Review: Prologue Theatre’s “Sex” by Mae West

Prologue Theatre’s “Sex” Only Puts Out a Little

 Prologue Theatre Co - Sex 2 (photo by Alix Klingenberg)

Prologue Theatre presents:

Sex

by Mae West
directed by Margo Gray
thru November 21st (ticket info)

reviewed by Paige Listerud

Prologue Theatre Co - Sex 5 (photo by Alix Klingenberg) I’ve long wanted to see Sex, the play that put Mae West in jail. Mae West was one of America’s great crossover artists, bringing more risqué influences from vaudeville and jazz to the so-called “legitimate” stage on Broadway. She appropriated elements from African-American artists and the drag balls of the Pansy Craze, lifting comic styling wholesale from female impersonators Burt Savoy and Julian Eltinge. For her part, West daringly imported queer culture into the mainstream with her plays The Drag and The Pleasure Man. But then Mae West was about all sex, not just the straight variety.

Prologue Theatre Company is obviously conscious of the historical value of these American theatrical and cultural developments, staging Sex at the turn-of-the-century Gunder Mansion, now serving as the North Lakeside Cultural Center. The play occurs en promenade, an element that both does and doesn’t work for the production. Transitioning the audience from room to room certainly emphasizes shifts in place from Montreal to Trinidad to Connecticut. However, the time it takes for the audience to make it into their seats from one room to the next also produces clumsy delays between scenes and the travel up and down stairs definitely limits accessibility.

What created scandal in West’s time seems tame in ours. Yet Jes Bedwinek, as the savvy working girl Margy Lamont, infuses her leading role with the right amount of suggestiveness. She borrows just enough of West’s timing and inflections without devolving into an utter Mae West caricature–successfully acknowledging her illustrious forebear while at the same time making the role her own. Anne Sheridan Smith molds her role as the philandering society matron Clara Stanton, to be the perfectly balanced foil to Bedwinek’s Margy—just as lusty, yet hemmed in by cultural refinement and conventional restraints. As the doomed prostitute Agnes, Rebecca L. Maudlin brings realism and sympathy to a role that could have been rendered as simply pathetic. It’s a woman’s play, after all; the things of greatest consequence happen to the women characters.

 

Prologue Theatre Co - Sex1 (photo by Alix Klingenberg) Prologue Theatre Co - Sex 3 (photo by Alix Klingenberg)
Prologue Theatre Co - Sex 6 (photo by Alix Klingenberg) Prologue Theatre Co - Sex 4 (Photo by Alix Klingenberg)

Director Margo Gray has honed the cast to adhere to naturalism, as opposed to the heavily stylized acting of West’s era. It’s a choice that definitely scales the production to the more intimate setting of Gunder Mansion, as well as clarifying and updating the play for a modern audience. It’s also a choice that exposes the weaknesses of uneven casting. Gray has brought from her successful run of The Wonder: a Woman Keeps a Secret Sean Patrick Ward (Jimmy Stanton) and Christopher Chamblee (Lt. Gregg), yet many cast performances are too scattershot to convey a cohesive ensemble. Nathan Pease’s turn as Margy’s pimp, Rocky, is sleazy enough yet still doesn’t contain the menace needed to threaten convincingly.

For my money, the audience gets stinted the most during the more vaudevillian portions of the play. The opening of the first scene in Trinidad should shine with musical numbers that warm the audience to Margy’s culminating performance of “Shake That Thing”—a classic Ethel Waters tune that Mae West appropriated. A little more jazz and enthusiasm, as well as a little more shakin’ that thing, might easily make up for musical deficiencies. Or perhaps Tinuade Oyelowo should be given more numbers to rock the audience with that voice of hers. Whatever the case, this is supposed to be the Roaring Twenties, not the Ironic 90’s or the Tight-ass 50’s. It’s not a good sign when there’s more fun to be had listening to the singing of drunken sailors on shore leave.

All in all, the shortcoming’s of Prologue’s production resigns it to community theater status for all their efforts. As Mae would know, it takes performers with a lot more on the ball than this to produce good old-fashioned entertainment.

Rating: ★★

 

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Non-Equity Jeff Nominations – Ubique & Lifeline lead

JeffAwards

 

2009 NON-EQUITY JEFF AWARD NOMINEES

PRODUCTION – PLAY
Enchanted April Circle Theatre
In Arabia We’d All Be Kings Steep Theatre
Mariette in EcstasyLifeline Theatre
The Mark of Zorro Lifeline Theatre
Our TownThe Hypocrites
Rose and the Rime The House Theatre

PRODUCTION – MUSICAL OR REVUE
The Christmas SchoonerBailiwick Repertory Theatre
Evita Theo Ubique Theatre i/a/w Michael James
Jacques Brel’s Lonesome Losers of the Night Theo Ubique Theatre i/a/w Michael James
The Robber BridegroomGriffin Theatre
Woody Guthrie’s American Song – Blindfaith Theatre

DIRECTOR – PLAY
Nathan Allen – Rose and the RimeThe House Theatre of Chicago
David CromerOur Town The Hypocrites
Elise Kauzlaric – Mariette in Ecstasy Lifeline Theatre
Joanie Schultz – In Arabia We’d All Be Kings Steep Theatre
Rick Snyder – Men of Tortuga Profiles Theatre

DIRECTOR – MUSICAL OR REVUE
Fred Anzevino – Evita Theo Ubique Theatre i/a/w Michael James
Fred Anzevino – Jacques Brel’s Lonesome Losers of the Night Theo Ubique Theatre i/a/w Michael James
Mary Beidler Gearen – The Christmas SchoonerBailiwick Repertory Theatre
Paul S. Holmquist – The Robber Bridegroom Griffin Theatre
Nicolas Minas – Woody Guthrie’s American Song – Blindfaith Theatre

ENSEMBLE
Evita Theo Ubique Theatre i/a/w Michael James
In Arabia We’d All Be Kings Steep Theatre
Mariette in Ecstasy Lifeline Theatre
Men of Tortuga Profiles Theatre
Our Bad Magnet Mary-Arrchie Theatre
Woody Guthrie’s American Song – Blindfaith Theatre

ACTOR IN A PRINCIPAL ROLE – PLAY
Don Bender – Old Times City Lit Theater
Esteban Andres Cruz – Jesus Hopped the ‘A’ Train Raven Theatre
James Elly – The Mark of ZorroLifeline Theatre
Ryan Jarosch – Torch Song Trilogy – Hubris Productions
Brian Parry – ShadowlandsRedtwist Theatre
Brian Plocharczyk – After Ashley Stage Left Theatre
Bradford Stevens – Jesus Hopped the ‘A’ Train Raven Theatre

ACTOR IN A PRINCIPAL ROLE – MUSICAL
Courtney Crouse – Jekyll & Hyde: The Musical Bohemian Theatre
Chris Damiano – EvitaTheo Ubique Theatre i/a/w Michael James

ACTRESS IN A PRINCIPAL ROLE – PLAY
Brenda Barrie – Mariette in Ecstasy Lifeline Theatre
Laura Coover – Blue SurgeEclipse Theatre
Cameron Feagin – Private Lives City Lit Theater
Nancy Freidrich – The Dastardly Ficus and Other Comedic Tales of Woe and Misery The Strange Tree Group
Betsy Zajko – Beholder Trap Door Theatre

ACTRESS IN A PRINCIPAL ROLE – MUSICAL
Laura McClain – The Christmas Schooner Bailiwick Repertory
Maggie Portman – Evita Theo Ubique Theatre i/a/w Michael James
Rachel Quinn – Gentlemen Prefer Blondes Circle Theatre
Bethany Thomas – Belle Barth: If I Embarrass You Tell Your Friends Theo Ubique Theatre i/a/w Michael James

SOLO PERFORMANCE
Janet Ulrich Brooks – Golda’s Balcony Pegasus Players
Alice Wedoff – The Shape of a Girl Pegasus Players

ACTOR IN A SUPPORTING ROLE – PLAY
Paul S. Holmquist – The Picture of Dorian Gray Lifeline Theatre
Matthew Sherbach – The Further Adventures of Hedda Gabler Dog & Pony Theatre
Kevin V. Smith – Our Bad Magnet Mary-Arrchie Theatre
Madrid St. Angelo – A Passage to India Premiere Theatre & Performance i/a/w Vitalist Theatre
Jon Steinhagen – Plaza SuiteEclipse Theatre
Nathaniel Swift – Blue Surge Eclipse Theatre

ACTOR IN A SUPPORTING ROLE – MUSICAL
Chris Damiano – Jacques Brel’s Lonesome Losers of the Night Theo Ubique Theatre i/a/w Michael James
Chris Froseth – Woody Guthrie’s American Song – Blindfaith Theatre
Jim Sherman – The Christmas SchoonerBailiwick Repertory Theatre

ACTRESS IN A SUPPORTING ROLE – PLAY
Susan Veronika Adler – Torch Song Trilogy Hubris Productions
Jeannette Blackwell – The Further Adventures of Hedda Gabler Dog & Pony Theatre
Nora Fiffer – The Autumn Garden Eclipse Theatre
Mary Hollis Inboden – Torch Song TrilogyHubris Productions
Elise Kauzlaric – On the Shore of the Wide World Griffin Theatre
Lily Mojekwu – Greensboro: A RequiemSteep Theatre
Rinska Prestinary – In Arabia We’d All Be Kings Steep Theatre
Mary Redmon – Enchanted April Circle Theatre

ACTRESS IN A SUPPORTING ROLE – MUSICAL OR REVUE
Amanda Hartley – The Robber Bridegroom Griffin Theatre

NEW WORK
Tony Fiorentino – All My Love – Diamante Productions
Robert Koon – Odin’s HorseInfamous Commonwealth Theatre
Frank Maugeri & Seth Bockley – Boneyard PrayerRedmoon Theater
Andrew Park – The People’s History of the United States Quest Theatre Ensemble
Ken Prestininzi – Beholder Trap Door Theatre

NEW ADAPTATION
Fred Anzevino, Arnold Johnston & Joshua Stephen Kartes – Jacques Brel’s Lonesome Losers of the Night Theo Ubique Theatre i/a/w Michael James
Cristina Calvit – Mariette in EcstasyLifeline Theatre
Robert Kauzlaric – The Picture of Dorian Gray Lifeline Theatre
William Massolia – Be More Chill Griffin Theatre
Terry McCabe – Scoundrel Time – City Lit Theater Company
Katie McLean – The Mark of Zorro Lifeline Theatre

For Production and Artistic Team nominations, click on “Read More

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