REVIEW: A Very Merry Unauthorized Children’s Scientology Pageant (Next Theatre)

Limited Direction Hampers “…Scientology Pageant”

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Next Theatre presents:

A Very Merry Unauthorized Children’s Scientology Pageant

By Kyle Jarrow
Concept by Alex Timbers
directed by Kathryn Walsh
thru January 3rd, 2010 (ticket info)

Reviewed by Paige Listerud

The boxy proscenium studio theater space at Next Theatre creates challenges for any of its productions. It produces visual perspectives that tend toward the two-dimensional and contained. One would think that wouldn’t necessarily detract from a satire qua children’s pageant. Yet the set design (Grant Sabin) for Next’s seasonal production, A Very Merry Unauthorized Children’s Scientology Pageant, is strikingly flat and unimaginative. Kathyrn Walsh’s direction stays contentedly—and without irony–within its confines, for the most part stationing the pageant’s child actors on three-tiered risers that further distance audience from performance.

It is the staging that dulls the tooth of this anti-religious-scam slam fest. Children re-enacting with absolute earnestness the life of L. Ron Hubbard, the modern prophet of Scientology, is a premise with Wildean potential. But, for all it’s self-touted edginess, in close collaboration with the show’s Obie award winning creator, Kyle Jarrow, Next has pulled its punches and stayed closer to conventional home.

Awkward scene changes and uneven pacing fragment the ensemble cast’s cohesiveness. Interestingly, it is cohesiveness they energetically demonstrate while cutting loose during some of the musical numbers, throwing in acrobatic abandon for good measure. Jennifer Baker, Sara Geist, and Nicole Rudakova project performances that stand out from the constrictions with which they must contend. Also, Jason Krause ably plays L. Ron Hubbard, pulling off smug self-satisfaction and the cravat-and-blazer look with natural ease.

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Several new songs have been introduced as products of collaboration between Jarrow and Next Theatre’s Artistic Director Jason Southerland. While one song lends a softer, more humanizing tone to the process individuals within Scientology may go through, the rest don’t radically alter the message or style of the show, nor do they have to. The amount of satire that any religion can take should be directly proportional to the money it makes.

Rating: ★★½

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Review: “A Very Merry Children’s Scientology Pageant”

Red Orchid Lets Religious Absurdity Loose

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A Red Orchid Theatre presents:

A Very Merry Children’s Scientology Pageant

By Kyle Jarrow from a concept by Alex Timbers
Directed by Steve Wilson
Music Direction by Brandon Magid
thru January 3, 2010 (ticket info)

reviewed by Paige Listerud

Szalai-Raymond, V It’s only November, but if you are already tired of virgin births, wise men led by stars, angels singing to shepherds or animals talking in mangers, then A Red Orchid Theatre’s remount of A Very Merry Children’s Scientology Pageant just might be the cure for what ails you. Based upon the self-promoted achievements of L. Ron Hubbard, the pageant explores one man’s search for the answers to life’s most important questions and his creation of the religion Scientology.

That children enact this story is the stroke of genius that A Red Orchid Theatre can pat itself on the back over for years to come. The pageant has quickly morphed into Chicago’s brand new holiday favorite–what with Next Theatre opening its production in two weeks. Will Chicago survive dueling Scientology pageants? Will these theaters survive an onslaught from Scientology’s lawyers? Is this a sign of the Apocalypse?

I hardly know which is scarier–Scientology, the story of the creation of Scientology, or the amount of talent these kids possess. Director Steve Wilson has one tight group of young actors at his disposal. They rock the house with angelic paeans to L. Ron Hubbard, slow-motion battle scenes, hilarious E-meter demonstrations, and fabulous portrayal of the sinister galactic overlord, Xenu. One actor even looks like a pre-teen Tom Cruise—now that’s scary.

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In a classic moment of paranoia, I considered whether this satire could actually be a vehicle promoting Scientology. For L. Ron, all paths for spiritual growth sooner or later lead to Hawaii. And why not? All the same, other than blasting away your engrams or your Thetans, Scientology still doesn’t have answers for who we are or what life’s purpose is all about. But in the midst of the joy of the Scientology pageant, we really don’t care.

 

Rating: ★★★

 

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A Very Merry Unauthorized Children’s Scientology Pageant features A Red Orchid Theatre Youth Ensemble members Chaz Allen, Najwa Brown, Jaiden Fallo, Paola Lehman, Adam Rebora, Kara Ryan, Elenna Sindler and Aria Szalai-Raymond; as well as newcomers Elita Ernsteen, Katherine Jordan, and Alex Turner.

Photo Credits: Michael Brosilow