REVIEW: Cougars! The Musical

She is cougar, hear her roar!



Fireworx Productions presents
Cougars! The Musical
by Gillian Bellinger and Chuck Malone
directed by
Corey Rittmaster
The Greenhouse Theater, 2257 N. Lincoln (map)
through May 22nd  |  tickets: $15  more info   

reviewed by Paige Listerud

Gillian Bellinger and Chuck Malone both have long, august (if that is the word) careers in comedy. Their collaboration on their latest creation, Cougars! The Musical has bourn the strangest, wildest, funniest fruit. By all indications, Cougar-fever has hit the Chicago comedy scene with a vengeance. Who needs critical accolades when your second night’s performance is packed to the rafters?

aaa-cougarsposter Three elderly gal pals, Kate (Gillian Bellinger), Lana (Rebecca Montalvo), and Bette (Madeline Wager) are on the prowl for fresh young meat. They even rename their favorite young bartender Meat (Justin Schumann), even though his real name is Kevin. (Hey, it’s good for the meat to know their place.) Meanwhile, Bette’s ex-husband, Frank (Brian Finley), who she divorced 40 years ago over his trysts with a geisha in Nam, still carries a torch for Bette and wants her forgiveness. Can Frank save Bette from Michael (Paul Barrett Ford), Bette’s hot, new, young beau, who has a dark and sinister agenda?

Director Corey Rittmaster’s remarks in the program say it all about Bellinger’s book and lyrics: “ . . . never in my wildest dreams could I have imagined that out of that sweet, fresh-faced Texas girl’s imagination would come this incredible homage to depravity and vulgarity.” What must also be acknowledged is the sophistication of Malone’s compositions for this raucous, in-your-face farce. While most comedy reviews content themselves with slap-dash and simple-minded arrangements for tunes, Cougars’ songs sound like they come from, well, a composer. Plus, choreography for the smaller tunes seems on the usual sloppy side of schlock comedy, while in bigger numbers the whole cast pulls together with sharper, more impressive performances.

Here’s where the picky theater reviewer comes in with her annoying critique – but Bellinger and Malone have brought it on themselves. By setting the bar higher in writing and composition, they’ve introduced greater demands upon the cast than might usually be expected from lesser fare. I have no idea how much time was taken in rehearsal, but if any remount of Cougars! The Musical is planned for the future—and why not—then greater care should be taken in more accurate, fully formed characterizations for each role. There’s still more juice to be squeezed from this juicy fruit and there’s no reason to think the current cast couldn’t take it all the way.

Cougars the Musical Cougars the Musical Cougars the Musical

Finally, the slow start to the show on its second night was noticeable—and low energy is always death to comedy review. Ford, as the swindler Michael, picked up the pace considerably with his rocked-out, rotten plans for Bette–“Off That Cougar Whore.” From there, the rest of the cast picked up and took flight. In particular, the cast brought down the house with Frank and Michael’s testosterone sparing match, “Dick to Dick.” Now top that off with acting that echoes the meticulous inflections with the script that Alaina Hoffman shows as Jennifer, Bette’s daughter, and you’ve got sex-crazed comedy that practically passes for ART. OMG! That could be a sign of the Apocalypse—a happy, joyful, cougar-y sign!

Rating: ★★★

Cougars! The Musical performs every Saturday, April 3rd-May 22nd (Saturday April 17th moved to Friday April 16th)


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