish folklore promotes both understanding of its traditions and strong cravings for lakes (even though and I don’t like potatoes!).

 

Rating: ★★★

 

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Review: ShawChicago’s “Votes for Women!”

We’ve come a long way, baby

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ShawChicago presents:

Votes for Women!

by Elizabeth Robins
directed by Robert Scogin
thru November 9, 2009 (buy tickets)

Reviewed by Katy Walsh

Inadequate health care coverage, conservatives versus liberals, rumors of a politician’s past sexual indiscretion? No, Votes for Women! isn’t the story of Hillary Clinton’s rise to power. In fact, actress and playwright Elizabeth Robins wrote the work over a hundred years ago. Set in England in 1907, Votes for Women is about a naïve heiress introduced to the Suffragettes’ movement by the former lover of her political fiancé. ShawChicago’s production is a 100-year anniversary replication of Votes for Women! being introduced to Chicago.

Before the show even commences, the lack of scenery on stage is a bit perplexing. Chairs, music stands, and bottles of water suggest a reading – not a play.

Initially, the authenticity to the time period is appreciated. Later, after a series of monologues, a craving for visual stimulation and modern-day editing defeat any nostalgic notions. Distractive music and pounding offstage vie for attention during particularly long lectures. The stellar cast tries to overcome the lack of action with facial expressions and limited gesturing. Joseph Bowen (narrator/various voices) is fascinating playing characters with a variety of accents. In Act II, the juxtaposition between Suffragette’s speeches was intriguing. Melinda Moonahan (Working Woman) uses a lower class dialect bluntness to rally support. Lydia Berger (Ernestine Blunt) addresses with an educated and amplified oration. And Suzanne Lang (Vida Levering) delivers a personal and passionate plea. As the heiress, Barbara Zahora’s (Jean Dunbarton) love struck innocence engages compassion for the “poor little rich girl.”

Ironically, throughout the performance, one is torn between “we’ve come a long way baby” and “we got the vote, so what?” Yes, women can vote, own property, and run for President. On the other hand, the harsh and superior judgment of single mothers, welfare recipients and average-looking women continues to be prevalent. Regardless, however, Votes for Women is an important illustration of the evolution of thought regarding women’s rights. Hopefully by the 200th-anniversary production, women will have secured equality to men and each other.

 

Rating: ««

 

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