REVIEW: Hello Dolly (Light Opera Works)

     
     

Phenomenal dancing and singing makes ‘Dolly’ a New Year’s treat 

     
     

Mary Robin Roth (Dolly Gallagher Levi) in Hello Dolly – Light Opera Works. Photo Credit: Rich Foreman

    
Light Opera Works presents
   
   
Hello, Dolly! 
       
Book by Michael Stewart
Music/Lyrics by
Jerry Herman
Directed by
Rudy Hogenmiller
at
Cahn Auditorium, 600 Emerson, Evanston (map)
through Jan 1  |  tickets: $32-$92   |  more info

Reviewed by Katy Walsh

“Some people paint, I meddle.”  A widow makes a living as a matchmaker.   Light Opera Works presents Jerry Herman’s Hello, Dolly!, a big-hearted musical based on Thornton Wilder’s play The Matchmaker, set in 1890.

Before the parade passes by, I want to get in step while there’s still time left.” Dolly Levi wants to start living.

Dolly’s retirement plan is to marry the well-known half-millionaire, Horace Vandergelder.  Because Dolly is very good at her job, Horace IS ready to marry… Irene Malloy. Before Horace can pop the question to Irene, Dolly must strike the match.  It’s a hilarious intervention as Dolly rearranges multiple lives to marry off herself.    Hello, Dolly! is a witty, musical frolic wedded to the courtship dance.

You’re looking swell Dolly.  I can tell Dolly. You’re still glowin’, you’re still crowin’, you’re still goin’ strong. 

Mary Robin Roth (Dolly Gallagher Levi), Peter Verdico (Horace Vandergelder) star in Hello Dolly - Light Opera Works  Photo Credit: Rich ForemanMary Robin Roth (Dolly) has flawless comedic timing.  Roth delivers zesty lines with a side of slapstick, and has all the personality to anchor the show in the title role.  The musical orchestration has been adjusted for Roth’s limited singing range; her lower vocal style is robust but in moments awkward.  In solo numbers, it’s a unique rendition, but when she joins in on a brightly sung ‘Put on Your Sunday Clothes,’ Roth creates a bit of speed bump.

The best match of the show is the chemistry between Robert Brady (Cornelius) and Patrick Tierney (Barnaby).  The dynamic duo sing, dance and lampoon with charm and amusing absurdity.   Although Jessye Wright (Irene) has a beautifully operatic singing voice, it’s too serious for the light-hearted romp.  It really only works as the parody line Wright sings in ‘Elegance’ to make fun of the sophisticated.

A 22-piece orchestra, conducted by Roger L. Bingaman, sets the tempo for a splendid full-bodied musical chorus.

‘Don’t you think my dancing has a polish and a flare?  The word I think I’d use is athletic!’

The dancing IS athletic and amazing!   Rudy Hogenmiller channels Gower Champion to choreograph dance sequences that elicit applause DURING the movement.  In particular, two memorable moments are actualized by a large segment of the chorus.  First, in the parade scene, the band moves into a revolving kick line.  For a small stage and multiple dancers, the graceful high-kick turning is incredibly impressive.  In the second act, the waiters have a vigorous prolonged dance sequence.  The word I think I’d use is ‘phenomenal.’    The synchronization is perfection.  The waiters’ jumps are a harmonious spectacle.

Despite promises that ‘Dolly’ll never go away again,’ it’ll be “Goodbye, Dolly!” in a week.    So, here’s your goal again,  get in drive again, if you wanna feel your heart coming alive again… get your tickets now… before the parade, and the full orchestra, passes by!

  
   
Rating: ★★★½
 
   

Hello, Dolly! continues performances on December 27th, 29th, January 2nd at 2pm;
December 28th at 7pm; December 30th, 31st, January 1st at 8pm. All photos by Rich Foreman.

Running Time:  Two hours and thirty-five minutes includes an intermission.

Robert Brady (Cornelius Hackl), Patrick Tierney (Barnaby Tucker), star in Light Opera Works’ HELLO, DOLLY!, December 26, 2010- January 2, 2011 at the Cahn Auditorium in Evanston, IL. Photo Credit: Rich Foreman

    
     

     
     

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REVIEW: Dirty Rotten Scoundrels (Theatre at the Center)

Bad People, Great Musical

 

 DRS- Dara Cameron and ensemble

   
Theatre at the Center presents
   
Dirty Rotten Scoundrels
   
Book by Jeffrey Lane
Music/Lyrics by
David Yazbek
Directed by
William Pullinsi
Theatre at the Center, 1040 Ridge, Munster, IN (map)
through October 10  |  tickets: $36-$40  |  more info

Reviewed by Keith Ecker 

I really didn’t know what to expect walking into the regional premier of Dirty Rotten Scoundrels. First, because the musical is based on the 1988 comedy, I wondered whether it would be another repackaged Hollywood film set to music and fed back to us. Second, Dirty Rotten Scoundrels is a production of Theatre at the Center (TATC), located in Munster, Indiana. It truly is a rare occasion when I get to venture out of the city proper, and so I was eager, as well as a little skeptical, to see if TATC would rival Chicago-quality theatre. By the end of the play, I was certainly reassured that, yes, Hollywood films can be transformed into worthwhile musicals, and, yes, good theatre exists beyond the city limits.

DRS- Larry Adams and Paula Scrofano Dirty Rotten Scoundrels focuses on two European-based professional swindlers. Lawrence Jameson (Larry Wyatt) is the refined cad who fabricates a princely back story for himself, which he uses to pray upon the dreams and sympathies of naïve, wealthy women. His rival, who he encounters by chance, is Freddy Benson (Michael Mahler). Freddy is an amateur thief who, after discovering Lawrence’s true identity, encourages Lawrence to teach him the ways of the rogue.

Eventually, the teacher-student relationship transforms into a competition, where Lawrence and Freddy wager on who is the more skillful scoundrel. At the center of this bet is Christine Colgate (Dara Cameron), a wealthy American heiress. The two hatch elaborate schemes to win her over, and a comedy of errors ensues.

The musical (book by Jeffrey Lane with music and lyrics by David Yazbek) is genuinely funny. The writing is sharp, so sharp that I enjoyed the non-musical portions of the show just as much as the singing and dancing. Witty word play and even some risqué off-color jokes appear throughout, as do the occasional pop-culture references. There’s also plenty of meta-humor, too, with characters toying with the art form’s conventions.

The caliber of singing and acting talent rivals that of any big-time, downtown Chicago production. Wyatt, Mahler and Cameron all give standing-ovation-worthy performances. Harmonies are pitch perfect, and timing is impeccable. What more could you want out of a cast?

 

DRS- Michael Mahler and ensemble Great Big Stuff DRS- Dara Cameron, Michael Mahler and Larry Wyatt

Speaking of rivaling downtown productions, TATC definitely has the firepower to produce a large-scale spectacle. The lighting system alone looks like something out of “Close Encounters of the Third Kind”. All actors are outfitted with mics, making it very easy to hear every word and note throughout the spacious auditorium.

The only element stopping me from giving this production four stars is its pace. The play, with intermission, runs about two-and-a-half hours. Although William Pullinsi’s direction is otherwise commendable, he relies too heavily on blackouts to transition from scene to scene. This bogs down the musical, draining some of its momentum.

TATC’s Dirty Rotten Scoundrels goes to show that being out of the Loop isn’t necessarily a bad thing. If you’re in the mood for a hilarious musical with a good story and excellent performances, go see this play.

   
   
Rating: ★★★½
  
   

DRS- Michael Mahler, Larry Wyatt and Lauren CreelPerformances are Wednesdays and Thursdays at 2pm.; Fridays and Saturdays at 8pm, Sundays at 2:30pm; select Thursdays at 7:30 or 8pm. and Saturdays at 2:30pm. Ticket prices range from $36 – $40.  For ticket info, call the Box Office (219.836.3255), Tickets.com (800.511.1552) or visit www.TheatreAtTheCenter.com.

      
     

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