Review: Always, Patsy Cline (Fox Valley Repertory)

     
     

Patsy not the star of her own show

     
    

Megan Long as Patsy Cline. Photo by Trademan Photography

  
Fox Valley Repertory presents
  
Always, Patsy Cline
  
Created by Ted Swindley
Directed by John Gawlik
at Pheasant Run Resort, St. Charles (map)
through May 15  |  tickets: $29-$39  |  more info

Reviewed by Dan Jakes

Fox Valley Repertory performs Ted Swindley’s musical tribute to the late country music darling Patsy Cline through a haze, literally and figuratively. For one, generational, tertiary colored lights penetrate fog above the stage, making for a nice effect not unlike watching a “Lawrence Welk” type television show on an analog set. The edges around the singers and band are softened, and the space is filled with nostalgic ambiance.

The other haze is selective memory.

Whatever events that caused the lonely heartbreak that drives Cline’s most moving songs—listen to “Faded Love, ” for god’s sake—as well as the struggles she suffered attaining her success are left deep in the background. No, the stakes in Swindley’s play couldn’t be lower, but one gets the sense that’s where he wants them. Always, Patsy Cline is inspired by the real life letters kept between Cline (Megan Long) Megan Long as Patsy Cline in Fox Valley Rep's 'Always, Patsy Cline'. Photo by Trademan Photography.and her close friend Louise Steger (Kate Brown), and just like pouring over the letters of a departed friend, he only wants us to remember what was good. Cline’s actual biography is a tragic story of a legendary artist dying in a senseless accident at 30. Director John Gawlik’s show is the recounting of a friendship and the joy that carries on after someone passes.

We’re first introduced to Patsy in boots at the Grand Ol Oprey, with Louise miles away seated in a Lucy Chair in her kitchen. Listening to Cline sparks a bit of a love affair in Steger, and she quickly closes the gap.

As the narrator and primary means of moving the play’s light plot forward, Brown is engaging and affable. She makes a balanced duo with Megan Long, countering Long’s authoritative pettiness with broad shoulders, an admiration for cigarettes and coffee, and an unabashed willingness to wiggles, shake, and slap her tuckus. Getting the mostly older audience at Fox Valley Rep to actively engage can be a process akin to pulling dentures teeth, but Brown actually gets a few of them to their feet.

Cline, on the other hand, is written to be viewed from a distance. Long shines in the music numbers with her strong voice and well-trained little yodels and yips, but she’s given little opportunity to be the star any place else. Perhaps the playwright is trying attain some sense of mystique for the title-character. Trouble is, that choice forces Brown’s character to continually grab for exposition instead of action to tell the story about a friendship, and leaves our deep connection to their relationship out of reach.

  
  
Rating: ★★½
 
 

Kate Brown as narrating friend Louise Steger and Megan Long as Patsy Cline in Fox Valey Rep's "Always, Patsy Cline". Photo by Trademan Photography. Megan Long as Patsy Cline. Photo by Tradman Photography

Always, Patsy Cline: The Sweetest Musical This Side of Heaven runs through May 15th at Pheasant Run Resort, with performances Fridays and Saturdays at 8pm, Sundays at 2pm, with selective Thursdays either 8pm or 2pm.  Tickets are $29-$39 (dinner package: $49), and can be purchased online or by calling (630) 584-6342.  More info at www.foxvalleyrep.org.

All photos by Trademan Photography

     
     

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REVIEW: The Music Man (Marriott Theatre)

         
        

Iowa Splendid

 

 

Bernie Yvon and Danny Coonley in The Music Man - Marriott Theatre

    
Marriott Theatre presents
   
The Music Man
   
Book/Music/Lyrics by Meredith Willson
Directed by
Gary Griffin
at
Marriott Theatre, Linconshire (map)
through Jan 9  |  tickets: $40-$48  |  more info

Reviewed by Lawrence Bommer

For reasons we can only guess at, Marriott Theatre has picked it for their holiday offering. But if ever a show spelled out summer, it’s Meredith Willson‘s 1957 masterpiece The Music Man. Throughout the rollicking story the title character exudes sunny optimism, a flimflam that "Professor" Harold Hill wants to believe as much as the suckers who take it in. His buoyant drive fits the season like a picnic. You’ll forget about the winter completely over the next 150 minutes.

Johanna McKenzie Miller and Bernie Yvon in The Music Man - Marriott TheatreOf course Hill is a 1912 confidence man who hornswaggles a ragtag band into playing music, a shy boy into speaking, a town into believing in itself and a librarian into love. The sturdy story is perfectly embedded in a very particular time capsule, with Willson meticulously employing with glorious abandon assorted slang, celebrities and colorful metaphors from the era and the state.

Helping this miracle worker Hill cast his spell, Willson gives him such powerful persuasion as "Seventy-Six Trombones" and "Trouble," the famous snake-oil sermon. By the musical’s end Hill has sold far more than he knows, a passel of dreams for River City to grow on. It’s a great formula: A mysterious stranger comes to town and changes everyone for the best, including himself when he realizes that what he gives is worth far more than what he sells.

Few shows strike such a shrewd balance between downhome decency and showbiz savvy. Because The Music Man wears its songs on its sleeve, it can’t seem too slick or smooth. What matters is the tender loving care.

The heart comes through like a charm in Marriott Theatre’s easy-winning, arena revival. Intimately homespun yet always knowing, Gary Griffin’s staging trusts the material, Willson’s fast-moving book, deceptively clever lyrics and unimprovable melodies–and gets them right throughout.

The look, for instance: Tom Ryan‘s clever, flexible and detailed set pieces combine to create a richly nostalgic Iowa setting, and Nancy Missimi’s fashionplate period costumes complete the illusion.

The human illusions are equally on target. Conning with unforced charm, Bernie Yvon offers a Harold Hill who listens as much as hoodwinks; like a good salesman he connects with the townsfolk until you see how much he means it. His charm is non-negotiable, though the changes he undergoes are a bit harder to measure under Yvon’s boundless confidence.

Barbara Cook and Shirley Jones notwithstanding (comparisons are odious), Johanna McKenzie Miller nicely inhabits Marian’s rich mix of spinster standoffishness and idealistic yearning. Her "Till There Was You" is earned by every line she’s said. (The fact that she also sounds just like Cook in her perfect prime doesn’t hurt in the least either.)

The cast of The Music Man - Marriott Theatre 2

Johnny Rabe and Danny Coonley in The Music Man - Marriott Theatre Johanna McKenzie Miller and Bernie Yvon in The Music Man - Marriott Theatre 3

Like the leads, the supporting roles betray much more life than art, even the hammy stock roles like John Reeger‘s pompous mayor, Iris Lieberman as his starched-blouse wife, Mary Ernster as Marian’s matchmaking mother and Andy Lupp as Hill’s gleeful trickster accomplice.

As the decent local kids whom Harold helps, Adrian Aguilar and Amanda Tanguay carry the romantic subplot with goofy grace. Special credit goes to little Johnny Rabe whose bashful Winthrop wails out "Gary, Indiana" as if he just made it up.

Finally, Matt Raftery‘s unshowy choreography reminds us that these are unpretentious Iowans whooping it up as best they can: There’s no showoff hoofing here. The “Shipoopi” explodes with prewar pep and a palpable joy that makes the most difficult dancing seem a gift to perform as much as perceive. David Kreppel’s musical direction is assured, especially in the barbershop-quartet offerings.

 

  
  
Rating: ★★★★
 
 

The performance schedule is Wednesdays at 1pm and 8pm, Thursday and Fridays at 8pm, Saturdays at 4:30pm and 8pm, and Sundays at 1pm and 5pm.  There will be an added performance Tuesday, 11/23 at 8pm and Friday, 11/26 at 4:30pm.  No performances Tuesday-Thursday, Nov 24th and 25th.

The cast of The Music Man - Marriott Theatre

 

 

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