Non-Equity Jeff Nominations – Ubique & Lifeline lead

JeffAwards

 

2009 NON-EQUITY JEFF AWARD NOMINEES

PRODUCTION – PLAY
Enchanted April Circle Theatre
In Arabia We’d All Be Kings Steep Theatre
Mariette in EcstasyLifeline Theatre
The Mark of Zorro Lifeline Theatre
Our TownThe Hypocrites
Rose and the Rime The House Theatre

PRODUCTION – MUSICAL OR REVUE
The Christmas SchoonerBailiwick Repertory Theatre
Evita Theo Ubique Theatre i/a/w Michael James
Jacques Brel’s Lonesome Losers of the Night Theo Ubique Theatre i/a/w Michael James
The Robber BridegroomGriffin Theatre
Woody Guthrie’s American Song – Blindfaith Theatre

DIRECTOR – PLAY
Nathan Allen – Rose and the RimeThe House Theatre of Chicago
David CromerOur Town The Hypocrites
Elise Kauzlaric – Mariette in Ecstasy Lifeline Theatre
Joanie Schultz – In Arabia We’d All Be Kings Steep Theatre
Rick Snyder – Men of Tortuga Profiles Theatre

DIRECTOR – MUSICAL OR REVUE
Fred Anzevino – Evita Theo Ubique Theatre i/a/w Michael James
Fred Anzevino – Jacques Brel’s Lonesome Losers of the Night Theo Ubique Theatre i/a/w Michael James
Mary Beidler Gearen – The Christmas SchoonerBailiwick Repertory Theatre
Paul S. Holmquist – The Robber Bridegroom Griffin Theatre
Nicolas Minas – Woody Guthrie’s American Song – Blindfaith Theatre

ENSEMBLE
Evita Theo Ubique Theatre i/a/w Michael James
In Arabia We’d All Be Kings Steep Theatre
Mariette in Ecstasy Lifeline Theatre
Men of Tortuga Profiles Theatre
Our Bad Magnet Mary-Arrchie Theatre
Woody Guthrie’s American Song – Blindfaith Theatre

ACTOR IN A PRINCIPAL ROLE – PLAY
Don Bender – Old Times City Lit Theater
Esteban Andres Cruz – Jesus Hopped the ‘A’ Train Raven Theatre
James Elly – The Mark of ZorroLifeline Theatre
Ryan Jarosch – Torch Song Trilogy – Hubris Productions
Brian Parry – ShadowlandsRedtwist Theatre
Brian Plocharczyk – After Ashley Stage Left Theatre
Bradford Stevens – Jesus Hopped the ‘A’ Train Raven Theatre

ACTOR IN A PRINCIPAL ROLE – MUSICAL
Courtney Crouse – Jekyll & Hyde: The Musical Bohemian Theatre
Chris Damiano – EvitaTheo Ubique Theatre i/a/w Michael James

ACTRESS IN A PRINCIPAL ROLE – PLAY
Brenda Barrie – Mariette in Ecstasy Lifeline Theatre
Laura Coover – Blue SurgeEclipse Theatre
Cameron Feagin – Private Lives City Lit Theater
Nancy Freidrich – The Dastardly Ficus and Other Comedic Tales of Woe and Misery The Strange Tree Group
Betsy Zajko – Beholder Trap Door Theatre

ACTRESS IN A PRINCIPAL ROLE – MUSICAL
Laura McClain – The Christmas Schooner Bailiwick Repertory
Maggie Portman – Evita Theo Ubique Theatre i/a/w Michael James
Rachel Quinn – Gentlemen Prefer Blondes Circle Theatre
Bethany Thomas – Belle Barth: If I Embarrass You Tell Your Friends Theo Ubique Theatre i/a/w Michael James

SOLO PERFORMANCE
Janet Ulrich Brooks – Golda’s Balcony Pegasus Players
Alice Wedoff – The Shape of a Girl Pegasus Players

ACTOR IN A SUPPORTING ROLE – PLAY
Paul S. Holmquist – The Picture of Dorian Gray Lifeline Theatre
Matthew Sherbach – The Further Adventures of Hedda Gabler Dog & Pony Theatre
Kevin V. Smith – Our Bad Magnet Mary-Arrchie Theatre
Madrid St. Angelo – A Passage to India Premiere Theatre & Performance i/a/w Vitalist Theatre
Jon Steinhagen – Plaza SuiteEclipse Theatre
Nathaniel Swift – Blue Surge Eclipse Theatre

ACTOR IN A SUPPORTING ROLE – MUSICAL
Chris Damiano – Jacques Brel’s Lonesome Losers of the Night Theo Ubique Theatre i/a/w Michael James
Chris Froseth – Woody Guthrie’s American Song – Blindfaith Theatre
Jim Sherman – The Christmas SchoonerBailiwick Repertory Theatre

ACTRESS IN A SUPPORTING ROLE – PLAY
Susan Veronika Adler – Torch Song Trilogy Hubris Productions
Jeannette Blackwell – The Further Adventures of Hedda Gabler Dog & Pony Theatre
Nora Fiffer – The Autumn Garden Eclipse Theatre
Mary Hollis Inboden – Torch Song TrilogyHubris Productions
Elise Kauzlaric – On the Shore of the Wide World Griffin Theatre
Lily Mojekwu – Greensboro: A RequiemSteep Theatre
Rinska Prestinary – In Arabia We’d All Be Kings Steep Theatre
Mary Redmon – Enchanted April Circle Theatre

ACTRESS IN A SUPPORTING ROLE – MUSICAL OR REVUE
Amanda Hartley – The Robber Bridegroom Griffin Theatre

NEW WORK
Tony Fiorentino – All My Love – Diamante Productions
Robert Koon – Odin’s HorseInfamous Commonwealth Theatre
Frank Maugeri & Seth Bockley – Boneyard PrayerRedmoon Theater
Andrew Park – The People’s History of the United States Quest Theatre Ensemble
Ken Prestininzi – Beholder Trap Door Theatre

NEW ADAPTATION
Fred Anzevino, Arnold Johnston & Joshua Stephen Kartes – Jacques Brel’s Lonesome Losers of the Night Theo Ubique Theatre i/a/w Michael James
Cristina Calvit – Mariette in EcstasyLifeline Theatre
Robert Kauzlaric – The Picture of Dorian Gray Lifeline Theatre
William Massolia – Be More Chill Griffin Theatre
Terry McCabe – Scoundrel Time – City Lit Theater Company
Katie McLean – The Mark of Zorro Lifeline Theatre

For Production and Artistic Team nominations, click on “Read More

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Review – “Boneyard Prayer” at Redmoon Theatre

Redmoon’s “Boneyard Prayer”

reviewed by Venus Zarris

Redmoon Theatre's triumphant "Boneyard Prayer"Once again setting the standard for the reinvention of theatrical thought, Redmoon’s ‘Bonyard Prayer’ is a triumph of imagination and creativity. If you have already experienced Redmoon’s work than you understand that when you visit them you are in for at least the unconventional and at best, which is normally the case, the extraordinary. ‘Boneyard Prayer’ certainly fits under both of these classifications.

It traces the cycles of regret through the upheaval of a man’s grave by five gravediggers. Through this remarkable hallucination of somber reflection we see the tragedy of a mistake’s impact on the lives of those it effects.

This is, to say the least, a dirty show. And I don’t mean X-rated, rather 641 pounds of soil are employed to create the burial site. Working with puppets on a multi leveled stage the breathtakingly bleak word of a graveyard is rendered with fantastical effect. The gravediggers dig, sing and animate the puppetry, be that actual or the shadow variety, to tell this sad story.

Charles Kim’s musical composition sounds like a Tom Wait’s homage, the perfect musical soundtrack for this austere dream. It is wonderfully performed by Rob Cruz, playing a piano that sounds like an old barroom upright that hasn’t had a tuning since The Great Depression and has been the recipient of more than one bottle of beer. This tawdry sound only adds to the forlorn wanderings on this purgatorial trip to the root of personal demise.

Not the ‘feel good show’ of the season, you would be well advised to bare the topic in mind. The play opens with a melancholy lullaby sung to an infant who is then placed back in his grave. The night that I attended the play a pregnant woman in the front row who was quickly moved to tears and then left the theater.

I add that not as much as a cautionary note but to illustrate to emotional depth and power of this sorrowfully poignant masterpiece.

Theater can do so much more than simply entertain. It can stretch our mind to process and encompass all aspect of the human condition thereby broadening our emotional vocabulary and our abilities to understand and empathize with others and with ourselves.

This is a lovely examination of the distressing side of our reality. All of the technical and creative elements coalesce flawlessly to deliver a haunting experience that will linger with you long after you leave the theater. This heart rendering and gorgeous production is well worth the emotional investment and should not be missed.

Rating: «««½

 (“Boneyard Prayer” runs through May 25 at Redmoon Central, 1463 W. Hubbard St. 312-850-8440 x111 – www.redmoon.org)