Review: Soul Samurai (Infusion Theatre Company)

     
     

Not quite enough soul in ‘Soul Samurai’

     
     

Glenn Stanton, Megan Tabaque, Paul Tadalan, Christine Lin, Zach Livingston, Anji White.

  
Infusion Theatre Company presents
   
Soul Samurai
  
Written by Qui Nguyen
Directed by Mitch Golob
at Theater Wit, 1229 W. Belmont (map)
through June 5  |  tickets: $15-$25   |  more info

Reviewed by Barry Eitel 

Bloodthirsty shoguns run a post-apocalyptic New York City. A female warrior seeks revenge for her murdered girlfriend, armed with only a katana and a wise-cracking sidekick.

It’s a pretty sweet premise for a play. Especially when a live DJ is scoring the activities and comic book-style video projections provide visual gimmickry. Infusion Theatre Company’s production of Qui Nguyen’s Soul Samurai promises to attract nerds and action-addicts alike. If only the product lived up to the hype.

Nguyen’s play falls into the same pit many of the action movies he’s sending up fall into. Instead of a cohesive plot, the story just seems to be an excuse for the next battle. Even with director Mitch Golob at the helm and Geoff Coates crafting the complex sword brawls, the production can’t overcome the play’s flaws. The pacing of the entire show is jilted and the fights seem to be running at about 75%, not full Christine Lin, Amy Dellagiarino in Infusion Theatre's 'Soul Samurai' by Qui Nguyen. Evan Lee, Christine Lin in a scene from Infusion Theatre's Soul Samurai by Qui Ngyuen. Photo by Anthony LaPennaspeed. It’s fun, but it is not fun enough.

Nguyen writes in a style that is half neo-Kung Fu flick and half Blaxploitation. He sets his story several years after New York City has fallen to ultra-violent gangs and a few genuine psychopaths. We follow Dewdrop (Christine Lin) as she seeks to avenge the death of her lover, Sally December (Amy Dellagiarino), who was attacked by a mob of bad guys right in front of Dewdrop’s eyes. The narrative is chopped up so we also see how Dewdrop went from a demure, Asian college student to an urban Amazon. She battles through to Brooklyn, along with her loudmouthed pal Cert (Steve Thomas). But as she slashes deeper into the city, the thugs get more sinister. And maybe a soul-deprived Sally December is among them. Like any good hero, Dewdrop presses on to the bloody end.

I have to give Infusion props for bringing a tale on-stage that you usually don’t see—something action-based instead of focusing on a bunch of characters jabbering the whole time. Although the play is a unique beast for theatre, it doesn’t feel entirely original. While “Kill Bill” was Tarantino’s homage to Hong Kong cinema, it was also an entirely new tale. Soul Samurai seems like an homage to “Kill Bill”. It doesn’t help that the soundtrack is referenced at least twice.

While his production generally exudes the cool necessary for something like this, Golob’s show is flawed. On paper, the running time was an hour and 45 minutes; in reality, the show clocked a half hour over that. A lot of that was due to slow transitions Master Leroy (Evan Lee), Dewdrop (Christine Lin)and dragging scenes, including a training montage that overstays it’s welcome. And on opening night, at least, the on-stage action, music, and video weren’t entirely synced up.

The cast captures Nguyen’s tough, dog-eat-dog style well. Lin has a bit of tough time commanding the space, but she finds it eventually. She’s got the spunk, but she can’t always externalize it. Thomas is the highlight of the show, always flying at a breakneck pace and delivering his profanity-laced witticisms with flair. Other favorites include Glenn Stanton as a pimp-coat donning shogun and Evan Lee as the stereotypical sensei (“Sally” comes out as “Sarry”).

Considering how cool the show could be, the end product is just sort of disappointing. There’s a lot of flash, and Jesse Livingston’s musical styling adds some fun. But, for me anyway, it wasn’t enough to cover up the holes in Nguyen’s pedestrian script. How often, though, is there a chance to see live samurai battles in this city? The slice-and-dice novelty is indeed worth checking out.

  
  
Rating: ★★½
  
  

Evan Lee, Christine Lin in a scene from Infusion Theatre's Soul Samurai by Qui Ngyuen. Photo by Anthony LaPenna

Soul Samurai runs April 28 – June 5 at Theater Wit, 1229 W Belmont Ave.
The performance schedule is Thursday – Saturday at 8 p.m. and Sunday at 3
p.m. Tickets are $25 during the run with student, senior and industry
discounts available. Industry tickets, $15, are available at all Thursday
performances. Tickets may be purchased by calling 773-975-8150 or at
infusiontheatre.com.   

Photos by Anthony LaPenna

  

Continue reading

Megon McDonough and “The Mistress Cycles” at the Auditorium Theatre stage

This Saturday – On Stage with Megon McDonough

 

On stage with…Megon McDonough

Dates: Saturday, July 18, 2009
Times: 8:00 p.m.
Price: $50; $75

Step ONTO our stage, take a seat at a table, order a drink and enjoy the show. Our summer series treats the audience to an unforgettable performance while enjoying a rare vantage point typically reserved for the performer – the stage.

"Megon is truly one of the most gifted and authentic of performers." – Bill Campbell, ABC7

Best known for her work as one of the inaugural members of the Four Bitchin’ Babes, singer, songwriter and entertainer Megon McDonough will perform signature songs of platinum divas who sang from stage, screen, music halls and clubs right into the hearts of audiences around the country. Her debut Auditorium performance will include songs by the ladies of the British Invasion – Petula Clark, Lulu and Dusty Springfield, along with American counterparts Judy Collins, Janis Ian and Janis Joplin.

THREE EASY WAYS TO PURCHASE TICKETS:
Online:
TicketMaster.com
Phone: 312.922.2110 ext. 300
In person: Auditorium Box Office, 50 E. Congress Parkway (open Monday-Friday noon-6pm)

==============================================

Coming up next on the Auditorium Theatre Stage:

 

mistress-cycleThe Mistress Cycle

Dates: July 22 – August 8
Times: various, see below
Price: $49

 

The Auditorium presents Apple Tree Theatre‘s production of Jenny Giering and Beth Blatt’s The Mistress Cycle

For this event, the Auditorium stage is transformed into an intimate black box theatre-in-a-theatre, seating 200. 

The Mistress Cycle breaks the mold of the traditional book musical, instead offering audiences a “song cycle” that illuminates stories of passion, sacrifice and strength of spirit. The Mistress Cycle explores the lives and loves of five notorious mistresses: Tess Walker, a contemporary Manhattan photographer; Anais Nin, the famed sexual adventurer of the early 20th century; Diane de Poitiers, the mistress of King Henri II of 16th century France; Lulu White, a turn-of-the-century New Orleans bordello Madame; and Ching, a 14-year-old concubine in 12th century China.

Directed by Kurt Johns
Musical Direction by Diana Lawrence

Continue reading