Review: Make Me Love You (New Rock Theatre)

     
    

Love me or quit me?

  
  

A scene from 'Make Me Love You - an evolution of love, presented by New Rock Theater and The Verge Theatre

  
New Rock Theater presents
  
Make Me Love You (an evolution of love)
  
Conceived and Directed by Brandon Pape
Music performed by
Paper Thick Walls
at New Rock Theater, 3933 N. Elston (map)
through Feb 20  |  tickets: $15-$20  |  more info

Reviewed by Allegra Gallian

Make Me Love You (an evolution of love), conceived and directed by The Verge Theatre’s Brandon Pape, takes a look at the various stages of love and how it affects those in it and those around it. Love is great while it’s good, but when it goes bad it’s like accidently taking a swig of that sour, curdled milk you left sitting in the fridge three weeks past its due date. With Valentine’s Day thrown into the mix, the Verge takes a look at the good, the bad and the ugly of love.

A scene from 'Make Me Love You - an evolution of love, presented by New Rock Theater and The Verge TheatreThe set, designed by Andréa Ball, is a very industrial space. With scaffolding, exposed lights and wiring and plastic hanging around like drapes and curtains, it creates a cool warehouse vibe. It’s almost like walking into a found space that someone decided to use as a backdrop for their performance, without all the bells and whistles, fancy set pieces and all the flair. The set also provides a jungle gym of sorts for the actors to swing, run and climb around on as they perform, creating interesting visual levels for the eyes to follow and a perfect opportunity to break through the fourth wall separating cast from audience.

Make Me Love You is a combination of three short plays performed and intermixed with poetry by various artists, and music performed live by Paper Thick Walls. It’s an interesting combination of mediums used as a portrayal of relationships and love. The show comes at the notion of love from all angles, literally and figuratively, with the use of so many art forms as well as the actors moving about the space not only in front of the audience but on the sides, behind them and through the aisles. It’s a very visual and sensory experience that, at times, fully engulfs the audience in the action and pulls the emotion through them.

The cast (Kevin Anderson, Rebecca Drew Emmerich, Joe Sultani, Claire Alden, Wes Drummond, Atra Asdou, Tom Scheide and Cathlyn Melvin) does a fine job of keeping the energy high to the pace of the performance is steady and moves along well. Although it keeps moving, there are many points at which there seems to be a disconnect between one scene to the next or different actions. It’s understood the overall underlying theme of Make Me Love You is love and relationships, but at certain points this theme takes on too broad of scope, leaving me wishing for a more concrete arch that connects the various parts of the performance.

     
A scene from 'Make Me Love You - an evolution of love, presented by New Rock Theater and The Verge Theatre A scene from 'Make Me Love You - an evolution of love, presented by New Rock Theater and The Verge Theatre

While appreciating the use of not only the short plays but the poetry and music with dance, some of the poems are powerful and fulfilling while others come across as just words repeated off a page with less force behind a meaning.

The performances by Paper Thick Walls and the choreography performed by the cast is interesting to watch and listen to but it is clear that not all of the actors are dancers so some movements are not as sharp.

It’s a welcome sight to see that Make Me Love You investigates not only mushy romantic love, but explores what happens when loves fades or makes people act in ways they never otherwise would. It plays into all of the different emotions that spring from love and relationships, taking the performance to different levels to keep the audience engaged.

  
  
Rating: ★★½
  
  

Make Me Love You (an evolution of love) plays at the New Rock Theater, 3933 N. Elston, through February 20. Tickets are $10 general admission and can be purchased by calling (773) 639-5316.

A scene from 'Make Me Love You - an evolution of love, presented by New Rock Theater and The Verge Theatre

     
     

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Review: Resonants’ “The Tragedy of Doctor Faustus”

The Resonants Exhibit the Pageantry of Hell in “The Tragedy of Doctor Faustus”

The Resonants have overreached themselves with this production of The Tragedy of Doctor Faustus, by Christopher Marlowe.  Director Dan Krall has a special affection for the material, yet he possesses too little directorial experience and too young and raw of a cast to pull off Elizabethan drama. Many of the actors fail to project and articulate their parts. Some changes between scenes are too rudimentarily staged to provide a cohesive arc to the production. Thankfully, a few bright embers shine out.

faustus press picClaire Alden has the strength of stage presence to pull off her cool, jaded, and sagacious Mephistopheles. Galen Murphy-Hoffman delivers an equally sleek and menacing Lucifer, and is great fun, both as the Emperor, with his George W. Bush impression, and a bumbling Pope. Both Avery Armour and Atra Asdou form a charmingly convincing con-artist team as Wagner and Valdes. Nathan Hicks has delightful moments as Robin the Clown. One can only wonder what further comedy improv training could elicit, both for him and for all of Faustus’ comedic moments.

Special mention should be made of the set design, which, despite a kind of spare industrial 80s flavor, still manages to evoke malevolent grandeur through the use of floor-to-ceiling black drapes precisely accented with large red tasseled cords. Even the red-light cross, hung upon the right wall, suggests a presence of evil rather than a source of spiritual comfort on stage.

If anything, it’s the visual storytelling of the production that succeeds in expressing the Elizabethan penchant for pageantry as part of stagecraft. The most evocative moment comes at the end, when the cast executes the horror of Dr. Faustus being dragged down into Hell with all its dark magnificence.

What is most sorely lacking is a strong lead. Nate Burger’s Dr. Faustus is a geeky academic, dipping his toe into monumental choices he can barely realize the ramifications of, until it is too late. He hardly seems the Renaissance ideal of a master of knowledge, which was the hallmark of the age. It is not quite clear that this is a dramatic choice rather than an actor simply struggling to the fill out the part.

Burger’s struggles are just one sign of a production that is out of its depth. This may be the moment that a young company needs to reassess its strengths and its deficiencies, in order to put on works that serve to expand its capabilities. There is enough promise here to encourage such an effort.

Rating: «

The Tragedy of Doctor Faustus
City Lit Theater
1020 W. Bryn Mawr

Runs thought July 12th
Price:$10-$15
for tickets, call886-811-4111
www.theresonants.org