Review: All in Love Is Fair (Black Ensemble Theater)

  
  

All is fair in Love, Illinois

  
  

All In Love Is Fair - Jenny Lamb and Dwight Neal - Black Ensemble Theatre

  
Black Ensemble Theater presents
  
All in Love Is Fair
  
Written and Directed by Jackie Taylor
at Beacon Street Theater, 4520 N. Beacon (map)
through May 8  |  tickets: $40-$48  |  more info

Reviewed by Lawrence Bommer

Somewhere near the southern tip of the state, the fictitious Illinois town of Love is crammed with couples in and out of love, straight and (closeted) gay, mixed race and size, seasoned and raw. One is celebrating a 50thanniversary, another is breaking up just after the honeymoon, and another reconnects after a three-month separation. What sets such familiar folks apart in Jackie Taylor’s diverting new 150-minute musical All in Love Is Fair is the score by Luther Vandross: In moments of crisis or ardor they burst out in ballads that amount to emotional meltdowns as naturally as they fight, romance, and reconcile.

All In Love Is Fair - Katrina Miller and Lyle Miller - Black Ensemble TheatreTaylor’s song-setting script contrasts these generic couples. But the selections, by far the best excuse for the generic plot lines, connects them, wonderfully. As always, Taylor can find talent and, despite the overmiking that disguises the great chops, lungs, and pizzazz of this 13-member ensemble, this is a showcase to make them stars. Robert Reddrick’s musical direction and arrangements are chartbusting right.

Playing the coy hostess as she narrates the soapy stories, Katrina V. Miller also digs deep into “The Way We Were.” Rhonda Preston, as a 68-year-old marriage survivor, puts a lifetime of devotion into “You Make Me Feel Like A Natural Woman,” while, as her adoring husband, Zachary Boyd testifies to heaven on the “Power of Love” and in “So Many Ways.” Donald Barnes teaches us to “Wait For Love,” Lawrence Williams is a ladykiller with his sultry “For the Good Times,” and Daryl Brooks pleads, with contagious fervor, that he “Don’t Want To Be A Fool.”

Carrie (her full name) knocks the soul in and out of “When You Tell Me That You Love Me,” her love offering echoed by the searing lamentation of Dawn Bless Comer’s “Fools Fall In Love.” Aerial Williams reinvents all the crushing infatuation of “First Time Ever I Saw Your Face.” Jenny Lamb takes on “All The Man I Need,” as if introducing it to the world fully fresh.

Bringing down the house is belting phenom Vasily Deris whose “Never Too Much” and “Dance With My Father” had the audience forming a fan club on the spot. As they celebrate their good times at the town’s well-named Diversity Club, the troupe come together triumphantly in the raucous “Bad Boy Having a Party” and Taylor’s own signature creation “Love, Illinois.”

If that sounds like a command as well as place, this is the musical to mean it.

  
  
Rating: ★★★
  
  
All In Love Is Fair - Dawn Mitchell - Black Ensemble Theatre All In Love Is Fair - Katrina Miller and Lyle Miller All In Love Is Fair - Vasily Deris
All In Love Is Fair - Lawrence Williams All In Love Is Fair - Caririe and Vasily Deris All In Love Is Fair - Aeriel Williams and Lawrence Williams

Performances for All In Love Is Fair are Fridays and Saturdays at 8:00 p.m. and Sundays at 3:00 p.m.  Tickets are $45 on Fridays and $47.50 on Saturdays and Sundays. Discounts are available for students, seniors, and groups. Tickets, including group tickets, are available by calling the Black Ensemble Theater Box Office at773-769-4451, or visiting www.ticketmaster.com.  All performances take place at the Black Ensemble Theater, 4520 N. Beacon Street.

     
     

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