Emerald City Theatre announces 2010-11 season

Emerald City 15th Anniversary Logo

Emerald City marks 15th Anniversary

with exciting new season

 

Charlie and the Chocolate Factory Charlie and the Chocolate Factory Charlie and the Chocolate Factory Charlie and the Chocolate Factory

 

Emerald City Theatre Artistic and Executive Director Karen Cardarelli has announced the company’s 2010-2011 season lineup of family theater, which marks the organization’s 15th anniversary season and includes two beloved classic productions and two Chicago premieres.

The season commences with the Midwest premiere of Pinkalicious, direct from a sold out run Off Broadway

Emerald City celebrates the holiday season with a new take on an old favorite-a rocked out version of L. Frank Baum’s The Wizard of Oz.

2011 begins with a bang as Emerald City Theatre presents the world premiere of Don’t Let the Pigeon Drive the Bus!, based on the Caldecott Award-winning books by Mo Willems. This brand new adaptation by Associate Artistic Director Ernie Nolan marks the company’s 28th world premiere production and continues the work of The PlayGround, formed in 2008 and dedicated to the development of world-class scripts for early learners.  Since its inception, Emerald City original scripts have been produced at 17 theatre companies nationwide. Most recently, Co-Founder and Artistic Associate Alyn Cardarelli‘s hit How I Became a Pirate was produced at Imagination Stage in Washington D.C, Dallas Children’s Theatre, and Stages Theatre in Minneapolis.

The 2011 Season ends on a delicious note with Roald Dahl’s beloved Charlie and the Chocolate Factory, directed by Ernie Nolan. 


 

September 18 – December 31, 2010

Charlie and the Chocolate Factory

Pinkalicious

Book: Elizabeth Kann & Victoria Kann
Music/Lyrics: John Gregor
Lyrics: Elizabeth Kann & Victoria Kann

Based on the book "Pinkalicious" by Victoria & Elizabeth Kann
Directed by Ernie Nolan

The season commences with the Midwest premiere of Pinkalicious, direct from a sold out run Off Broadway.

When Pinkalicious Pinkerton eats one too many pink cupcakes, she catches a serious case of Pinkititis and turns pink from head to toe!  To cure her condition, Pinkalicious’ organic-eating parents and broccoli-loving little brother must teach her the importance of a balanced diet. A Midwest premier, directed by Associate Artistic Director Ernie Nolan, this heartwarming musical’s Gateway Theme of healthy eating is sure to strike a chord among parents and picky eaters alike. Families are invited to hear the original story, make pink crafts and enjoy pink treats at Pinkalicious’ Cupcake Tea Parties, special events beginning in late September.     Recommended for ages 3+.


November 18, 2010 – January 2, 2011

Charlie and the Chocolate FactoryThe Wizard of Oz

 

By L. Frank Baum
Music/Lyrics by Harold Arlen and E.Y. Harburg
Adapted for the Royal Shakespeare Company by by John Kane
Directed/Choreographed by Ernie Nolan.

When Dorothy Gale and her beloved dog Toto are swept away to a land somewhere over the rainbow, they discover the true meaning of home. In this rocked out version of the classic story, you’ll hear favorites like "If I Only Had a Brain" and "Follow the Yellow Brick Road." Bring your munchkins to Oz this holiday season for one of the most memorable stories ever created Recommended for ages 3+

 


 

January 15, 2011 – April 10, 2011

 

Charlie and the Chocolate Factory
Don’t Let the Pigeon Drive the Bus!

World Premiere!

From the Books by Mo Willems
Adapted by Ernie Nolan
Directed by Jacqueline Stone

Based on Mo Willems’ Caldecott-winning favorite, this highly interactive play puts the audience in the driver’s seat as everybody’s favorite pigeon asks to drive the bus, eat a hot dog, have a puppy, and stay up late.  It’s up to you to decide what he can do.  You’ve never met a pigeon like this before!  Recommended for ages 3+

 

 


 

February 12, 2011 – May 8, 2011

 

Charlie and the Chocolate Factory

Charlie and the Chocolate Factory

By Richard R. George
From the fantasy by Roald Dahl
Directed by Ernie Nolan

Mysterious Willy Wonka is opening the gates to his coveted and curious chocolate factory- and only five children will be let inside! When good-hearted dreamer Charlie Bucket unwraps his lucky golden ticket, he and his grandfather are whisked away into a world of pure imagination. A tasty treat for the entire family!  Recommended for ages 3+

 

 

 


About the PlayGround

The PlayGround is Emerald City’s formal new works process, created in 2008 and lead by Associate Artistic Director Ernie Nolan. The PlayGround manages the selection of concepts for adaptation, organizes the internal creative input and produces table and staged readings. Additionally, it researches the needs of young audiences and how those needs can be supported through theater.

"Emerald City Theatre has become one of Chicago’s largest Gateways to the Arts for young children," says Associate Artistic Director Ernie Nolan. "Understanding the difference between how a 4-year old learns from a play and how a 10-year old learns takes a lot of time and research. The PlayGround frames the work we have been doing to combine the understanding of our audience with the work our artists are creating."

       
         

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REVIEW: Peter Pan (Emerald City Theatre)

Tinkerbell’s pixie-dust works its magic on rollicking production

 peterpan01

Emerald City Theatre presents:

Peter Pan

Based on the character created by J.M. Barrie
Book and lyrics by Alyn Cardarelli
Music by Steve Goers
Directed by Matthew Gunnels
Thru July 22nd at
Apollo Theatre, 2540 N. Lincoln (more info)

reviewed by Katy Walsh

Disney, Depp, Dustin, Duncan, the legend of Peter Pan has been retold and reimagined on stage and screen for over a century. This time its Emerald City Theatre’s adaptation as they present the world premiere of Peter Pan. Based on the character created by J.M. Barrie, Emerald City has created an energetic and colorful musical of the infamous boy who didn’t want to grow up. This version focuses on Wendy’s rite of passage. Mr. and Mrs. Darling want Wendy to move out of her childhood nursery and put on a big girl’s dress. Wendy wants to play! Cue the Pan. Peter arrives to whisk her away. He takes her to Neverland, a magical island where lost boys, pirates, Indians and a crocodile duel it out daily in the ultimate never ending game. Emerald City’s Peter Pan is a fun family pleaser with comedy and sentimentality that reaches the child in all of us.

In my Peter Pan encounters, I’ve never rooted for the pirates. Until now! Aside from trying to stab and poison people, Captain Hook (Michael Kingston) and Smee (Zev Steinberg ) are likable guys. Steve Goer‘s “Pirates with a Plan” song is a standout number with Kingston and Steinberg’s comedic antics. In particular, Steinberg is acrobatic in his movement throughout the play. His fight with Jamila Turner (Tiger Lilly) has a thrilling physicality. And Turner shifts gears perfectly in her dual roles as a strong, independent princess warrior and the empathetic maternal Mrs. Darling. Michael Rieman (Tootles) and Caleb Probst (Slightly) are hilarious as the lost boys and later in drag as the mermaids. Allison Lind (Wendy) is wonderful playing a girl playing a mother in a pretend world. With a permanent angelic smile, Ryotaro Shigeta (Peter) exudes a youthful arrogance and sense of fun. He is definitely “The Pan.”

Sprinkling the pixie dust on his talented ensemble, Matthew Gunnels directs a briskly paced sixty minute adventure. The choreography (Ernie Nolan ) is bursts of activity in the lively chases and fighting. The costumes (Branimira Ivanova ) are childlike fun. Peter and the lost boys wear lively patchwork outfits that fit a child’s imaginative style; the mermaids are in vibrant wigs and tails swimming on rollers. This Peter Pan production is all about special touches that add to its entertainment value. Special props to the prop master (Jenny Pinson). Hook has multiple versions of his prosthetic hand, including a toothbrush. One of my favorite moments is the glasses, umbrella and teddy bear used in the very satisfying ending. It was a nod out to the Disney version of “Peter Pan” which made me a little misty for my own childhood bedroom. Emerald City’s Peter Pan magically transports you back to Neverland. Whether it’s for the first-time or a return visit, the voyage is a fun trip!

Rating: ★★★½

Running time: Sixty minutes with no intermission. Parking lot available for earlier arrivals. This play is suitable for families with children ages 3 to 12 years .

EXTRA CREDIT:

REVIEW: The True Story of the 3 Pigs (Emerald City Theatre)

Hamming it up for the over 5 set!

3pigs

Emerald City Theatre presents:

The True Story of the Three Pigs

By Jon Scieszka and Lane Smith
Adapted by Alyn Cardarelli
Directed by Ernie Nolan
Thru March 25th (ticket info)

By Katy Walsh

Joe Goldammer (little pig) with Ruby Aufmann The media investigates a double ham-icide. Emerald City Theatre presents The True Story of the Three Pigs. The play starts where the three pigs fairytale ends. Two pigs are dead. The wolf is in jail. Random Adjective, a reporter, has been assigned to examine the evidence. The audience is invited to accompany her as greenhorn reporters. Her investigation leads to interviews with the surviving pig, Red Riding Hood, and the wolf. The True Story of the Three Pigs is an interactive play that teaches children that there are many sides to a story and to always cover your mouth when you sneeze.

Joe Goldammer uses distinctive voices to play multiple roles: a high pitch squeak for the surviving pig, garble growls for nana wolf, and portrays Red Riding Hood as a German research expert on wolves. Although entertaining for adults, Goldammer’s best comedic moments may be lost on the little ones. Samantha Nicodemus plays Random Adjective as a fast talking reporter from the 1940’s. Nicodemus does a great job of keeping the kids connected to what’s happening by reviewing the evidence after each interview. Matt Olson is the Big Bad Wolf or Alexander T. Wolf. In two of the crime reenactments, Olson is the stereotyped Big Bad Wolf. However, when Alexander T. Wolf gets to tell his version of the story, he is a vulnerable, misunderstood wolf with allergies. Ernie Nolan  directs the action and keeps the cast animated with exaggerated gestures to elicit giggles.

pigs2It’s obvious upon entering the Apollo Theatre that Emerald City Theatre loves kids! They keep the 60-minute show interactive. Kids volunteer to come up on stage to verify huff puff results or model reporter moxie. After each interview, the audience members (i.e., greenhorn reporters) are invited to ask questions and assess the 5 W’s and 1 H (who, what, when, where, why and how). The repetitive nature of the reenactments help the younger audience members follow the story. Emerald City also adds to the children’s theatrical experience by providing coordinating gifts and games, pre-show pig-snout-making activity and post-show autographs with the cast. The kids even decide one of three endings. Applause determines what the newspaper headline will be. (for the opening performance the greenhorn reporters voted that the wolf was actually innocent)

The show promotes its target audience as 3-8 years old. Observing the children in the audience, a 5 years-or-over rating seems more realistic. Newspaper reporter, ham on a platter, German scientist – the story has some complicated elements to follow. Although the cast has colorful costumes (Ernie Nolan), the minimal scenery isn’t visually exciting. Unable to follow the story and without colorful stimulation, the pre-schoolers may become victim to the paparazzi. They don’t care about the truth! They want the three pigs fairytale.

Rating: ★★★

Helpful links:

3LittlePigs-Emerald

Matt Olson as the Big Bad Wolf (aka Alexander T. Wolf) greets greenhorn reporters Max and Ruby after the performance.


Creative team includes: Nic Jones (lighting), Joe Court (sound), Jenny Pinson (props), Joshua Lansing (technical director) and Scott Deter (stage manager)

For Kids of all ages: Emerald City’s “Cinderella”

cindypage 

Emerald City Theatre‘s new whacky musical adaptation, Cinderella, with book and lyrics by Alyn Cardarelli (Artistic Director of Emerald City Theatre), music by Steve Goers and direction by Aritistic Associate Matthew Gunnels, opens tomorrow (February 14th) and runs through May 24th.  From Emerald City’s flyer:

Anybody who’s anybody is going to the Royal Ball.  Anybody that is except Cinderalla, whose feet are such an unusual size there are no shoes to fit them.  But with the help of a fairy godmother, a little sword fighting and some sensible footwear, a happy ending is certainly in sight! This adaptation, designed to appeal to both boys and girls, is full of audience interaction!  Children are invited to meet the actors after each weekend performance.  (stress mine)

Sounds like a lot of fun to me!  I always get a kick out of the raw response one gets from an audience filled with kids – and their eager interaction with the actors.  Priceless.

One more cool thing: you can download preview songs from Cinderella  here.

 

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