REVIEW: Billy Elliot (Broadway in Chicago)

‘Billy Elliot’ shines

 

Emily Skinner, Cesar Corrales and Cast

 
Broadway in Chicago presents
 
Billy Elliot: The Musical
 
Book and lyrics by Lee Hall, music by Elton John
Directed by Stephen Daldry
At the Ford Center for the Performing Arts, Oriental Theatre
Open run (more info)

Reviewed by Leah A. Zeldes

After four Laurence Olivier Awards, ten Tony Awards and ten Drama Desk Awards, you don’t need me to tell you that Billy Elliot: The Musical is worth seeing. Time Magazine also named it the "Best musical of the decade," an assessment I Tommy Batchelor as Billydon’t agree with —  my vote goes to Urinetown — but I will say Billy Elliot has everything a good musical ought to have: Fine music, outstanding choreography and a heartwarming, if clichéd, story full of triumphs and pathos.

Having opened in London in 2005 and on Broadway in 2008, the acclaimed musical has finally come to Chicago, where a stellar cast does it full justice.

Based on Lee Hall’s screenplay for the 2000 film, the plot is one we’ve seen many times before — a talented youth, dancing to his own drummer, beats the odds and makes doubters accept him on his own terms.

In this case, it’s 11-year-old Billy Elliot, son of a British miner, amid the devastating 1984 Coal War in which labor lost its fight against Margaret Thatcher’s conservative government, destroying the miners’ union and all but ending coal mining in the U.K. Billy’s mother is dead; his grandmother is senile; his dad and older brother, Tony, are on strike, along with most of the men in their town; money is short and tempers are flaring. Sent to boxing class, Billy accidentally stumbles into a girls’ ballet lesson and discovers a love and talent for dancing — outraging the men in his life.

It’s a rollercoaster of a story, full of contrasts, at turns funny and sad, raucous and refined, exultant and despondent. Politics, class consciousness, the role of the arts vs. sports, sexual identity all come together, sometimes clashingly. If the bitter defeat of the strike seems an odd match for the bright jubilation of Billy’s triumph, well … it’s a musical.

Peter Darling’s dazzling choreography makes the most of the juxtapositions, as in the brilliantly effective sequences of warring police and angry strikers interspersed with little girls in tutus.

Giuseppe Bausilio and Samuel Pergande J.P. Viernes as Billy
Tommy Batchelor and Ballet Girls Miners Association

Performed by a first-rate orchestra, led by Colin Welford, Elton John’s score, with lyrics by Hall, also brings us some startling contrasts. It runs the gamut from cheerful music-hall ditties to rousing anthems to sad ballads, from joyous to silly to angry, sometimes even in the same song. In an excellent example, one of the few solos, "We’d Go Dancing," Billy’s grandmother — a splendid performance by Cynthia Darlow — recalls her unhappy married life.

On the silly side, we get "Expressing Yourself," a strange sequence in which Billy and his transvestite friend, Michael (played alternately by Keean Johnson and Gabriel Rush), don women’s clothes and then dance with giant headless dresses.

Then there’s the pure joy of "Electricity," Billy’s paean to dancing.

A rotating cast of four boys plays Billy. On opening night, 13-year-old Cesar Corrales showed dazzling talent as a dancer and actor. A breathtaking pas de deux with his older self (onetime Joffrey dancer Samuel Pergande) deservedly drew a standing ovation on opening night.

We also see excellent moves from Emily Skinner as Mrs. Wilkinson, Billy’s pushy ballet teacher, and Blake Hammond as Mr. Braithwaite, her grotty accompanist.

No one in this ensemble puts a foot wrong.

 
Rating: ★★★½
 

This musical contains adult language some parents may consider unsuitable for children.

Billy's Under Theatre Lights

 


 

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Elton John and Partner are Broadway producers again

Elton John and partner David Furnish are the newest producers of the play Next Fall, with the Off-Broadway production making its opening on Broadway in the Helen Hayes Theatre on March 11th.  Next Fall deals with gay relationships, and all of the ups and downs occurring along the way.

COUPLES DAVID FURNISH ELTON JOHN X390 (GETTY) | ADVOCATE.COM

Receiving good reviews during an engagement off-Broadway in 2009, the play has a distinct disadvantage in that it has no star actor, director or playwright to help draw audience members.  The industry is hoping that the star power of Elton John will make up for this.

This is the couple’s first foray into non-musical production – they have previously collaborated on Broadway for Billy Elliot: The Musical. John was Tony-nominated for best original score and Furnish served as executive producer.

Billy Elliot launches first webisode – watch it now!

Featuring Elton John and the 4 Billys

 

This first Billy Elliot webisode features interviews with Elton John (music), Stephen Daldry (director) and the four young stars rotating in the role of ‘Billy’ – Tommy Batchelor, Giuseppe Bausilio, Cesar Corrales and JP Viernes.

 

Find out why the producers chose Chicago for the first U.S. production outside of Broadway and what makes Chicago such an incredible city for live theatre.

Additional webisodes will be released in March and April to introduce the cast, explore rehearsals, audience reactions, opening night and more, giving viewers around the world a chance to connect with this hit musical as it begins its run in Chicago.

More information regarding the production available after the fold.

 

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Billy Elliot announces entire Chicago cast, including 4th Billy

“Billy Elliot” announced Chicago cast

billeyelliott

Including J.P. Viernes as Chicago’s 4th Billy

 

Universal Pictures Stage Productions, Working Title Films and Old Vic Productions in association with Weinstein Live Entertainment, has announced, with Broadway In Chicago, casting for the Chicago production of Billy Elliot the Musical, previews beginning March 18th at the Oriental Theatre; opening night being Sunday, April 11th. The cast includes John Peter (J.P.) Viernes who joins the previously announced actors Tommy Batchelor, Giuseppe Bausilio and Cesar Corrales in the role of ‘Billy’.

Below: 3 of the 4 Billy’s

Cloud Gate

Starring in Billy Elliot are Armand Schultz (Dad); Cynthia Darlow (Grandma); Patrick Mulvey (Tony); Keean Johnson and Gabriel Rush (Michael); Chicagoan Samuel Pergande (Billy’s Older Self); Jim Ortlieb (George); Chicagoan Susie McMonagle (Mum); Chicagoan Blake Hammond (Mr. Braithwaite); and Maria Connelly (Debbie).

Also featured are Matt Allen; Jason Babinsky; Chicagoan Elijah Barker; Madison Barnes; Cindy Benson; Sara Brians; Chicagoan Tony Clarno; Abby Church; Christine DeFillipo; Alexandra Dell’Edera; Faith Fetscher; Susan Haefner; Ryan Kasprzak; Chicagoan Kayla King; Kent Lewis; Will Mann; Kate Marilley; Spencer Milford; Brittany Nicholas; Chicagoan Mark Page; Mitch Poulos; Emily Richardson; Annelise Ritacca; Michaeljon Slinger; Jaclyn Taylor Ruggiero; Jamie Torcellini; Nicholas Torres; Brionna Trilling; and Kayla Vanderbilt. Additional casting will be announced at a later date.


About “Billy Elliot”

Stage DoorBilly Elliot is the funny, heartwarming tale of a young boy with a dream, and a celebration of his triumph against the odds. Set against the historic British miners’ strike of the 1980s, the story follows Billy’s journey as a boy in a small mining town who, after stumbling across a ballet class while on his way to a boxing lesson, realizes that his future lay not in the boxing ring but on stage as a dancer.

Featuring music by Elton John, book and lyrics by Lee Hall, choreographed by Peter Darling and directed by Stephen Daldry, Billy Elliot opened at Broadway’s Imperial Theatre on November 13, 2008 and was the winner of ten 2009 Tony Awards, including Best Musical.

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