Review: Sleuth (Theatre at the Center)

     
     

A delightfully cunning mystery in Munster

     
     

SLEUTH Lance Baker playing game & Larry Yando

   
Theatre at the Center presents
   
Sleuth
     
Written by Anthony Shaffer
Directed by
William Pullinsi
at Theatre at the Center, 1040 Ridge Road, Munster (map)
thru March 20  | 
tickets: $36-$40  |  more info

Reviewed by Catey Sullivan

Let the games begin. They’re rarely more intriguing and diabolically delicious than they are as played in Anthony Shaffer’s cork-screw twisting crime caper Sleuth. The suspensor has the intelligence of an international chess match and the tension of a frayed high wire poised to snap under the weight of a two-man aerial team, sending those who would traverse plummeting it to their deaths. With director William Pullinsi helming the master-class cast of Larry Yando and Lance S. Baker, Theatre at the Lance Baker as clown breaking in - a scene from Theatre at the Center's 'Sleuth'.  Photo by Michael Brosilow.Center‘s production of Sleuth is a first-rate cut-throat thriller.

Actually, forget the corkscrews. This is a murder mystery with more twists than a switchback trail up a Finlandian Matterhorn. Sleuth isn’t merely a whodunit; it’s also a who-has-been-done, meaning that you’re never quite certain which of several apparent victims has been slain until the final curtain. Is it the Nordic mistress, strangled with the silk stocking? The cuckolding travel agent, executed with the revolver? Shaffer builds illusion upon reality until the two mirror each other in a whacked-out, fun-house reflection, toying with the audience much as the story’s dueling gamesmen toy with each other.

And oh, such gamesmen are at play in Munster. Larry Yando plays Andrew Wyke, a mystery writer whose disdain for the plodding numbskull police is inversely proportional to his love of a good, old-fashioned match of wits. Watch him as he sits contemplating his chess board: The man’s eyes veritably gleam. Listen as he reads a passage from his latest detective novel: This is a fellow enraptured with both the sound of his own voice and the romance of role-playing, a man who is never so happy as he is when he’s putting on a charade.

Lance Baker plays Milo Tindle, a rather condescending travel agent who has been called to Andrew’s aptly Gothic old mansion (an elaborately spooky two-storey set by Rick and Jackie Penrod) for reasons that become clear only gradually. It wouldn’t do to reveal much more about the connection between Andrew and Milo, so suffice to say, the snare that binds them creates an elaborate labyrinth of a live-action brain-teaser. And every time you think you have it all figured out? You haven’t.

Baker and Yando are at the top of their craft; watching them turn and turn back the tables on each other is sheer delight. Milo has quite a journey, going from contained, arch smugness to quivering desperation to scary, dead-eyed psycho to gloating triumph, and Baker carries it off with dizzying grace. Yando cackles like a gleefully demented child as he manipulates his quarry, moving around the stage like a spider hopped up on amphetamines. When predator becomes prey, Yando morphs from elegantly controlled, slightly sadistic alpha male to clawing underdog, wild-eyed with fear and yet somehow also secretly joyous because he’s finally met a worthy opponent.

     
SLEUTH Lance Baker, Jack & Larry Yando, Theatre at the Center Munster SLEUTH Larry Yando with gun & Lance Baker in clown

Director Pullinsi keeps the pace crackling along like a brushfire. In between its trio of Big Reveals, Sleuth is an inherently talky play. Its rich, almost Stoppardian dialogue doubles back on itself as schemes, counter-schemes, crosses and double-crosses volley across the stage. Yando and Baker parry with the ease of fencers, making the intricate wording sound as spontaneous as an unexpected gunshot.

Our one criticism of the production is that Pullinsi downplays the narrative’s essential homosexual subtext (and regular text, for that matter) substantially. That means the end-game lines about diminished manhood and blackmail don’t make quite the sense they should. Still, Pullinsi has constructed a house of games that’s totally worth the drive to Munster.

  
  
Rating: ★★★½
  
  

SLEUTH Larry Yando & Lance Baker - smoking jacketSleuth continues at Theatre at the Center, 1040 Ridge Road, Munster, Indiana, running February 17 through March 20. To purchase individual or group tickets call the Box Office at 219.836.3255 or Tickets.com at800.511.1552.  For more information on Theater at the Center, visit www.TheatreatTheCenter.com.  All photo by Michael Brosilow.

     
     

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REVIEW: Jerry and Tom (Idle Muse Theatre)

Searing thriller or side-splitting farce?  Who knows.

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Idle Muse Theatre Company presents:

 

Jerry and Tom

By Rick Cleveland
Directed by Lenny Wahlberg
At the side project, 1439 W. Jarvis Ave.
Through March 21st
(more info)

Reviewed by Ian Epstein 

It’s unclear what brought Jerry (Matt Dyson) and Tom (Brad Woodward) together.  It’s unclear why they’re both in the line of work that they’re in.  It’s unclear who the man with the black bag over his head with his hands bound behind his back, sitting in the spotlight, is (though the role of corpse-recurrent is played by Brian Bengston). 

JT4 But it is clear what will happen to the man in the black bag when the phone rings and it is clear that Tom has done this many times before–has answered the phone, has green-lighted close quarters death by buckshot – even if Jerry, wielding the weapon like an amateur with a baton in a parade, is the one playing our trigger-prone young hot shot. And what is the natural response of our corpse-in-waiting to impending assassination? Tell bad animal jokes.

As the rest of the play unfolds in multiple vignettes spanning years of training and development as a team, it becomes clear that Jerry and Tom are hitmen.  They’re not your thrilling, glamorous, Hollywood hitmen living life bruised and wandering the world over with forged identities or double-O assignments. And they’ve got no clear relationship to the comedic cat-and-mouse duo Tom and Jerry.  Nope. These are just your everyday hitmen, with kids and wives and all the burdens of regular life tucked away offstage and only occasionally discussed in the long spells of waiting to kill-off targets of indeterminate importance for a clandestine, potentially criminal organization with unknown leadership.

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Lenny Wahlberg‘s directing would benefit from tidier, tighter transitions, although good blues in the dark does provide some enjoyment to audience members stranded in it.  Rick Cleveland‘s script overflows with crude situational jokes and it’s never clear whether the show is supposed to be taken seriously or comedically, as it lacks the high-stakes pacing, poetry or strong choice direction to support being a drama and accomplishing both.  Though the program explains the duration of time between scenes, they unfold so similarly that there’s no apparent logic that justifies the jumps in time and the play feels instead like a linear litany of melodramatic death after death after death.  If Idle Muse Theatre’s Jerry and Tom was trying for a searing, seat-gripping, anxious thriller (like Anthony Shaffer’s Sleuth), it didn’t succeed.  If Jerry and Tom was trying for a side-splitting Chaplin-esque romp where the same character dies again and again and again and can’t seem to escape death, it came closer but ultimately failed to elevate the stakes high enough to become that kind of farce.  In the end, we’re just annoyingly disinterested.

 

Rating:

 

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Tickets are $20 for adults, $15 for seniors. Thursday nights are industry nights. $5 ticket with headshot/resume.  Running Thursday, Friday, and Saturday at 8:PM, Sunday matinee at 3PM, through March 21.

Cast: Jerry – Matt Dyson, Tom – Brad Woodard, and Billy, Karl, Vic, etc. – Brian Bengston.

Design Team: Lighting Design: Steven Hill, Fight Choreography: Greg Poljacik