REVIEW: The Infernal Machine (InnateVolution Theater)

     
     

An old tale gets an updated retelling

 

Infernal Machine logo

   
InnateVolution Theater presents
   
The Infernal Machine
   
Written by Jean Cocteau
Directed by Dr. Beverle Bloch & Raymond K Cleveland
at
The Call, 1547 W. Bryn Mawr (map)
through Nov 21  |  tickets: $20  |  more info

Reviewed by Keith Ecker 

The first thing you’ll notice about InnateVolution Theater ProductionsThe Infernal Machine is the venue. The play occupies an unorthodox space, a gay bar specifically. A ring of chairs lines what is normally used as a dance floor while sparkly music videos of disco divas blast on monitors, serving as a strange sort of pre-show.

I’m a firm believer that environment plays a significant role in the theatrical production. And I usually love novel settings. But the choice to perform Jean Cocteau‘s surrealist take on Oedipus in a gay bar where patrons at times spoke over the performers during the first act seemed like a bit of a mistake. Admittedly, by the end of the play, the ambient chatter had quieted down, but it was always a presence and always served as a distraction, even when the actors delivered some pretty strong performances.

But the bar did have a large screen, which was obviously a necessary technical requirement for this play, written by a man known for his offbeat film work. And although I would have liked to have seen more intermingling between the live action of the play and the minimal action that takes place on the screen, the use of visual projections does help establish setting, given the production’s minimal props on stage.

The play itself is a fairly ancient story. It’s the tale of Oedipus, the young man whose future is foretold to be a great tragedy. He’ll one day murder his father and marry his mom. It’s a tale of tragic destiny and the futility of trying to avoid our predetermined futures. It’s also a tale of humility, as Oedipus slowly realizes that even he, conqueror of the Sphinx, is subject to the same rules that dictate all of mankind.

This is my first time to see Cocteau’s version, and from what I gather, it’s basically the same as the original tale minus the ornate poetry of Grecian writing. The language is contemporary; the characters resemble modern-day archetypes. The story is still set back in ancient times, but the characters possess an attitude that make them more relatable to those who live in the here-and-now. Take for example Queen Jocasta (Erin Cline). She’s a drama queen and a half, vamping for the audience and overreacting every time someone steps on her scarf. Cline does a brilliant job bringing this diva to life, making her a very engaging character to watch.

Another wonderful character, and a great comic relief, is the wise old adviser Tiresias (Arne Saupe). Saupe brings to Tiresias a clever sensibility and vaudevillian comedic timing. After all, the old man is blind, which lends itself to a lot of ironic sight gags, and Saupe uses this to full effect.

Much of the rest of the acting is uneven. Experience level seems to vary widely from performer to performer, which serves as a distraction when a scene lags because of one character. At times, the play verges on high school pageantry.

Still, this is a small production by a small theatre company, and overall it is an entertaining show. If you don’t mind a bit of background noise while watching a play, InnateVolution’s The Infernal Machine is a fun night out.

   
   
Rating: ★★½
   
   

Performances run November 5 – 21, 2010 at The Call (1547 W Bryn Mawr Ave)
in the Andersonville neighborhood of Chicago..  Regular performances are Fridays, Saturdays and Sundays.  Tickets are $20 and include 1 well liquor, house wine, or Miller drinks.

   
   

 

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Non-Equity Jeff Awards Winners

Looks like there were a few big winners at the Non-Equity Jeff Awards given out last night, including 5 total awards given to Lifeline Theatre for The Island of Dr. Moreau. Another 4 awards were given to Theo Ubique for their intimate production of Cabaret.

Special Non-Equity Jeff Awards were given out to Raven Theatre’s founders – Michael Menendian and JoAnn Montemurro.

Congratulations to all!

 

Non-Equity Jeff Awards Winners

Production – Play
The Island of Dr. MoreauLifeline Theatre

Production – Musical
Jerry Springer – The OperaBailiwick Repertory Theatre
1776Signal Ensemble Theatre

Ensemble
MachosTeatro Luna

Director – Play
Greg KolackcolumbinusRaven Theatre

Director – Musical
Fred AnzevinoCabaretTheo Ubique Theatre Company i/a/w Beverle Bloch & Michael James

New Work
Teatro Luna & Coya PazMachos – Teatro Luna

New Adaptation
Robert KauzlaricThe Island of Dr. Moreau – Lifeline Theatre

Actress in a Principal Role – Musical
Elizabeth LanzaCan-CanCircle Theatre

Actress in a Principal Role – Play
Vanessa GreenwayThe Constant WifeGriffin Theatre Company

Actor in a Principal Role – Musical
Jeremy TragerCabaret – Theo Ubique Theatre Company i/a/w Beverle Bloch & Michael James

Actor in a Principal Role – Play
Sam WoottenGross Indecency: The Three Trials of Oscar WildeBohemian Theatre Ensemble

Actress in a Supporting Role – Musical
Danielle BrothersCabaret – Theo Ubique Theatre Co. i/a/w Beverle Bloch & Michael James

Actress in a Supporting Role – Play
Kathleen RuhlDolly West’s KitchenTimeLine Theatre Company

Actor in a Supporting Role – Musical
Jeremy RillJerry Springer – The Opera – Bailiwick Repertory Theatre

Actor in a Supporting Role – Play
Hans FleischmannIn a Dark Dark HouseProfiles Theatre
Ron WellsA Prayer for My DaughterMary-Arrchie Theatre Company

Scenic Design
Michael Menendian & Leif OlsenThe Night of the Iguana – Raven Theatre

Costume Design
Elizabeth Shaffer An Ideal Husband – Circle Theatre

Lighting Design
Kevin D. GawleyThe Island of Dr. Moreau – Lifeline Theatre

Sound Design
Stephen PtacekFaster – the side project

Choreography
Brenda DidierThe Life – Bohemian Theatre Ensemble

Original Incidental Music
Victoria DeIorioThe Island of Dr. Moreau – Lifeline Theatre
Gregor Mortis & Mikhail Fiksel A Lie of the MindStrawdog Theatre Company
Kevin O’Donnell The NutcrackerThe House Theatre of Chicago

Music Direction
Joshua Stephen Kartes Cabaret – Theo Ubique Theatre Co i/a/w Beverle Bloch & Michael James

Mask Design
Kimberly G. MorrisThe Island of Dr. Moreau – Lifeline Theatre