Wednesday Wordplay – Warhol, Freud and Facebook crushes

Inspirational Quotes

I was always looking outside myself for strength and confidence, but it comes from within. It is there all the time.
            — Anna Freud

When we are unable to find tranquility within ourselves, it is useless to seek it elsewhere.
            — Francois de La Rochefoucauld

A dog is the greatest gift a parent can give a child. OK, a good education, then a dog.
            — John Grogan, An Interview with John Grogan, 2008

Stress is an ignorant state. It believes that everything is an emergency. Nothing is that important. 
        — Natalie Goldberg

We have, I fear, confused power with greatness.
        — Stewart L. Udall, commencement address, Dartmouth College, June 13, 1965

A person has three choices in life. You can swim against the tide and get exhausted, or you can tread water and let the tide sweep you away, or you can swim with the tide, and let it take you where it wants you to go.
        — Diane Frolov and Andrew Schneider, Northern Exposure, Northern Lights, 1993

Imagination is the beginning of creation. You imagine what you desire, you will what you imagine and at last you create what you will.
        — George Bernard Shaw

They always say time changes things, but you actually have to change them yourself.
        — Andy Warhol, “The Philosophy of Andy Warhol

The world is full of women blindsided by the unceasing demands of motherhood, still flabbergasted by how a job can be terrific and torturous.
        — Anna Quindlen, O Magazine, May 2003

I like manual labor. Whenever I’ve got waterlogged with study, I’ve taken a spell of it and found it spiritually invigorating.
        — W. Somerset Maugham, “The Razor’s Edge”, 1943


Urban Dictionary

 

time vampire

Something or someone who literally sucks your time like a vampire sucks blood.

My computer broke again, I spent all night working on that fucking time vampire.

 

text-hole

Someone who texts on their cellphone in really inappropriate places, like movie theatres, concerts, plays, or during sex.

1. The movie was great, except right during the best scene, this text-hole in front of me lit up his phone and started texting away.
2. We were humping away, and she started texting her friend. She was a certified text-hole.

 

Leno Giver

When someone retires from a legendary television franchise, passes the torch to a worthy successor. Then he gets bored and starts a new show which sucks and then asks for their old job back by firing the successor.

He’s a leno giver.

 

Facebook crush

A crush on a FB friend is characterized by the unexplainable urge to revisit the friend’s Photos tab repeatedly and checking to see if other friends have written new messages on their Wall. Usually afflicts users who are only somewhat acquainted.

"I’ve got a Facebook crush on a guy I was going to rent a room from, but in the end we just friended each other."

 

friendly review

A positive review you give to a movie, book, TV series or CD that you don’t like but which a friend has recommended to you, usually because you don’t want to hurt their feelings.

Rod: I watched that movie The Departed last night which John lent me.
Tom: What did you think?
Rod: I hated it.
Tom: Oh boy, he loves that movie. What did you tell him?
Rod: I told him it was great.
Tom: You gave it a friendly review, huh?
Rod: Yeah, you know what hes like.

Review: “Put My Finger In Your Mouth”

Slouching Toward the Theater of the Ridiculous

Put your Finger in my Mouth

The Right Brain Project presents

Put My Finger In Your Mouth
by Bob Fisher
Directed by Nathan Robbel
Runs thru August 29th (773.750.2033 for tickets)

Reviewed by Paige Listerud

Is everything old new again? If Right Brain Project succeeds at anything with its production of Put My Finger In Your Mouth, a new play by Bob Fisher, it’s in evoking a nostalgic, psychedelic, Rocky Horror-like vibe.

Like so many before it, this production’s roots lay the work of New York transgender playwright Jackie Curtis, Andy Warhol film star and creator of The Theater of the Ridiculous. Always on the outside, always fringe, Curtis’s influence prevails to this day through shows like Annoyance Theatre’s Co-ed Prison Sluts or, my old favorites, Cannibal Cheerleaders On Crack or The Vampire Lesbians of Sodom.

finger in my mouth Under Nathan Robbel’s direction, with a sound design that culls tunes from the 60s, 80s, and 00s, Put My Finger In Your Mouth is a much softer, gentler show intent on generating a dream world that its characters inhabit and pull the audience into, rather than shock or outrage it. But the audience can only receive minor moments of dreamlike satisfaction from themes that are worn, trite and underdeveloped.

The play is a club-kid fable about two sisters, Birdy (Erin Elizabeth Orr) and Turtle (Stacie Hauenstein) whose conflicts revolve around the competing claims of pleasure and security. Birdy wants to risk all for discovery and new experiences, while Turtle clings to a safe, co-dependent existence at home. The risks become greater for Birdy upon entry into the bizarre club world of the androgynous Snailman (Emily Mark), whose fingers secrete a hallucinogenic substance that enslaves all who taste it.

Orr and Hauenstein generate sympathy as the two sisters, but a script that repeats the risk vs. security theme ad nauseum hampers their performances. Sadly, Turtle’s hidden past is telegraphed so far in advance, it has no impact at all once finally revealed. The sultry androgyny of the Snailman and the hold s/he has on her willing minions, create the appropriate otherworldly space for Birdy to be ensnared in, but there is something to be aware of in the play’s limitations regarding gender identity difference.

How Victorian the play is in the portrayal of its leading transgender or intersex character as Other, dangerous, and suspect. Snailman still ends up being the coolest thing aroundit’s just disappointing that, once again, the clichéd dangers of gender transgression get a tired, unimaginative, and unthinking rehash here. Right Brain Project clearly wants to go beyond the predictable. More careful consideration or development of material before production would serve it well.

For all that, the cast certainly creates a “scene” with its performance. From time to time, glimmers of poetry strike up from the script. The Battle of the Furries that takes place in the nightclub finally achieves the psychedelic effect the play has been promising all the while. If one could exhort the playwright and the company to anything, it would be this: be bolder. Be even more right brain. Don’t hang back in the safe zone.

Rating: «½

 

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