Theatre at the Center announces 2011 Season

Theatre at the Center

 

announces their

 

2011 Season

 

Coming off of a streak of some of the most successful seasons to date, Theatre at the Center Artistic Director William Pullinsi, announces their 2011 season, including Anthony Shaffer’s Sleuth, Nunset Boulevard, The Wiz, Guys and Dolls and Another Night Before Christmas

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February 17 – March 20, 2011

   
  Sleuth
   
  The season opens with one of the greatest stage thrillers, the masterpiece of suspense, Sleuth. The play, written by Andrew Shaffer, won the Tony Award for Best Play and inspired two film versions.  When an aging mystery writer lures his wife’s lover to his mansion, the younger man becomes unwittingly drawn into a tangled web of intrigue and gamesmanship, where nothing is quite as it seems. This edge-of-your-seat mystery filled with cunning plot twists is not only an exciting "whodunit" but a fascinating “whodunwhat."  The New York Times says Sleuth is "Clever, intricate…good, neat, clean and bloody fun and I most cordially recommend it.”  Sleuth will be directed by Theatre at the Center Artistic Director William Pullinsi and will run February 17 through March 20, 2011.

 

April 28 – May 29, 2011

   
  Nunset Boulevard
   
  Directed and choreographed by Stacey Flaster, Theatre at the Center presents the Chicago Area Premiere of the newest addition to Dan Goggin’s hilarious NUNSENSE line-up: Nunset Boulevard running April 28 through May 29, 2011.  The Little Sisters of Hoboken have been invited to sing at the Hollywood Bowl. They are thrilled at the prospect until they arrive and realize that they are booked into the Hollywood Bowl-A-Rama, a bowling alley with a cabaret lounge; having to contend with announcements from the bowling alley public address system as well as the activity on the lanes. The light at the end of the tunnel comes when word arises that a famous movie producer is auditioning across the street roles for his new movie musical, "NUNSET BOULEVARD: A Song from the Hart," about the life of Dolores Hart, the famous movie star who became a nun. The Sisters, who think they are obvious naturals for parts, race off to audition. NBC News raves,"Talk about a happy habit. The "nuns" have done it again. Sinfully funny laughs for the entire two hours."

 

July 7 – August 7, 2011

   
  The Wiz
   
  The Tony Award-winning musical, The Wiz, plays Theatre at the Center July 7 through August 7, 2011. The R&B musical adaptation of the book “The Wonderful Wizard of Oz” by L. Frank Baum first opened on Broadway in 1975.  Dorothy’s adventures in the Land of Oz have been set in a dazzling, lively mixture of rock, gospel and soul music. Its Broadway run, for four years and over 1600 performances, was historic as a large-scale big-budget musical featuring an all-African American cast. The production features the music and lyrics of Charlie Smalls and book by William F. Brown.  It won seven Tony Awards including Best Musical and was later produced in the 1978 Motown/Universal motion picture adaptation starring Diana Ross, Michael Jackson, Lena Horne, and Richard Pryor. Time Magazine says The Wiz is “a carnival of fun… a wickedly amusing show.” Stacey Flaster will direct and choreograph the production.

 

September 15 – October 16, 2011

   
  Guys and Dolls
   
  Based on “The Idyll of Sarah Brown” by Damon Runyon, Guys and Dolls is an exhilarating Tony Award-winning romantic comedy packed with gamblers, gangsters, missionaries, showgirls, and lively fun. Theatre at the Center Artistic Director William Pullinsi will direct the production running September 15 – October 16, 2011.  Guys and Dolls is the story of a group of gamblers in New York and the ladies in their lives. Sky has been bet that he can’t make the next lady that he sees fall in love with him, and when that next lady happens to be the prim and proper neighborhood missionary Sarah Brown, the stage is set for an evening of high-spirited entertainment.  Frank Loesser‘s toe-tapping score includes “Luck Be A Lady,” “Sit Down You’re Rocking The Boat” and “If I Were a Bell.”  Guys and Dolls premiered on Broadway on November 24, 1950 and ran for 1,200 performances, winning five 1951 Tony Awards. In London it ran for 555 performances. In 1955 the acclaimed film version was released, starring Marlon Brando, Frank Sinatra, Jean Simmons and Vivian Blaine.

November 17 – December 18, 2011

   
  Another Night Before Christmas
   
  From the writers of MARRIED ALIVE! and A DOG’S LIFE Sean Grennan and Leah Okimoto, comes Another Night Before Christmas, bringing holiday cheer to Theatre at the Center November 17 through December 18, 2011.  Another Night Before Christmas tells the story of burnt-out social worker Karol Elliot, who is having a crisis of Christmas spirit. While heading home on a lonely Christmas Eve, she shares her groceries with a homeless man who decides to show his thanks and rekindle her holiday cheer by breaking into her apartment later that night insisting that he’s Santa Claus.  Instead of stealing her belongings, he brings in a bag of goodies and transforms her downtown apartment into a blinking, red and green wonderland. Before long Karol begins to wonder, is this bearded stranger more than what he seems? Another Night Before Christmas is a delight for the whole family. This witty and tuneful holiday favorite, Directed by William Pullinsi, is a Chicago Area Premiere and is sure to win laughs from anyone who’s ever lost – or found – the holiday spirit.
     
     

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Review: 8th Annual ‘Cut to the Chase’ One-Act Play Fest

The Artistic Homes’ 8th Annual One-Act Play Fest, Cut to the Chase – go for the late-night fun and stay for the great acting.

Last Days of the Dinosaurs

Cut To The Chase
The 8th Annual One-Act Playfest

Palace of Riches, directed by John Mossman.
The Waiting, directed by Matthew Welton.
Last Days of Dinosaurs, directed by Luis Crespo.
Sponsored by The Artistic Home

Reviewed by Paige Listerud

Late-night theater like this inspires a lot of drinking and frolicking among the audience, who are typically friends of the cast and playwrights, out for a bit of fun. Still, who would suspect that some of the best acting of the season could take place in a little known venue such as this? And yet it does. The dramatic skill and maturity of the actors makes The 8th Annual Cut to the Chase compelling theater to watch, even when sometimes the material is a little lacking.

The Artistic Home sponsors this one-act play fest each year, and, at least for this year, it seems each play must fulfill these requirements: they must start with the line, “Like most alcoholics, he drove a van . . . .”; they must make use of a gasoline can, a parking meter, and chicken on a silver platter; they must conform to a certain theatrical genre. Palace of Riches by Jim Lynch, though set on Chicago’s west side, seems to be based on Damon Runyon’s work; The Waiting by Christine Hodak seems to be pretty much a one-act mock-up of Beckett’s Waiting for Godot; and Last Days of Dinosaurs by Matt Welton is a surrealist train wreck.

Palace1 Lynch’s play, Palace of Riches,strikes the happiest balance between written material and actors’ talents. The down-and-out trio of Zeke (Eric Simon), Eddie (Tim Musachio), and Sara (Kathryn Danforth) could have degenerated into simplistic stereotypes, but all three actors exemplify the actor’s craft, displaying maturity, depth, timing, making human connections between all three characters that lie at the heart of the heart of this play. Humor that might have been too hokey in someone else’s hands comes off as witty, charming, and humane from these pros. Tim Musachio makes his Eddie almost valiant with the hope of someday being something more than “a mook” for his own daughter; Kathryn Danforth portrays a messy drunk with sympathy and humanity; and Eric Simon embodies the cunning resourcefulness, mischief, and even poetry that characterizes Zeke.

Waiting3 The Waiting practically rewrites half of Beckett’s Waiting for Godot, but to what end? Beckett had a thing about not wanting women to take on roles in his plays and Christine Hodak creates a Pozzo-style character in Audrey (Samantha Church), worshipfully served by her own Lucky Joe (Buck Zachary)–complete with leash, suggesting some BDSM humor. Hodak also gives a satirical nod to women’s spirituality feminism with a little goddess-y ritual that Audrey performs before she departs from Oscar (Michael Denini) and Felix (J. P. Pierson). But what is the point to be made—that women can be as domineering and dictatorial as men? Forgive me for sounding a little jaundiced, but I lived through the Reagan/Thatcher years—that’s nothing new to me. The only pay-off in the end is the deeper development of Felix, who takes on a greater aspect of consciousness, even if he remains somewhat under Oscar’s control. But whatever its shortcomings, The Waiting benefits from the unflagging zeal, commitment, and nuance of the actors.

LastDays3 Sad to say, actor talent and commitment cannot save Last Days of Dinosaurs. Matt Welton has taken stereotypes—Alice (Liz Ladach-Bark) as the June Cleaver housewife, the flatfooted Cop (Matt Ciavarella), Carol (Marissa Cowsill) as the raving fundamentalist evangelical daughter, and Stephen (Kirk Mason) as the ravening Alpha-male son—and geared them all up for their own cataclysmic melt-down. While each character is introduced to good humorous effect, without deeper development, why should the audience care about them? Once one gets the joke and can see the train wreck coming within the first five minutes, what is there to hold one’s attention? What is more, each of these characters need greater development in how or why they identify as they do and what they want from each other, beyond the overplayed one-note of dominating the scene. It’s only the sexual titillation between Alice and the Cop that begins to branch out from the original premise. All the rest is shouting.

Still, The Artistic Home provides a vital space for new work. Go for the late-night fun and stay for great acting.

Rating: ««